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Richard Strauss-Nichts in B flat Major,for Voice and Piano
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Heimliche Afforderung Op. 27/3 Op. 27/3 (STRAUSS RICHARD)
Piano, Voice
[Sheet music]
Universal Edition
4 Lieder. Par STRAUSS RICHARD. / Répertoire / Chant et Piano
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Zueignung Op. 10/1 M.Vce Pft (STRAUSS RICHARD)
Piano, Voice
[Sheet music]
Universal Edition
8 Gedichte. Par STRAUSS RICHARD. 8 Gedichte/ Répertoire / Chant et Piano
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L'Immobilite
Français
Piano, Voice
Capte Note
Compositeur(s): JULIEN BONNET, JERÔME COUDANNE and RICHARD MAGNAC / Piano Et Ch...
(+)
Compositeur(s): JULIEN BONNET, JERÔME COUDANNE and RICHARD MAGNAC / Piano Et Chant
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Intermezzo Op. 72 (STRAUSS RICHARD)
Piano, Voice
Schott
Par STRAUSS RICHARD. A Domestic Comedy With Symphonic Interludes In 2 Acts/ Rép...
(+)
Par STRAUSS RICHARD. A Domestic Comedy With Symphonic Interludes In 2 Acts/ Répertoire / Chant et Piano
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Die Nacht Op. 10/3 M.Vce Pft (STRAUSS RICHARD)
Piano, Voice
[Sheet music]
Universal Edition
8 Gedichte. Par STRAUSS RICHARD. 8 Gedichte/ Répertoire / Chant et Piano
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Fire Famine Op. 50 (STRAUSS RICHARD)
Piano, Voice
Schott
Par STRAUSS RICHARD. Opera In One Act/ Répertoire / Chant et Piano
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Kae Kae
Français
Piano, Voice
Capte Note
Compositeur(s): JULIEN BONNET, JERÔME COUDANNE and RICHARD MAGNAC / Piano Et Ch...
(+)
Compositeur(s): JULIEN BONNET, JERÔME COUDANNE and RICHARD MAGNAC / Piano Et Chant
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Zueignung Op. 10/1 H.Vce Pft (STRAUSS RICHARD)
Piano, Voice
[Sheet music]
Universal Edition
Par STRAUSS RICHARD. 8 Gedichte Mit Klavierbegleit/ Répertoire / Chant et Piano...
(+)
Par STRAUSS RICHARD. 8 Gedichte Mit Klavierbegleit/ Répertoire / Chant et Piano
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Tristan Und Isolde
Piano, Voice
[Vocal Score]
Dover Publications
Grande histoire d'amour de l'opéra, mis en musique d'une beauté incomparable, ...
(+)
Grande histoire d'amour de l'opéra, mis en musique d'une beauté incomparable, Tristan und Isolde représente l'un des scores les plus révolutionnaires du XIXe siècle.1865 l'adaptation de Wagner d'une légende médiévale populaire a changé le cours de l'histoire musicale et a ouvert la porte à des innovations du XXe siècle. Inspiré par une passion illicite de sa part, Wagner rempli cette histoire d'un amour tragique avec un sentiment de nostalgie désespérée, véhiculée par son mélange de tonalité, flou de clés, et l'utilisation innovante des leitmotivs répétitives.Cette réimpression de l'édition Breitkopf and Härtel autorité de Richard Kleinmichel est idéal pour les répétitions et les représentations des étudiants, amateurs, professionnels et chanteurs, pianistes et chefs d'orchestre.S'il vous plaît noter que les paroles apparaissent dans l'original allemand seulement. / Voix
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Franz Schubert: Lieder Volume 8 - Low Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext editi...
(+)
Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice.This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume.• Based on the Urtext of the “NewSchubert Edition”• Clear and uncluttered engraving• Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng)• Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Lieder Volume 8 - High Voice D 262 - D 323: High Voice: Vocal
Piano, Voice
Barenreiter
Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext editi...
(+)
Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
36.50 GBP - Sold by Musicroom UK
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Franz Schubert: Lieder Volume 8 - Medium Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext...
(+)
Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Bound For Rio Grande: Voice: Single Sheet
Piano, Voice
[Sheet music]
-
Intermediate
J. Curwen and Sons
Reprinted from The Shanty Book 1 compiled and edited by Sir Richard Runciman Te...
