This collection includes all 61 of Benjamin Britten's arrangements of folk songs combining the contents of the seven published books in editions for High and Low Voice. Included are the well-loved traditional tunes Bonny At Morn The Ash Grove The Salley Gardens Greensleeves The Holly And The Ivy and many more. Some of the songs featured in this volume for Medium/Low Voice have never before been transposed. The songs of Volume 6 for Voice and Guitar have been transcribed for Voice and Piano for this edition.

This volume brings together five previously unpublished realisations by Benjamin Britten of vocal music by Henry Purcell. The realisation of the figured bass is highly personal in style coupled with thte fact that the pieces were originally prepared with specific singers in mind reflects Britten's afiinity Purcell’s music. These pieces are all arranged for one or two voices and Piano.

four boy's voices and piano reduction-Vocal score to Britten's cantata Saint Nicolas op. 42 for tenor solo mixed choir women's choir four boy's voices and piano reduction of orchestral parts.This cantata was written about the life of Saint Nicolas the Bishop Of Myra who is the patron-saint of Children Seamen and travellers. It was commissioned for performance at the Centenary Celebrations of Lancing College in Sussex on July 24th 1948.

This is the first volume of carols and songs that capture the wonder and magic of Christmas suitable for any confident solo voice with full Piano accompaniment. The pieces include songs by Eric Thiman Peter Warlock and Benjamin Britten providing some stirring and heart-warming repertoire for your Yuletide performances.

Cette nouvelle sélection de 13 solos et trois duos pour divers types de voix rend réalisations distinctives de Britten, qui, en dehors de la partie vocale, n'ont jamais été publiées, disponible à un prix abordable. Inclut préface d'articles et de tracer des notes. Il s'agit de versions vives et animées de l'originales tunes colorés. / 1 Ou 2 Voix Et Piano

Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano

Five Songs-A suite of five songs for high voice and piano with words by W.H. Auden and French text by Maurice Pourchet.