American Company
(6 results)
No shipping to countries within the European Union.
|
European Companies
(4 results) |
1 |
1 |
| |
| Premier livre de tablature de Luth
Lute
Anne Fuzeau Productions
Edition de 1611. By Robert Ballard. Edited by Francois-Pierre Goy, Pascale Bocqu...(+)
Edition de 1611. By Robert Ballard. Edited by Francois-Pierre Goy, Pascale Bocquet. Luth seul. For Lute. Facsimiles. Collection Dominantes. Level: Grade 0. 127 pages. Published by Editions Fuzeau Classique - France (French import).
$58.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Method for the Baroque Lute
Lute
Ut Orpheus
(A practical guide for beginning and advanced lutenists). By Miguel Serdoura. Fo...(+)
(A practical guide for beginning and advanced lutenists). By Miguel Serdoura. For lute. Text Language: English. 364 pages
(2)$109.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Works from Miscellaneous Manuscripts - Facsimiles (Complete Works for Lute, Volume 9)
Lute
Das Erbe deutscher Musik
Composed by Silvius Leopold Weiss. Edited by Tim Crawford; Dieter Kirsch. This e...(+)
Composed by Silvius Leopold Weiss. Edited by Tim Crawford; Dieter Kirsch. This edition: Complete edition, Facsimile. Linen. Das Erbe Deutscher Musik, Special Series 15. Complete Works for Lute, Volume 9. Facsimile, anthology. Das Erbe Deutscher Musik #EDM01025. Published by Das Erbe Deutscher Musik (BA.EDM01025).
$908.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Method for Renaissance Lute (english version)
Lute
Ut Orpheus
| | |
|
|
|
| John Dowland: The
Collected Lute Music Of
John Dowland: Lute:
Instrumental Album
Lute - Intermediate/advanced
Faber Music Limited
During his lifetime John Dowland was one of the few English composers whose fame...(+)
During his lifetime John Dowland was one of the few English composers whose fame spread throughout Europe. He has never been entirely forgotten although his music was almost completely ignored during the whole of the eighteenth century and most of the nineteenth. The early twentieth century saw a dawning recognition among scholars and specialists of the rare quality of his work.This is a comprehensive and exhaustive collection of Dowland’s compositions for the Lute with critical commentaries lists of sources and biographical notes as thoroughly compiled and edited by Diana Poulton and Basil Lam.The music is presented in both keyboardnotation and Lute tablature.
| | |
| Damiani Andrea - Method
For Renaissance Lute
(english Version)
Lute
Ut Orpheus
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Public...(+)
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament
Pre-shipment lead time: In Stock | | |
| Collected English
Lutenist Partsongs I:
Lute
Lute
Stainer and Bell
Edited by David Greer70 partsongs by Michael Cavendish Robert Jones Francis Pi...(+)
Edited by David Greer70 partsongs by Michael Cavendish Robert Jones Francis Pilkington and John Bartlett are presented in four-part score with lute tablature and transcription.First published in 1987.
| |
1 |
|
