American Company
(227 results)
No shipping to countries within the European Union.
|
European Companies
(466 results) |
|
|
|
| Violin Concerto Orchestra, Violin [Study Score / Miniature] Oxford University Press
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin ...(+)
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin and orchestra (solo violin, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 184 pages. Duration 30'. Published by Oxford University Press
$37.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Musical Buffet Of All-Time Favorites - Violin Orchestra, Violin [Sheet music] - Intermediate Kjos Music Company
By James McLeod. Orchestra Method/Study. Musical Buffet of All Time Favorites. L...(+)
By James McLeod. Orchestra Method/Study. Musical Buffet of All Time Favorites. Level: Grade 3. Music Book. Published by Neil A. Kjos Music Company.
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto in A minor for Violin and Orchestra op. 53 (score) Orchestra, Violin [Score] Barenreiter
Composed by Antonin Dvorak (1841-1904). Edited by Iacopo Cividini. This edition:...(+)
Composed by Antonin Dvorak (1841-1904). Edited by Iacopo Cividini. This edition: Urtext edition. Score. Published by Baerenreiter Verlag (BA.BA10422).
$79.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Violin And Orchestra Orchestra, Violin [Study Score / Miniature] Universal Edition
(After The Text Of Alban Berg). By Alban Berg (1885-1935). Edited by Douglas Jar...(+)
(After The Text Of Alban Berg). By Alban Berg (1885-1935). Edited by Douglas Jarman. For Solo Violin, Orchestra. This edition: Critical Complete Edition. Hardcover. 83 pages. Duration 23 minutes. Published by Universal Edition
$148.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Violin And Orchestra In D Major Op61 Score Orchestra, Violin SATB, Orchestra EMB (Editio Musica Budapest)
Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. C...(+)
Violin and Orchestra SKU: HL.50485236 Composed by Ludwig van Beethoven. Classic. EMB. Solo & Concerto. Book [Softcover]. Op. 61. Editio Musica Budapest #Z40060. Published by Editio Musica Budapest (HL.50485236). ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas. Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way. $10.45 - See more - Buy online | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Orchestra, Violin Breitkopf & Härtel
Violin, orchestra Urtext based on the Leipzig Mendelssohn Complete Edition. Co...(+)
Violin, orchestra
Urtext based on the Leipzig
Mendelssohn Complete Edition.
Composed by Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Breitkopf and Haertel #OB
5645-27. Published by
Breitkopf and Haertel
$10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto in E minor Op. 64 MWV O 14 Orchestra, Violin Breitkopf & Härtel
Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Ba...(+)
Urtext based on the Leipzig
Mendelssohn Complete Edition.
Composed by Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Birgit Muller.
Score. Breitkopf and Haertel
#PB 5645. Published by
Breitkopf and Haerte
$74.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violinkonzert D-Dur op. 61 Orchestra, Violin SATB, Orchestra EMB (Editio Musica Budapest)
Violin and Orchestra SKU: BT.EMBZ40060 Composed by Ludwig van Beethoven. ...(+)
Violin and Orchestra SKU: BT.EMBZ40060 Composed by Ludwig van Beethoven. EMB Study Scores. Solo & Concerto. Book Only. Editio Musica Budapest #EMBZ40060. Published by Editio Musica Budapest (BT.EMBZ40060). Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Johannes Brahms: Concerto in D major for Violin and Orchestra Orchestra, Violin [Score] Barenreiter
Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin...(+)
Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin solo and orchestra. Published by Baerenreiter-Ausgaben (German import). ISBN M006526093.
