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International artists :
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James M. Peterik: Vehicle
Jazz Ensemble
[Score and Parts]
-
Easy
Alfred Publishing
By James M. Peterik. Arranged by Ralph Ford. By James M. Peterik / arr. Ralph Fo...
(+)
By James M. Peterik. Arranged by Ralph Ford. By James M. Peterik / arr. Ralph Ford. For Jazz Ensemble. Jazz Ensemble. Young Jazz Ensemble. Level: 2 (Medium Easy) (grade 2). Conductor Score
$54.00 - See more - Buy online
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Yes, God Is Good
Choral SATB
SATB, Piano
Shawnee Press
Arranged by James M. Stevens. For SATB choir with piano accompaniment (SATB). Ch...
(+)
Arranged by James M. Stevens. For SATB choir with piano accompaniment (SATB). Choral. Shawnee Press. Supports: Luke 11:13, James 1:17, Ecclesiastes 3:13. Sacred, General, Lent, Creation Day, Thanksgiving, spring concert. 12 pages. Shawnee Press #A8834. Published by Shawnee Press
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Die Another Day / Live and Let Die / James Bond Theme
Marching band
[Score and Parts]
-
Intermediate
Alfred Publishing
(The Music of James Bond, Part 3). Arranged by Victor L�³pez, perc. arr. An...
(+)
(The Music of James Bond, Part 3). Arranged by Victor L�³pez, perc. arr. Anthony M. Falcone and Victor López, perc. arr. Anthony M. Falcone. Marching Band. Marching Band; Part(s); Score. Mega Sounds for Marching Band. Form: Medley. Jazz; Movie. Grade 3. 2
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James Taylor: The Best Of James Taylor For Guitar - Easy Guitar
Guitar notes and tablatures
[Sheet music]
-
Easy
Alfred Publishing
Performed by James Taylor. Easy guitar tablature songbook (simplified guitar/voc...
(+)
Performed by James Taylor. Easy guitar tablature songbook (simplified guitar/vocal arrangements) for easy guitar and voice. 88 pages. Published by Alfred Publishing.
(1)
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Spirit of Song
Choral SATB
SATB, Piano
Hal Leonard
SATB Choir and Piano. Composed by James (Jim) M. Stephenson. Stephenson Musi...
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SATB Choir and Piano. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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3 Advent Carols
Choral SATB
SATB A Cappella
Hal Leonard
SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Ch...
(+)
SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Christmas, Holiday. Octavo. Published by Hal Leonard
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Magnificat
Choral SATB
SATB, Keyboard
Hal Leonard
SATB Choir with Keyboard Reduction. Composed by James (Jim) M. Stephenson. ...
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SATB Choir with Keyboard Reduction. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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Day-Tudes Plus 1
2 Trumpets (duet)
Hal Leonard
15 Duets for Trumpet. Composed by James (Jim) M. Stephenson. Stephenson Musi...
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15 Duets for Trumpet. Composed by James (Jim) M. Stephenson. Stephenson Music. Published by Hal Leonard
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Peace on Earth (from Convocation Suite)
Choral SATB
SATB, Piano
Hal Leonard
SATB Choir and Piano. Composed by James (Jim) M. Stephenson. Stephenson Mu...
(+)
SATB Choir and Piano. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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James Brown - The Ultimate Collection
Piano, Vocal and Guitar
Hal Leonard
By James Brown. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Soft...
(+)
By James Brown. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Softcover. 112 pages. Published by Hal Leonard
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No Thing Can Die as Others Do
Choral SATB
SATB A Cappella
Hal Leonard
SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Oc...
(+)
SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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On the Birth of Christ
Choral SATB
SATB A Cappella
Hal Leonard
SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Oc...
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SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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In the Garden
Choral SATB
SATB, Keyboard
Hal Leonard
SATB Choir with Organ or Piano. Composed by James (Jim) M. Stephenson. Ste...
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SATB Choir with Organ or Piano. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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The Blessed Savior
Choral SATB
SATB A Cappella
Hal Leonard
SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Oc...
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SATB a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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James Brown - 20 All-Time Greatest Hits!
Yamaha
Smart PianoSoft. Performed by James Brown. Pianosoft Sync. Floppy disk. Size 5x5...
