Réédité avec les aquarelles de la première édition de 1901
Le CD comprend les quinze chansons réenregistrées par de jeunes chanteurs et musiciens / Partitions CD /

Par MARTIN FRANK. Swiss composer Frank Martin was exposed to the two folk songs during a trip into the mountains, and was immediately taken with them. He took pains to transcribe the verses and melodies, then wrote piano accompaniments to complete the settings. The two songs, Chanson de métamorphoses and Il faut partir pour l'Angleterre, are lighter fare from Martin, but fine additions to the vocalist's repertoire. For intermediate to advanced./ Répertoire / Chant et Piano

Directed by Ron Howard. This collection contains the pieces performed by the great Italian tenore in the biopic docu-film Pavarotti directed by Ron Howard, come out on June 2019. The tracklist is composed by 23 titles, mostly from the opera repertoire but also from the pop one. This project has been developed in collaboration with Decca Music Group, which has released a CD with the same contents.

L'œuvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notament les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une œuvre colossale, préservée en grande partie par la Bibliothèque de Turin : plus de 450 compositions manuscrites, en grande partie autographes. Orlando furioso, drame héroïco-magique représenté au Teatro S. Angelo de Venise à l'automne 1727, prend place à l'exacte mi-temps de la carrière lyrique de Vivaldi. Quatorze années plus tôt, au mois de mai 1713, le Prete Rosso présentait à Vicence son premier opéra connu, Ottone in villa. Quatorze années plus tard, il s'éteignait dans l'oubli après avoir vainement tenté de faire représenter à Vienne son ultime opéra, L'Oracolo in Messenia. Grâce au travail remarquable du librettiste, Grazio Braccioli, qui a su conserver de l'œuvre originale d'Arioste son essence poétique et sa dimension humaniste, Vivaldi y fait éclater le schéma conventionnel du dramma per musica, explorant les formes musicales les plus variées, bousculant la hiérarchie classique des personnages et superposant les actions dramatiques, toutes conduites avec une remarquable efficacité. Près de trois siècles après sa création, l'on demeure confondu face à l'extraordinaire richesse musicale et dramatique de l'œuvre, pièce éblouissante où se mêlent toutes les formes existantes du théâtre chanté. La reconstitution de l'opéra a nécessité un important travail préparatoire sur le manuscrit turinois, particulièrement complexe, mêlant des feuillets soigneusement calligraphiés à des feuillets griffonnés à la hâte et comportant de multiples insertions, fragments ou retranchements, ainsi qu'une numérotation irrégulière des scènes. Jacques Manet en a enfin réalisé une version pour clavier très attendue par les chanteurs, mettant ainsi à la portée du plus grand nombre une œuvre dans sa version complète, telle qu'elle fut conçue en 1727 par Vivaldi. Réduction chant et clavier : format A4, 286 pages, sur papier ivoire - Arrangement pour clavier : Jacques Manet - Présentation : Frédéric Delaméa - Traduction en anglais : Elizabeth Szostak-Clerc

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano, Tenor and Bass with Chorus and Orchestra. It is based on the epic poem, The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood, and also includes helpful notes on the background to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history, sources and editorial proceedure. / Chant Et Piano

Chansons de misérables, Miss Saigon, Martin Guerre, la Reine Pirate et Marguerite dans les éditions pour voix avec accompagnement au Piano et une liste de contenu complètement différent pour les femmes et les hommes. / Piano/Vocal/Guitare (PVG)

Ed. Critica A.Borin - Riduzione Per Canto e Pianoforte-Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719.Vivaldi set the libretto of La fi da ninfa a dramma per musica in three acts by Scipione Maffei with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona which took place on 6 January 1732 during theCarnival season elaborate stage sets being provided by Francesco Bibbiena.The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi’s autograph and a copy realized by fi ve copyists under the direct control of the composer.

The matching folio to Justin Timberlake's smash second album Futuresex/Lovesounds. A more intimate and grown-up affair All twelve songs are arranged for Piano Vocal and Guitar with full lyrics. Includes the single Sexy Back. parental Advisory: Explicit Lyrics

The longest-running animated primetime series in history and the longest-running comedy on television ?The Simpsons? is a cultural institution. This book contains 26 songs from the award-winning show including theinstantly recognizable theme song by Danny Elfman and Emmy® Award-winning originals by Alf Clausen such as ?We Put the Spring in Springfield? and ?You're Checkin' In.? It also features four new songsin print for the first time (?He's the Man ? ?Ode to Branson ? ?Testify? and ?The Very Reason That I Live?) and eight pages of beautiful full-color artwork from the show!