$60.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Concerto Orchestra, Violin Boosey and Hawkes
(New Edition - Hawkes Pocket Score 1424). Composed by Magnus Lindberg. For Orche...(+)
(New Edition - Hawkes Pocket Score 1424). Composed by Magnus Lindberg. For Orchestra, Violin (Study Score). Boosey and Hawkes Scores/Books. Softcover. Boosey and Hawkes #M060119828. Published by Boosey and Hawkes
$48.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin Concerto Orchestra, Violin [Study Score / Miniature] Schott
Orchestra; Violin (Study Score) SKU: HL.49045166 Study Score. Comp...(+)
Orchestra; Violin (Study Score) SKU: HL.49045166 Study Score. Composed by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. Composed 2011. 72 pages. Duration 16'. Schott Music #ED13695. Published by Schott Music (HL.49045166). ISBN 9790220135002. UPC: 888680724214. 8.25x11.75x0.276 inches. Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece. The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centers on a twofold search. First there is the ongoing pursuit to recapture the simple melodic material stated by the solo violin - accompanied by thar harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabas Kelemen and the Halle. $43.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin - Concerto Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340). ISBN 9788480207591. English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author
Comentarios del Espanol: A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Works for Violin and Orchestra K. 207, 211, 216, 218, 219, 261, 269 (261a), 373 Orchestra, Violin Barenreiter
(KV 207, 211, 216, 218, 219, 261, 269 (261a), 373). Composed by Wolfgang Amadeus...(+)
(KV 207, 211, 216, 218, 219, 261, 269 (261a), 373). Composed by Wolfgang Amadeus Mozart (1756-1791). For solo violin and orchestra. This edition: Urtext edition. Paperback. Study score, Anthology. Text Language: German/English. KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Published by Baerenreiter Verlag
$52.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cadenzas to Ludwig van Beethoven's Concerto for Violin and Orchestra
Orchestra, Violin [Sheet music] Barenreiter
Cadenzas to Beethoven's Violin Concerto fur Violin and Orchestra op. 61 by Ludwi...(+)
Cadenzas to Beethoven's Violin Concerto fur Violin and Orchestra op. 61 by Ludwig van Beethoven (1770-1827). Edited by Martin Wulfhorst. For violin solo (violin and orchestra). This edition: Stapled. For piano reduction and performance material see BA 9019. Performance score, Anthology. Opus 61. 59 pages. Published by Baerenreiter Verlag
$36.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Praktische Instrumentenkunde Orchestra, Violin Barenreiter
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950). ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
- New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger). $22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin Concerto No. 22 in A Minor Orchestra, Violin [Study Score / Miniature] Eulenburg
Orchestra; Violin (Study Score) SKU: HL.49010208 Composed by Giovanni Bat...(+)
Orchestra; Violin (Study Score) SKU: HL.49010208 Composed by Giovanni Battista Viotti. Edited by Alfred Einstein. Arranged by Alfred Einstein. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. 92 pages. Eulenburg Edition #ETP756. Published by Eulenburg Edition (HL.49010208). ISBN 9783795768256. UPC: 841886018198. 5.25x7.5x0.266 inches. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $18.99 - See more - Buy online | | |
| Violin Concerto No. 1 Orchestra, Violin Subito Music
Violin & Orchestra SKU: SU.90810420 For Violin & Orchestra. Compos...(+)
Violin & Orchestra SKU: SU.90810420 For Violin & Orchestra. Composed by Nancy Galbraith. Strings, Violin, Orchestra. Concerto. Study Score. Subito Music Corporation #90810420. Published by Subito Music Corporation (SU.90810420). Instrumentation: solo vn; 11 1,1 1; 1000; 2perc, pno; stgs Duration: 17' Composed: 2019 Published by: Subito Music Publishing Performance materials available on rental: Subito Music Rental Library. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
Next page 1 31 61 91 ... 211 |
|
| Concertino da camera
(QUERLEUX ALAIN)
(QUERLEUX ALAIN) Français Orchestra, Violin Editions Buissonnieres
Par QUERLEUX ALAIN. Ce « petit Concerto de chambre » comprend trois mouvements...(+)
Par QUERLEUX ALAIN. Ce « petit Concerto de chambre » comprend trois mouvements, pour une durée globale de 18 minutes environ.
L?essence de son propos est le dialogue concertant et chantant entre un violon soliste et un orchestre à cordes (pouvant se réduire à un simple quatuor à cordes ).
Le premier mouvement est sous-titré « ..Par un chemin d?échos divers.. » : il évoque une promenade et ses sons, rumeurs, chants et bruits ? naissant, s?amplifiant, s?éloignant ou renaissant en échos. Plusieurs tempi modérés s?enchaînent au gré des tonalités de ré mineur, ré majeur, sol mineur et sol majeur. Les interprètes devront varier les climats, nuances et couleurs.
Le mouvement central, très lent et expressif, est de facture plus classique : l?orchestre expose le thème principal, bientôt repris et varié par la cantilène du violon solo, dans le ton de la mineur.Le passage central module en la majeur, un grand crescendo s?en suit, jusqu?au retour du premier thème ? soliste et orchestre réunis.
Le Finale apporte joie et détente, dans un tempo vif et spirituel.C?est une forme Rondo, avec un refrain apparaissant à cinq reprises, et quatre couplets énoncés par le violon solo. Quelques traits virtuoses participent de la fête, le ton de La hésitant entre mineur et majeur.
La partie de soliste conviendra aux violonistes à partir de la fin du 2ème cycle des conservatoires.