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Smart PianoSoft. Performed by James Brown. Pianosoft Sync. Floppy disk. Size 5x5 inches. Published by Yamaha.
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The Prince of Peace
Choral SATB
SATB, Piano
Hal Leonard
SATB Choir with Piano Reduction. Composed by James (Jim) M. Stephenson. St...
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SATB Choir with Piano Reduction. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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Deep Dish
Concert band
[Sheet music]
American Composers Forum
Composed by James M. Stephenson. BandQuest. Softcover. Published by American Com...
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Composed by James M. Stephenson. BandQuest. Softcover. Published by American Composers Forum (HL.4004955).
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Lenten Antiphons
Choral SATB
SATB A Cappella
Hal Leonard
SATB Choir, a cappella. Composed by James (Jim) M. Stephenson. Stephenson Mu...
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SATB Choir, a cappella. Composed by James (Jim) M. Stephenson. Stephenson Music. Octavo. Published by Hal Leonard
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Fanfare for Democracy
Brass ensemble, Percussion
-
Intermediate
Hal Leonard
Brass and Percussion - F Version. Composed by James (Jim) M. Stephenson. Step...
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Brass and Percussion - F Version. Composed by James (Jim) M. Stephenson. Stephenson Music. American, Patriotic. Published by Hal Leonard
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Simple Songs For Slim Sundays
Choral 2-part
2-part
Shawnee Press
By Various. Edited by Joseph M. Martin. For 2-part mixed / SAB. Choral book. Tex...
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By Various. Edited by Joseph M. Martin. For 2-part mixed / SAB. Choral book. Text language: English. 88 pages
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Etta James: Greatest Hits - Original Keys for Singers
Piano, Voice
Hal Leonard
By Etta James. Vocal Piano. Softcover. 104 pages. Published by Hal Leonard
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God Leads Us Along
Choral SATB
SATB
Shawnee Press
By G.A. Young and James M. Stevens. For SATB Choir (SATB). Shawnee Press. Choral...
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By G.A. Young and James M. Stevens. For SATB Choir (SATB). Shawnee Press. Choral. 8 pages. Shawnee Press #A7983. Published by Shawnee Press
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The James Moody Collection (Flute / Saxophone)
Saxophone
Hal Leonard
Performed by James Moody. Artist Transcriptions (Authentic note-for-note transcr...
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Performed by James Moody. Artist Transcriptions (Authentic note-for-note transcriptions). Size 9x12 inches. 88 pages. Published by Hal Leonard.
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Les cordes avec noumba (JAMES GUILLAUME ST)
Français
Musical Awakening
[Book + CD]
Fuzeau
Par JAMES GUILLAUME ST. Un livre-CD sensible autour des instruments à cordes. ...
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Par JAMES GUILLAUME ST. Un livre-CD sensible autour des instruments à cordes. 7 instruments à cordes pincées, frottées ou tapées... emmènent le tout-petit au royaume des cordes. Un fabuleux voyage au cours duquel les enfants découvrent le son du violon, de la guitare électrique, du piano, de la guitare acoustique, de la contrebasse, de la harpe et du clavecin! Les illustrations pétillantes et chaleureuses sont irrésistibles ! Le produit : - le 'vrai' son des instruments enregistrés (pas de synthétiseur pour les imiter), jouant des mélodies issues du répertoire des comptines traditionnelles que l'enfant reconnait - la présence des photos, qui complètent utilement les illustrations - le dialogue entre un enfant et un narrateur, à la découverte des instruments sur les traces de Noumba le petit Koala, qui sait capter l'attention des tout petits - la solidité et le format du livre carton, qui résiste bien aux manipulations multiples des petits! Illustrations Laure Simonneau - Format : 15 x 15 cm - Tout carton, coins arrondis - 22 pages / / Livre / Livres
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Cotro, Vincent / Cugny, Laurent / Gumplowicz, Philippe : La Catastrophe apprivoisée
Français
[Book]
Outre Mesure
Le projet « Histoire du Jazz en France », a réuni pendant trois annÃ...
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Le projet « Histoire du Jazz en France », a réuni pendant trois années un grand nombre de chercheurs, dans et hors l?université, en France et à l?étranger. Plusieurs rencontres ont permis de confronter les points de vue et de préciser ce que pourrait être une histoire générale du jazz en France.
