SKU: HP.C5290C
UPC: 763628952907. By William Williams, David Strasser & John Hughes. Exodus 13:21, Exodus 15:13, Isaiah 58:11, Ephesians 5:19, Hebrews 11:13, James 5:13, John 6:33, Joshua 4:1-3, Psalms 1:1-6, Psalms 25:5, Psalms 48:14, Psalms 73:24, Psalms 124:1-8, Psalms 140:7, Psalms 144:2.
Welsh hymn by William Williams, David Strasser & John Hughes Perfect for blended worship, this inventice merger of the contemporary worship song, Step By Step, and the lassic Welsh hymn, Guide Me, O Thou Great Jehovah, sparkles with creative musical ideas throughout. A strong, rhythmic accompaniment underscores the joyful words of both of these songs - written a century apart - on the them of God's guidance.
SKU: HP.C5290R
UPC: 763628252908. By William Williams, David Strasser & John Hughes. Exodus 13:21, Exodus 15:13, Isaiah 58:11, Ephesians 5:19, Hebrews 11:13, James 5:13, John 6:33, Joshua 4:1-3, Psalms 1:1-6, Psalms 25:5, Psalms 48:14, Psalms 73:24, Psalms 124:1-8, Psalms 140:7, Psalms 144:2.
SKU: HL.49014460
ISBN 9790220129674. English.
SKU: BA.BA10700
ISBN 9790006550135. 33 x 26 cm inches. Text Language: English, Italian. Preface: Heinrich, Artie. Text: Gay, John / Hughes, John / Pope, Alexander / Giuvo, Nicola.
Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s “Metamorphoses†a total of three times: in the cantata “Aci, Galatea e Polifemo†HWV 72 (1708), the masque “Acis and Galatea†HWV 49a (1718) and finally the pasticcio-like serenata “Acis and Galatea†HWV 49b (1732) of which the original version is now made available in its complete form for the first time.A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel’s Italian singers were criticised for their poor command of English, – so in the end, many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BC.238001
9x12 inches.
SKU: GI.G-9336INST
UPC: 785147933694. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.
The organ accompaniment is printed in full score. The brass and timpani parts are optional and horn in F is a substitute for trombone I.
SKU: GI.G-9714
UPC: 785147971405. English, Greek, Latin.
SKU: HL.1138341
UPC: 196288114079. 6.75x10.5x0.029 inches.
“Guide Me, O Thou Great Redeemer†is a festive arrangement of the familiar hymn tune, CWM Rhonda. With optional full orchestra or brass/percussion instrumentation, Duane Funderburk's arrangement also has an option of involving the congregation along with the choir. This prayerful hymn would make an amazing festival piece fitting for many performance settings.
SKU: HL.244247
UPC: 888680729110. 6.75x9.75x0.077 inches.
Nico Muhly's Malmesbury Motets arranged for SATB chorus and Viola da Gamba. Commissioned for the choir of Malmesbury Abbey, Wiltshire by Revd Canon Neill Archer (vicar) and Dr Annie Davis (Lay Precentor). First performed on 26 & 27 November 2016 at the Advent Carol Services at Malmesbury Abbey, by the Abbey Choir, directed by John Hughes and Rebecca Saunders. Duration approximately: 8 minutes.
SKU: GI.G-9336
UPC: 785147933601. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.
One of the grandest tunes in Christian hymnody is CWM RHONDDA, and Raymond Haan has crafted a setting that magnifies the tune’s gravitas. The tune appears with its traditional partner, “God of Grace and God of Glory,†and would be ideal for festival or ecumenical celebrations. The brass and timpani are optional, horn in F may be substituted for the trombone I. The brass and timpani parts are optional and horn in F is a substitute for trombone I.