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| Bearbeitungen und Erganzungen von Werken verschiedener Komponisten Voice and Orchestra Barenreiter
Voice or instrument, or voice and instrument (Voice or Instr or Voice, Instr) (+)
Voice or instrument, or voice and instrument (Voice or Instr or Voice, Instr) SKU: BA.BA04614-01 Composed by Wolfgang Amadeus Mozart. Edited by Anke Bödeker, Dietrich Berke, Faye Ferguson, and Ulrich Leisinger. This edition: complete edition, urtext edition. Linen. New Mozart Edition (NMA). X/28/3-5,2. Supplement. Complete edition, Score, anthology. Baerenreiter Verlag #BA04614_01. Published by Baerenreiter Verlag (BA.BA04614-01). ISBN 9790006546978. 33 x 25.8 cm inches. Text Language: German, Italian. Preface: Dietrich Berke/Ulrich Leisinger. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$281.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Il Teuzzone, RV 736
(ANTONIO VIVALDI) Voice and Orchestra [Sheet music] Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...(+)
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. '/ Répertoire / Chant et Orchestre
200.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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