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Sketches for Three
Piano Trio: piano, violin, cello
Forsyth Publications
Violin, Cello and Piano - easy SKU: BT.FORFGN03 Composed by Norah Grace. ...
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Violin, Cello and Piano - easy
SKU: BT.FORFGN03
Composed by Norah Grace. Set of Parts. Forsyths Publications #FORFGN03. Published by Forsyths Publications (BT.FORFGN03).
$9.95 - See more - Buy online
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Dorian Album For String Trio
Piano Trio: piano, violin, cello
[Set of Parts]
Hal Leonard
Compiled by Harvey S. Whistler, Herman A. Hummel. For violin, cello and piano. F...
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Compiled by Harvey S. Whistler, Herman A. Hummel. For violin, cello and piano. Format: set of performance parts (includes separate pull out parts for violin & cello). Baroque, Classical Period and Romantic Period. 63 pages. 9x12 inches. Published by Hal Leonard.
(1)
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Spirit of Chimes
Piano Trio: piano, violin, cello
Oxford University Press
Composed by Zhou Long. For Violin, Cello, Piano. 40 pages. Duration 12'. Publish...
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Composed by Zhou Long. For Violin, Cello, Piano. 40 pages. Duration 12'. Published by Oxford University Press
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Secluded Orchid
Piano Trio: piano, violin, cello
[Score and Parts]
Oxford University Press
Composed by Zhou Long. For Violin, Cello, Piano. Score and parts. 48 pages. Dura...
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Composed by Zhou Long. For Violin, Cello, Piano. Score and parts. 48 pages. Duration 10'. Published by Oxford University Press
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Klavirni trio for Piano, Violin and Violoncello g minor, Op. 26
Piano Trio: piano, violin, cello
[Score and Parts]
Barenreiter
By Antonin Dvorak (1841-1904). Edited by Antonin Pokorny, Karel Aolc. For piano/...
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By Antonin Dvorak (1841-1904). Edited by Antonin Pokorny, Karel Aolc. For piano/violin/cello. Replaces H 2443. Score, Set of parts. Language: Czech/English/German. Opus 26. 47/14/15 pages. Published by Baerenreiter Verlag
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Bright Future Ignoring Dark Past
Piano Trio: piano, violin, cello
[Score and Parts]
Oxford University Press
Composed by Michael Finnissy (1946-). For piano trio (violin, piano, cello). Sco...
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Composed by Michael Finnissy (1946-). For piano trio (violin, piano, cello). Score and parts. 16 pages. Duration 3.5 minutes. Published by Oxford University Press
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Two Duos for Violin and Violoncello
Violin, Cello (duet)
[Score and Parts]
Barenreiter
After the Duos for Violin and Viola K. 423, 424. By Wolfgang Amadeus Mozart. Edi...
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After the Duos for Violin and Viola K. 423, 424. By Wolfgang Amadeus Mozart. Edited by Berke, Dietrich. For Violin, Violoncello. Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import).
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Olivier Messiaen: Quatuor Pour La Fin Du Temps - Quartet For The End of Time
Clarinet, Violin, Cello, Piano
[Score and Parts]
-
Intermediate/advanced
Durand
(Score And Parts) Composed by Olivier Messiaen (1908-1992). For clarinet, violin...
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(Score And Parts) Composed by Olivier Messiaen (1908-1992). For clarinet, violin, cello and piano. Includes set of performance parts (includes separate pull out parts for clarinet, violin, and cello). With full score notation. 20th Century. 96 pages. 10.5x13.5 inches. Published by Durand.
(3)
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Forrest Gump main title theme
String Trio: 2 violins, cello
[Set of Parts]
Boardman Music Publishing, LLC.
By Alan Silvestri. Arranged by Carla Boardman Padron. For String Trio: 2 violins...
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By Alan Silvestri. Arranged by Carla Boardman Padron. For String Trio: 2 violins and cello. Instrumental piece from film Forrest Gump. Contemporary. Set of parts. 12 pages
$9.00 - See more - Buy online
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Music for Three, Volume 2 - Piano Trio (Violin, Cello and Piano - Set of 3 Parts)
Piano Trio: piano, violin, cello
[Set of Parts]
-
Intermediate/advanced
Last Resort Music Publishing
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged...
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(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. Piano trio. For Violin, Flute, Oboe, Cello, Bassoon, Piano. Music for Three series. Classical / Baroque. Intermediate/Advanced. Set of 3 parts. Published by Last Resort Music Publishing
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Music for Three, Christmas - Piano Trio (Violin, Cello and Piano - Set of 3 Parts)
Piano Trio: piano, violin, cello
[Set of Parts]
-
Intermediate/advanced
Last Resort Music Publishing
(Traditional Christmas Favorites). By Various. Arranged by Daniel Kelley. Piano ...