(+)
Reprinted from The Shanty Book 1 compiled and edited by Sir Richard Runciman Terry this 'Windlass and Capstan Shanty' is presented for voice with Terry's own Piano accompaniment.
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Georg Friedrich Händel: Riccardo Primo Re D'Inghilterra HWV 23: Mixed Choir:
Piano, Voice
[Sheet music]
Barenreiter
In his libretto for “Riccardo Primo” Paolo Rolli drew on Antonio Lo...
(+)
In his libretto for “Riccardo Primo” Paolo Rolli drew on Antonio Lotti’s opera “Isacio tiranno” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni. He had already written the operas “Alessandro” and “Admeto” for them. He began composing “Riccardo Primo” in spring 1727 completing the first version on 16 May. However following the death of King George I on 11 June 1727 the theatres remained closed.For Handel who had become a British citizen in February 1727 the accession of George II to the throne offered new possibilities and he embarked on a revision of the opera. With this he was able to offer a new opera for the coronation festivities the hero of which was one of King George’s charismatic forebears. From May onwards Handel thoroughly revised the present score wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy. The historic background is the third crusade against Saladin the Sultan of Egypt and Syria who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion’ by the English for his great military ability and bravery although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina . The vocal score is based on the Halle Handel Edition volume published in 2005 edited by Terence Best and contains the second version of the opera which was premiered in November 1727. Performance material available for hire. Based on the Urtext of the Halle Handel Edition. Original Italian text with German singing translation. Straightforward and easy-to-play Piano reduction.
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Popular Ballads Classical Singers (Low)
Piano, Voice
[Sheet music]
Hal Leonard
Ces arrangements art merveilleusement complexe, sophistiqué et élégant de la ...
(+)
Ces arrangements art merveilleusement complexe, sophistiqué et élégant de la musique par le compositeur Richard Walters de chansons classiques par Richard Rodgers, Cole Porter et George Gershwin sont conçus pour flatter un pianiste et chanteur classique et ont été largement réalisées en Amérique du Nord et en Europe par des professionnels et des étudiants avancés. Comme un interprète, ' les arrangements sont tellement riches qu'ils deviennent des chansons de l'art sur leur propre. ' Initialement publié en 1992 comme des ensembles de livre/cassette (maintenant out of print), cette édition réimprimée rend ces arrangements distinctives à nouveau disponible./ Recueil / Chant et Piano
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Moi Je T'Aime Pour Rien (TOVATI ELISA)
Français
Piano, Voice
Capte Note
Compositeur(S): Richard Steff. Par TOVATI ELISA. Auteur: RICHARD STEFF/ Feuillet...
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Compositeur(S): Richard Steff. Par TOVATI ELISA. Auteur: RICHARD STEFF/ Feuillet / Chant et Piano
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Robert Schumann: Frauenliebe Und Leben Op.42: Voice: Vocal Score
Piano, Voice
Barenreiter
Original edition for medium Voice. Comprehensive bilingual foreword (Ger/Eng) an...
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Original edition for medium Voice. Comprehensive bilingual foreword (Ger/Eng) and critical commentary (Ger).The song texts are printed separately and include English translations taken from Richard Stokes’ publication The Book of LiederSchumann’s song cycle Frauenliebe und Leben on poems by Adelbert von Chamisso deals with the trauma of a woman who loses the man who was her first love and the guiding light of her life. Schumann himself completed what is perhaps his most unified song cycle in blissful anticipation of his union with Clara Wieck.This edition presents the work on the basis of the first print usingSchumann’s autograph for purposes of consultation. The alternative readings in the autograph Vocal part also give singers valuable tips for a nuanced delivery of the words.
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Andrew Lloyd Webber: Starlight Express: Vocal Solo: Mixed Songbook
Piano, Voice
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Intermediate
Hal Leonard
The very first ideas for Starlight Express began to evolve in 1973 when Andrew L...
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The very first ideas for Starlight Express began to evolve in 1973 when Andrew Lloyd Webber was asked to compose music to accompany a cartoon series on television based on the stories of Thomas and the Tank Engine. However ten years later this simple notion evolved into a fully staged-musical with lyrics provided by Richard Stilgoe and spectacular choreography performed entirely on roller skates.Available here are the vocal selections from the 1993 production which included five new songs. This compilation comprises 11 songs from the show including U.N.C.O.U.P.L.E.D. Pumping Iron and Light At The End Of The Tunnel. Arranged forpiano and voice with full lyrics and chord symbols and suitable for intermediate standard pianists.