Les parties d?orchestre sont abordables à partir du second cycle./ Répertoire / Violon Concertant et Orchestre
37.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Witold Lutoslawski: Chain
2 Dialogue For Violin And
Orchestra (part): Violin: Orchestra, Violin [Sheet music] Chester
Score. The title of the work relates to its form which consists of two structur...(+)
Score. The title of the work relates to its form which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: AD LIBITUM; A BATTUTA; ADLIBITUM; A BATTUTA - AD LIBITUM - A BATTUTAIn the AD LIBITUM movements the element of chance plays a part within fixed parameters.
13.99 GBP - Sold by Musicroom UK | |
| Concerto For Violin And
Orchestra E Minor Op. 64
(MENDELSSOHN-BARTHOLDY
FELIX) Orchestra, Violin Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance.
The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice.
This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
19.67 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Antonín Dvo?ák: Violin
Concerto in A minor
Op.53: Violin: Score Orchestra, Violin - Intermediate Barenreiter
A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 wit...(+)
A minor op. 53-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
53.50 GBP - Sold by Musicroom UK | |
| Konzert Für Violine
Und Orchester (Erste
Fassung 1844 Und Zweite
Fassung 1845)
Orchestra, Violin [Sheet music] Barenreiter
Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partiti...(+)
Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Violon. Cette partition a pour titre Konzert für Violine und Orchester (erste Fassung 1844 und zweite Fassung 1845) et pour compositeur Mendelssohn Bartholdy Felix. / Violon Et Orchestre / Partition
75.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Concerto C Major Krebs
157 Nr. 10 Orchestra, Violin Schott
Carl Ditters von Dittersdorf (1739-1799) attire l'attention sur lui même comme ...(+)
Carl Ditters von Dittersdorf (1739-1799) attire l'attention sur lui même comme un enfant en raison de son talent musical: À l'âge de sept ans il prend des leçons de violon, seulement trois ans plus tard il a été embauché comme violoniste à Vienne et joue des solos de peu. Ses nombreuses compositions et particulièrement sa 'singspiels' (chanson-pièces) ont été très populaires avec le public : comédie de Ditters von Dittersdorf ' Der Apotheker und der Doktor ' surpassa même de Mozart ' Le nozze di Figaro' en popularité contemporaine en 1786. En 1766, Dittersdorf a écrit le Concerto en do majeur tout en étant en service comme leader d'un groupe de musique à Grosswardein, un poste dans la succession de Michael Haydn, il avait accepté. La partie solo a sans doute jouée par le compositeur lui-même à la première représentation. Le concerto est une oeuvre qui est amusant à jouer: A agréable, particulièrement concertante Allegro moderato est suivie par un Andante cantabile ludique et un Presto comme virtuose finale. / Violon Et Orchestre A Cordes
18.87 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.3 In G
K.216: Violin: Score Orchestra, Violin [Sheet music] Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
29.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
The Violin Concerti &
Sinfonia Concertante
K.364: Orchestra, Violin - Advanced Dover Publications
Written in the year 1775, Mozart's lively violin concerti manifest the young com...(+)
Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.
16.95 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.4 in D
major K.218: Violin:
Score Orchestra, Violin [Sheet music] Barenreiter
Full Score - for Violin and Orchestra-Mozart composed the majority of his works ...(+)
Full Score - for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
29.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.4 in D
major K.218: Violin:
Study Orchestra, Violin Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo stri...(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
10.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Violin Concerto No. 5 In
A: Ensemble: Instrumental
Work Orchestra, Violin Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart EditionFull score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
18.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.2 in D
major K.211: Ensemble: Orchestra, Violin Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo stri...(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring.The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.New straightforward Piano reduction (BA4863-90) with:- Violin solo part with the Urtext of the New Mozart Edition- Additional violin solo part with fingerings bowings and performance comments- Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaÿe M. WulfhorstThis collection offers players a spectrum of styles available in no other publication.
16.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.3 In G
K.216: Violin: Parts Orchestra, Violin Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...(+)
Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
18.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.3 In G
K.216: Mixed Ensemble:
Study Orchestra, Violin Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...(+)
Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
10.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.4 in D
major K.218: Violin: Part Orchestra, Violin Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
5.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.4 in D
major K.218: Violin:
Parts Orchestra, Violin Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
20.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Violin Concerto No.4 in D
major K.218: Violin: Part Orchestra, Violin Barenreiter
Mozart composed the majority of his works for solo string instruments and orches...(+)
Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
60.00 GBP - Sold by Musicroom UK | |
Next page 1 31 61 91 ... 451 |
|