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(Traditional Christmas Favorites). By Various. Arranged by Daniel Kelley. Piano trio. For Violin, Flute, Oboe, Cello, Bassoon, Piano. Trios. Music for Three series. Classical / Baroque/Christmas. Intermediate/Advanced. Set of 3 parts. Published by Last Resort Music Publishing
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Music for Three, Volume 3 - Piano Trio (Violin, Cello and Piano - Set of 3 Parts)
Piano Trio: piano, violin, cello
-
Intermediate/advanced
Last Resort Music Publishing
(Sacred Music, Spirituals, Traditional Jewish Music). By Various. Arranged by Da...
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(Sacred Music, Spirituals, Traditional Jewish Music). By Various. Arranged by Daniel Kelley. Piano trio. For Violin, Flute, Oboe, Cello, Bassoon, Piano. Music for Three series. Sacred / Spirituals. Intermediate/Advanced. Set of 3 parts. Published by Last
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Brahms, Johannes : Trio for Violin, Violoncello and Piano op. 87
Piano Trio: piano, violin, cello
[Sheet music]
-
Advanced
Barenreiter
Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Ho...
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Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.
The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions than in the first edition score.
? Informative introduction (Ger/Eng) with a valuable insight into the genesis and performance history of this work
? In a larger format 25.5 x 32.5 cm
? Includes a critical commentary (Eng) with facsimile pages / [Trio pour Violon, Violoncelle et Piano Opus 87 (avec parties séparées)] / Classique / Partition /
27.50 EUR - Sold by Note4Piano
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Allain Gaussin: Les Céphéides Trio For Violin Cello and Piano: Piano Trio:
Piano Trio: piano, violin, cello
Leduc, Alphonse
For more than forty years Allain Gaussin fascinated by astrophysics has found...
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For more than forty years Allain Gaussin fascinated by astrophysics has found a major source of inspiration in observing the cosmos as attest a number of works going from Vent solaire (1974) to Philae (2015) by way of L’Harmonie des sphères (2006). Ten years later the 'Messiaen du Pays de la Meije' Festival hosted the first performance of the piano trio Les Céphéides. The musical journey enables the listener to enter a space 'just as impalpable and fragile' as that in which moves each Cepheid variable – this star whose brightness varies over regular periods according to two elements: the diameter of the heavenly body and thetemperature reading of its surface. How does one translate such a change in music? The bow's sautillé gettato on the violin and cello gives the score's opening pages this granular glittering that leads us 'towards the centre of the Cepheid variables'. From there a stream of colourful arabesques – the composer's 'ribbon figures' – gushes forth. After a weightless transition the cello unfurls its contemplative meditation which ends up in a suspended coda open onto the infinity of the starry vault. As musicologist Michèle Tosi accurately says so it is that the full richness 'of a teeming imaginary universe' unfolds.
26.99 GBP - Sold by Musicroom UK
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Even More Piano Trios for Young Players (VERLEUR HELEEN)
Piano Trio: piano, violin, cello
[Sheet music]
Alfred Publishing
Par VERLEUR HELEEN. The purpose of this book is to give beginning musicians the ...
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Par VERLEUR HELEEN. The purpose of this book is to give beginning musicians the opportunity to play together. Elementary piano players have few opportunities of being part of an ensemble which is both inspirational and fun. It will help develop aural awareness and other ensemble playing skills which can, all too often, be found lacking in performers who most frequently play and practise solo. These trios are playable by any player with 2-3 years experience. / Ensemble Music / Recueil / Piano, Violon et Violoncelle
21.57 EUR - Sold by LMI-partitions
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Maurice Ravel: Sonata For Violin And Violoncello: Violin & Cello: Score and
Violin, Cello (duet)
Barenreiter
In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issu...
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In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel?s Sonata as well as works contributed by Debussy?s friends Stravinsky Satie Dukas Bartok and de Falla to name only a few. This 1st movement of Ravel?s Sonata of which the autograph is lost then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter?s scholarly-critical edition the first ever of this masterpiece presents the work in two performing scores. It contains anintroduction on the history of the work reflecting Ravel?s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice. First Urtext edition of this workTwo performing scores (format 25 5 x 32 5 cm)The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turnInformative introduction to the genesis of the work (Ger/Eng/Fr)Critical commentary with facsimiles and appendices
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Cheryl Frances-Hoad: The Forgiveness Machine: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
Cadenza Music
Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The ...