23.99 GBP - Sold by Musicroom UK
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Debbie Campbell: The Bumblesnouts Save The World: Voice: Classroom Musical
Piano, Voice
[Textbook]
Novello & Co Ltd.
In this interplanetary musical by Debbie Campbell strange but gentle visitors f...
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In this interplanetary musical by Debbie Campbell strange but gentle visitors from outer space (the Bumblesnouts) come to Earth to save our planet from self-destruction. The Earthlings are persuaded to change their ways and make the world a better place. This entertaining and lively musical for unison voices and piano aims to stimulate children to think about the world we inhabit and the importance of caring about our environment. Any number of children can take part in this show as Bumblesnouts Punks Hunters Gangsters Animals and Trees. This complete Vocal Score includes nine songs plus an overture along with useful suggestions for staging andwhimsical illustrations by Richard Oke.Published in association with the World Wide Fund for Nature: performances of this work will benefit the WWF.You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.
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Gabriel Fauré: 50 Songs Medium/Low Voice: Vocal Solo: Mixed Songbook
Piano, Voice
Hal Leonard
A substantial edition of art song literature edited by Laura Ward and Richard Wa...
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A substantial edition of art song literature edited by Laura Ward and Richard Walters. Historical notes are included for each song and a line by line English translation for study.
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To Music Op. 88 No. 4: Voice: Vocal Work
Piano, Voice
[Vocal Score]
Stainer and Bell
With English version by Richard Capell Also suitable for singing an octave lower...
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With English version by Richard Capell Also suitable for singing an octave lower.
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Gretchen Am Spinnrade: Voice: Vocal Work
Piano, Voice
Stainer and Bell
With English version by Richard Capell Also suitable for singing an octave lower...
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With English version by Richard Capell Also suitable for singing an octave lower. English title: 'Gretchen at the Spinning Wheel' Range: E - A
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Regina Coeli Vocal Score
Piano, Voice
Novello & Co Ltd.
This exuberant work for soprano soloist, SATB chorus and accompaniment was compo...
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This exuberant work for soprano soloist, SATB chorus and accompaniment was composed in 1771 (at the age of 15) in Salzburg and is the first of several settings Mozart made for these words. In Latin only - vocal score with piano accompaniment, edited by Richard Platt. / Chant Et Piano
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Easy Piano Songbook: Easy Piano: Mixed Songbook
Piano, Voice
Hal Leonard
26 of His Best-Richard Rodgers' contributions to the musical theatre of his day ...
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26 of His Best-Richard Rodgers' contributions to the musical theatre of his day were extraordinary his influence legendary. This collection arranged for easy piano includes twenty-six of his best including If I Loved You You'll Never Walk Alone and Some Enchanted Evening.
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Salieri A. - Prima La Musica E Poi La Parole
Piano, Voice
[Vocal Score]
Barenreiter
Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one ac...
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Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one act Details Edition no.: BA 8811-90 ISMN: 9790006542826 Editor: Betzwieser, Thomas / La Salvia, Adrian Arranger: Müller, Karl-Heinz / Schellevis, Hans Language(s) of work: German, Italian Language(s) of text: German, English Product format: Piano reduction, Urtext edition Comments: Replaces BA 7698-90 Binding: Paperback Pages / Format: XVI, 199 S. - 27,0 x 19,0 cm A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. The Italian court singers and musicians performed Mozart’s Schauspieldirektor whilst Antonio Salieri’s Prima la musica e poi le parole was performed by a German Singspiel ensemble. This charming opera satire belongs to the genre of “metamelodrama” in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the writer, composer and prima donna, appear as characters on the stage and are presented in a humorous mirror image. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s Giulio Sabino in his insert arias, thus playing on the music which was totally familiar with the audience of that time. By reflecting on the musical-dramatic style of that time and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be a forerunner to Richard Strauss’s Capriccio. This new edition of the score is published as part of OPERA – Spectrum of European Music Theatre in Separate Editions. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into the newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s Giulio Sabino have also been incorporated. - Urtext edition based on the historical-critical hybrid edition OPERA-Spectrum of European Music Theatre in Separate Editions edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).- Original Italian libretto with singable German translation- Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodrama and intertextuality- Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s Giulio Sabino- Idiomatic piano reduction
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