Tunes, Tones, and Techniques for Drawbar Keyboards. Build your Hammond chops! The secret to creating funky sizzles and classic Hammond sounds is mastering the combined use of the drawbars, expression pedal, and the Leslie speaker speed switch. Sound complicated and intimidating? It doesn\'t have to be! This hands-on guide takes you step-by-step through the techniques of playing the drawbar organ, one skill at a time. Whether you\'re comping a rock tune or playing lead in a jazz trio, command of the Hammond organ will make you a sought-after player. Groove with this fun and comprehensive Hammond method! Learn to: play gospel, R and B, jazz, blues, funk, and rock with an authentic Hammond feel: Improve your playing skills with hands-onexercises. The accompanying recordings include 21 exercises, plus performance demonstrations of eight songs with minus-organ versions so you can play along: Achieve special effects used by the great Hammond organists, including unique tips and tricks for all drawbar instruments: Understand all the parts of the organ and how to use them, including percussion, expression pedal, vibrato, chorus, and the Leslie speaker and much more! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Pédagogie / Méthode / Clavier ou Orgue

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457, includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The eighth volume, comprising Sonatas 358-407, includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103, includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506, includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

A Method for Keyboard Artists. Par . Improvising Fugue: A Method for Keyboard Artists is a guide for those who aspire to the highest levels of fluency as inventors of spontaneous music at the piano, fortepiano, harpsichord, organ, or digital keyboard. Written for professional performers, conservatory students, and devoted amateurs, this book leads the reader along the arduous journey from score dependency to improvisational freedom. Improvising Fugue begins with a comprehensive course in 18th century Italian partimento, the system of musicianship training that simultaneously strengthens improvisation, counterpoint, harmony, keyboard skills, and audiation. The reader then encounters fugue improvisation in a gradual, methodical, and rigorous manner. Every concept is accompanied by extensive and clear explanation, examples from music literature, and practical exercises. The book covers every aspect of fugue improvisation in depth, including subjects, countersubjects, tonal and real answers, episodes, presentations, pedal points, and stretti. Author John J. Mortensen draws on experience as a concert improviser on the international stage; the book's pragmatic, real-world instruction comes from a seasoned performer who knows firsthand exactly what is required to improvise fugues in the presence of a live audience. / Date parution : 2024-04-27/ Etude / Clavier

Ce petit ouvrage ne prétend pas former des organistes complets, mais donner simplement à tous ceux qui débute dans l'étude de cet admirable instrument la possibilité d'en tirer rapidement des effets agréables. Tous les genres musicaux conviennent à l'orgue électronique : classique, religieux, jazz, populaire, etc. / Divers / Partition

Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. You play 20 famous songs including 'Bright Eyes', 'Don't Cry For Me Argentina' , 'I Left My Heart In San Francisco' and 'When I'm 64'. Instrumental effects include violins, jazz organ, trumpet and many others. / Clavier (Avec Grilles D'Accords)

Autograph: Royal College of Music, London. Par MEYER HANS-DIETER. Wilhelm Middelschulte (1863-1943) war einer der großen Organisten seiner Zeit, ein Wanderer zwischen zwei Welten: In den Vereinigten Staaten verkörperte er die deutsche Orgeltradition, in seinen Konzerten in Deutschland repräsentierte er als der „Orgelvirtuose aus Chicago' das spätromantische Orgelklangideal. Mit Ferruccio Busoni pflegte er eine künstlerische Partnerschaft und Freundschaft. Middelschulte war nicht nur ein bedeutender Lehrer seines Instruments, sondern schuf rund 70 Kompositionen für Orgel, darunter auch Bearbeitungen und Kadenzen. Der Autor stellt Leben, Kompostition und Lehrtätigkeit Middelschultes umfassend dar. Der Anhang des Bandes enthält ein komplettes Werkverzeichnis, Middelschultes Konzertprogramme, Angaben zur Rezeption in Zeitschriften sowie eine ausführliche Bibliografie. / Répertoire / Clavier