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Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The Forgiveness Machine was commissioned by the Phoenix Piano Trio as part of their Beyond Beethoven Project. My work is very closely modeled on the second movement of Beethoven’s Archduke Trio and comprises a set of loosely structured variations many of which are motivically very similar to Beethoven's. This work is dedicated to the memory of my grandmother Christina Hoad. I received this commission in the last months of her life and would often sit in the room listening to the Archduke on my headphones while she rested. Beethoven’s music to me atthat time had an almost transcendental quality to it temporarily permitting an escape from the reality and inevitability of my Nan’s illness. It was this quality of serenity beauty and dignity that I tried to emulate in my work. The title is taken from an art work by Karen Green: the Forgiveness Machine was made after the death of her husband David Foster Wallace and encourages members of the public to write down on a piece of paper what they want to forgive/be forgiven for before feeding it to the machine which sucks up the piece of paper and shreds it (the artwork is some seven foot long). Whilst in my case there is nothing to forgive it was the feeling of catharsis that many people reported after interaction with this artwork that struck a chord with me and had tremendous relevance to this work.' - Cheryl Frances-Hoad
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Ludwig van Beethoven: Concerto for Pianofort Violin Violoncello & Orch:
Piano Trio: piano, violin, cello
Barenreiter
C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a f...
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C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter?s new Urtext edition of Beethoven?sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part.Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions
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Ludwig van Beethoven: Concerto For Piano Violin And Violoncello In C: Chamber
Piano Trio: piano, violin, cello
Barenreiter
In Beethoven?s Triple Concerto a piano trio provides the soloists a first in ...
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In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece. Bärenreiter?s new Urtext edition ofBeethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions
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Per Nørgård: Out Of The Cradle Endlessly Rocking: Chamber Ensemble: Score
Clarinet, Violin, Cello, Piano
[Score]
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Intermediate/advanced
Wilhelm Hansen
Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Sco...
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Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Parts available: WH30883A Programme note The work was commissioned by the Ebb and Flow Ensemble for premiere at the Maui Arts and Cultural Center Kahului Hawaii 23 November 2008. The premiere performers will be (as of 241108: were) Scott Anderson clarinet Ignace Jang violin Mark Votapek cello and Robert Pollock piano.The title is borrowed from the first line of American poet Walt Whitman’s magnificent poem SEADRIFT a tribute to the sea. The poem forms part of Whitman’s magnum opus LEAVES OF GRASS which he revised extended and worked on practically all his writing life.I had previously drawn some lines from the poem SEADRIFT for another work of mine a work likewise entitled SEADRIFT (1978) for soprano and ensemble.In this present new piece I did not set out to depict in music ‘the soul of the sea’ or anything like that. I did however have an intention of making the piece a sort of outstretched hand from one small country with a multitude of islands and – necessarily – a lot of water around it (I am referring of course to my native Denmark) to another country with many islands: Hawaii with its far-away exotic appeal (at least for a Scandinavian) and its remoteness thousands and thousands of nautical miles away. Folkloristic Hawaiian chant (alluring samples of which were kindly forwarded to me from the commissioner of the work) fascinated and impressed me so much that my melodic repertoire in the new piece sometimes echo a Hawaiian Melodybrother.A latent wave-character is characteristic of the piece. You will hear a simultaneity of different ‘wavelengths’ and often a dense and complex melodic and rhythmic
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Michael Nyman: Time Will Pronounce For Violin Cello And Piano: Chamber
Piano Trio: piano, violin, cello
[Sheet music]
Chester
For violin cello and piano'The title 'Time Will Pronounce'is taken from the las...
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For violin cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky’s poem 'Bosnia Tune' which deals with the horror of the unnecessary unacceptable daily deaths in Bosnia during 1992 (andstill in 1993): ‘Time whose sharp blood-thirsty quill parts the killed from those who kill will pronounce the latter tribe as your type’. The violin and cello are (generally) treated as a unit independent of the piano. Theform (generally) alternates slow and fast tempi without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic melodic and textual materials features third and semitonesderived (generally) from the movement of the bass part in the opening bars.
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Poul Ruders: Tattoo For Four: Chamber Ensemble: Parts
Clarinet, Violin, Cello, Piano
[Sheet music]
Wilhelm Hansen
Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017)...
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Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017). Dedicated to Ensemble Nordlys. Parts are available: WH32974A Programme note TATTOO FOR FOUR is in reality the same piece as TATTOO FORTHREE from 1984 but with a fourth voice - for violin - added. Forperformances of the older piece just omit the violin part. The'hidden' 1984 piece has been slightly revised so the originalperforming material is now obsolete. The first piece in the TATTOO series was TATTOO FOR ONE for solo clarinet also written in 1984. Reaching back to its 1984 origins TATTOOFOR FOUR follows standard accidental procedure.(Poul Ruders)
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