SKU: BR.OB-4371-30
ISBN 9790004306383. 10 x 12.5 inches.
According to the Daily Courant, the premiere took place as follows: On Wednesday Evening, at about 8, the King took to Water at Whitehall in an open Barge, wherein were Dutchess of Bolton, The Dutchess of New Castle, the Countess of Godolphin, Madam Kilmaseck, and the Earl of Orkney. And went up the River towards Chelsea. Many other of Barges with Person of Quality attended, and so the great Number of Boats, that the whole River in a manner was couver'd; a City Company's Barge was employ'd for the Musick, wherein were 50 Instruments of all sorts, Who play'd all the way from Lambeth (while the Barges drove with the Tide without Rowing, as far as Chelsea) the finest Symphonies, compos'd express for this Occasion, by Mr Hendel: which his Majesty liked so well, that he caus'd it to be play'd over three times in going and returning. At Eleven his Majesty came again into Barge, and return'd the same Way, the Musick continuing to play till he landed.Handel composed his Water Music for none other than King George I who requested a concert for guests invited to his pleasure cruise on the Thames.
SKU: BR.PB-4371
Handel composed his Water Music for none other than King George I who requested a concert for guests invited to his pleasure cruise on the Thames.
ISBN 9790004202920. 9 x 12 inches.
SKU: BR.OB-4371-19
ISBN 9790004306369. 10 x 12.5 inches.
SKU: GI.G-10496
ISBN 9781622776061.
Imagine a conversation among leaders who are passionate about their general music teaching, who have found incredible power in Music Learning Theory (MLT), who exchange ideas about how to be successful in the classroom, and who are eager to share what they’ve learned with one another. This is the magic of Q & A for MLT. Drawing from their expertise, experience, and unique perspectives, authors Jill Reese, Heather Shouldice, and Jennifer Bailey—along with a series of guest contributors—provide practical suggestions for managing the challenges and choices in a Music Learning Theory-based classroom, sometimes agreeing and other times highlighting differing perspectives that encourage the reader to consider what best fits their understanding and context. The book addresses key topics, including: An overview of Music Learning Theory Suggestions for classroom activities Developing the teacher's own musical skills and content knowledge Blending MLT with the Kodaly and Orff approaches Measuring music aptitude and assessing student growth Long-term and short-term planning Adapting MLT for diverse populations (students with disabilities, visual impairments, and English Language Learners) How to use MLT in various contexts (the preshool classroom, urban settings, elementary choir, and middle school general music) Through a conversational blend of research, scholarship, stories from the classroom, and humor, this book gives educators a reliable source for finding answers to real-life questions and suggestions for navigating the specifics of successfully applying MLT in the classroom. Jill Reese is Associate Professor of Music Education at the State University of New York at Fredonia. Dr. Reese is also the author of Navigating Music Learning Theory: A Guide for General Music Teachers. Heather N. Shouldice is Associate Professor of Music Education at Eastern Michigan University. Dr. Shouldice is also the author of Weaving It All Together: A Practical Guide to Applying Gordon’s Music Learning Theory in the Elementary General Music Program and the host of a podcast about Music Learning Theory called “Everyday Musicality.†Jennifer M. Bailey is an elementary vocal music teacher in Farmington Public Schools with over 25 years of experience using Music Learning Theory in the classroom.
SKU: CL.012-5025-00
Panis Angelicus as set to music by Cesar Franck is one of the most beloved sacred songs in all of music, and this gorgeous setting for band by Patrick Burns provides varied performance options. You may feature a soprano or tenor soloist with the beautifully understated yet well-crafted accompaniment, or the work may be performed as a stand-alone instrumental piece. An excellent lyrical selection for your band or guest vocal soloist. First rate!
SKU: CL.012-5025-01
SKU: WD.080689413230
UPC: 080689413230.
From new arranger Tim Paul comes a glorious arrangement for Soloist, Choir, and Orchestra of one of the church’s most beloved hymns, It Is Well with My Soul. In a special guest appearance, the solo on our choral demo is TaRanda Greene. Her dynamic voice and soaring range lend the perfect color to this heroic-sounding anthem. A powerful testimony of faith is found in the lyric of this great hymn, and this stand-out arrangement is the perfect complement to one of the great songs of the church.
SKU: KN.61183
UPC: 822795611830.
Written for advancing groups to feature any instrument, this beautiful ballad with trumpets on flugelhorns changes to a double-time Latin feel for the improvisation section. This is an excellent vehicle for a talented soloist from within the band or a featured guest artist. A guitar chord chart by Jim Greeson, as well as optional vibes is included in each set. Duration 6:30.
SKU: KN.61183S
SKU: FJ.ST6412S
English.
This inventive and stunning composition is a modernized version of the original concerto grosso dating back to the Baroque era. Written for soloists on electric instruments, it is also possible to do acoustically. An ideal way to feature guest soloists, faculty members or talented students, the music explores a wide range of styles. At times, the piece sounds like Stravinsky. At other times, with the use of distortion pedals, the audience will feel like they are at a heavy metal concert (of course, backed by an orchestra!). Incredibly unique, and guaranteed to bring down the house!
About FJH String Orchestra
More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up
SKU: CL.114-5050-00
Bach’s famous Badiniere from his orchestral suite for solo flute and strings comes to life in a setting for solo flute with woodwind ensemble accompaniment, along with two additional contrasting movements. The three movements may be performed together or individually, and are designed to showcase the talents of your star flute player or a guest artist. One of the all-time classic solo flute works! Solo flute is a Grade 4.
SKU: CL.114-5050-01
SKU: MB.94367M
ISBN 9780786691432. 8.75 x 11.75 inches.
Mel Bay's Complete Fiddling Book is a compilation of arrangements of traditional tunes by several outstanding practitioners of the art of fiddle playing: Craig Duncan, Bill Guest, Dave Reiner, Frank Zucco, and Joe Castle. From The Arkansas Traveler to The Yellow Rose of Texas, over 300 colorful fiddle tunes populated this book's 205 pages. Scant on text or historical notes, but long on musical content, the Complete Fiddling Book is a great resource for any fiddler or teacher in search of a delightful, toe-tapping repertoire. Although most of the tunes are written for solo fiddle, the last ten pieces are arranged as fiddle duets. A masterful solo collection presenting a vivid assortment of fiddling styles and repertoire. Includes access to an online video containing fiddler Craig Duncan and guitarist Robert Bowlin performing 34 favorite tunes which are played at a slow and medium tempo to demonstrate many fiddling techniques. Split-screen filming features close-up angles of both the left hand and the bow. This video is the perfect companion to the Complete Fiddling Book, bringing the teacher right into your living room.â?¢ Compilation of arrangements of traditional tunesâ?¢ Over 300 colorful fiddle tunes populate the 205 pagesâ?¢ Most for solo fiddle, but the last ten pieces are arranged as fiddle duetsâ?¢ Intermediate to advanced in difficultyâ?¢ Split-screen companion online video of 34 tunes performed by Craig Duncan and guitarist Robert Bowlin.