Arrangeur: Ursula Schmidt-Laukamp. Par BLAVET MICHEL. Michel Blavet (1700-1768) était un musicien très célèbre et populaire de son vivant. Bien qu'il soit un autodidacte sur de nombreux instruments, son instrument principal était la flûte traversière dont il jouait de la main gauche. Ses compositions mêlent les styles italiens et français. Formellement, ses sonates sont des suites et ont souvent des titres programmatiques. La sonate op. 2 #4 est aussi appelé 'La Lumague'. Marie de Lumague (1599-1657) a fondé le mouvement Caritas en France sous le règne de Louis XIII. Il est supposé que les deux cette femme et son Blavet travail inspiré pour écrire cette sonate belle ./ Répertoire / Flûte à Bec Alto et Piano

16 Pieces. Par JOHOW JOACHIM. Les joueurs de flûte à bec n'ont plus à regarder avec envie les instruments klezmer typiques : la clarinette et le violon. Inspiré par de vieilles mélodies klezmer, Joachim Johow a écrit 16 compositions sur mesure pour la flûte à bec et a reconstitué des scènes d'une ville juive, dont 'Am Morgen in der Gasse' [Le matin dans la ruelle], 'Auf dem Jahrmarkt' [À la foire], 'Schlittenfahrt' [Balade en traîneau], 'Tanz der Großeltern' [Danse des grands-parents], ' Am Abend' [Le soir]. Un vrai enrichissement du répertoire ! Jouable avec accompagnement de piano ou de guitare. De plus, une partie de basse est disponible en téléchargement. Tous les morceaux sont disponibles au format mp3 en version complète et en version play-along. / Niveau : 2-3 / Musique traditionnelle / Recueil / Flûte à Bec Alto et Piano

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)These two tutors with accompanying teacher's books are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.

Concert Pieces - Teacher's Book-A superb collection of classical favourites show tunes and Latin-American dances as well as ragtime and enticing new pieces by John Pitts arranged and graded for Recorder players of any age.Designed to be used alongsidethe best-selling Treble Recorder From The Beginning tutor series. Pieces begin using the first eight notes taught in the tutor book before steadily increasing. The pieces themselves are absorbing and exciting offeringinspiration and incentive to develop new skills and rhythmic awareness. You will also find eight duets - a superb chance to experience the wonders of small-ensemble performance either with a teacher or a fellow pupil!

21 Works for Treble Recorder with Piano-This anthology contains pieces by seventeenth and eighteenth-century composers in a variety of different styles. The repertoire includes works by major composers such as Telemann as well as lesser-known composers including amongst others Hotteterre Marcello Chédeville and Schickhardt. This collection is ideal for recorder teachers looking for additional repertoire for their teaching practice as well as developing players looking to expand their repertoire and for use in school or music centre concerts.Content- Hotteterre: Overture Le Festin- Hotteterre: Entrée du Bal- Hotteterre: Air- Hotteterre: Bourrée- Dornel: Le Zephir- Dornel: Marche des Vestales- Dornel: Marche des Evapores- Dornel: Les Turlupins- Finger: Paul's Steeple- Anon.: Sarabande- Anon.: Minuets I & II- Anon.: Hornpipe- Anon.: Greensleeves to a Ground- Marcello: Adagio- Marcello: Allegro- Chédeville: Pastorale- Schickhardt: Largo- Schickhardt: Allegro- Telemann: Adagio- Telemann: Vivace- Dornel: Chaconne

THE JACOBEAN COLLECTION, Volume I: 18 Pieces for alto recorder and keyboard, ed. Larry Bernstein. This anthology fills an important gap in two ways: there is relatively little easy music for alto and continuo, and practically nothing from the 17th century. Dances by Horne, Adson and Dowland, some very lively masque tunes, and a magnificent set of variations, Dr. Bull's Ground. Score and part

Six Recorder Sonatas. At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel?s six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience; the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player. In the score of the Urtext edition, Ullrich Scheideler provides a moderate continuo realisation; the additionally available performance score (HN 1574) with figured basso part offers the advanced musician latitude for his/her own improvisation.

Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic Pam Wedgwood's series has it all. Really Easy Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.For Recorder with Piano accompaniment this book contains some delightful repertoire pieces for the elementary recorder player. The solo Recorder part is also included on a separate insert.

Dans ce travail récent Genzmer fusionne le langage musical d'une chanson d'amour anglais traditionnel avec son propre idiome infailliblement contemporaine. Les quatre Variations et Coda sont un prendre joliment différent sur une mélodie de vieux préférée. / Flûte A Bec Alto Et Piano

bearbeitet für Altblockflöte und Cembalo von Klaus Miehling. Flautando Edition

Sonata Quarta, G Major And Sonata Quinta, D Minor. Par SANTINI ALLESSANDRO. Cette édition est destinée à présenter deux des six sonates enregistreur au public, écrite par le compositeur largement inconnu Allessandro Santini. Jusqu'à présent, nous n'avons aucune information sur les données biographiques Santini, ni sur l'origine exacte du manuscrit qui est conservé à Venise. Le urtext a été utilisé pratiquement inchangé pour cette édition pratique. Une révision concise dresse la liste des corrections apportées./ Répertoire / Flûte à Bec Alto et Piano

Five nursery tunes magically and subtly transformed by Trevor Hold who has long delighted in these disarmingly simple tunes. Among those used are: 'The Twelve Days of Christmas' 'Hush-A-Bye Baby' and a very lively 'O Dear what can the matter be?'