Ce premier volume réunit les plus significatifs des travaux issus de ces débats.
Quatre champs complémentaires se sont dégagés.
Le premier est chronologique : les années 1920, particulièrement fécondes pour la réflexion. Qu?il s?agisse de l?effet d?étrangeté provoqué par l?orchestre militaire de James Reese Europe, de la danse, du rôle de « Bricktop » sur la scène parisienne, du lien au jazz d?un écrivain comme Pierre Mac Orlan ou des relations à la France de l?orchestre anglais le plus célèbre de l?époque, celui de Jack Hylton, cette décennie apparaît bien comme celle de toutes les naissances, d?un intense foisonnement créé par l?irruption du nouveau-né.
Médiateurs et médiations ensuite : le jazz ne s?est pas seulement imposé par ses musiciens mais par tous ceux qui l?ont fait connaître. Outre des réflexions sur la nature de ces médiations et sur les rapports du jazz et de la philosophie, on retrouve la radio sous l?Occupation et l?action d?Hugues Panassié, Charles Delaunay, Boris Vian ou Sim Copans.
La musique et les musiciens ne sont pas pour autant oubliés. Django Reinhardt, André Hodeir, Bernard Peiffer, Barney Wilen, Michel Petrucciani, Martial Solal en premier lieu, mais aussi les grandes formations de l?après-Deuxième Guerre mondiale.
Les régions enfin : la France ne se réduit pas à Paris, même si la capitale attire la lumière avec un naturel toujours renouvelé. La tâche est ardue, tant les traces sont rares, les sources réduites. Elle est ici abordée pour la Bourgogne, la région lilloise et Marseille.
Premier volume de la collection « Jazz en France », cet ouvrage se propose de poser des jalons, d?ouvrir des pistes nombreuses pour une histoire plus vaste, encore à écrire. / Livre / Agrafé /
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Musique Francaise Des Xvii Et Xviiieme Siecle
Français
[Book]
Voix et tous instruments (flute, violon, violoncelle, clavier?) Table des matiÃ...
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Voix et tous instruments (flute, violon, violoncelle, clavier?) Table des matières : MacCrimmon?s Lament, Cha Til MacCriman - Jane Fraser Morison Johnnie Cope - James Gillespie Laughlan?s Lilt - James Oswald Lochaber - William Thomson Etrik Banks - William Thomson Loch - Erroch Side - Thomas Oliver
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Les grands violonistes du xxeme siecle tome ii - 1948-1985 (MOLKHOU JEAN-MICHEL)
Français
[Book]
Buchet Chastel
Par MOLKHOU JEAN-MICHEL. Préface de Gidon Kremer De Boris Belkin à  Sergey Kh...
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Par MOLKHOU JEAN-MICHEL. Préface de Gidon Kremer De Boris Belkin à  Sergey Khachatryan, ce second volume des Grands Violonistes du xxe siècle, dans la continuité du premier, est consacré à  trente-cinq interprêtes nés au cours de la deuxiême moitié du siècle, entre 1948 et 1985. Dans chacun des portraits qui composent cet ouvrage sont retracés la vie et la carriêre du violoniste, en même temps que son répertoire, la spécificité de son jeu et les principaux éléments de sa discographie. Parfois, un entretien avec l'artiste est intégré au portrait, permettant au mélomane de se faire une idée précise de la personnalité et de l'art de chacun. Le portrait est à  chaque fois accompagné d'une photographie, et trente-cinq extraits musicaux donnent à  entendre chaque violoniste dans une oeuvre particuliêrement représentative de son art. Retrouvez notammentles violonistes suivants : Boris Belkin - Kyung- wha Chung - Pinchas Zukerman - Augustin Dumay - Pierre Amoyal - Dmitry Sitkovetsky - Nigel Kennedy - Shlomo Mintz - Viktoria Mullova - Cho- Liang Lin - Thomas Zehetmair - Anne- Sophie Mutter - Frank Peter Zimmermann - Christian Tetzlaff - Kyoko Takezawa - Leonidas Kavakos - Joshua Bell - Benjamin Schmid - Anne Akiko Meyers - Gil Shaham - Vadim Repin - Midori - Isabelle Faust - Vadim Gluzman - Maxim Vengerov - Julian Rachlin - Nicolaj Znaider - Renaud Capuçon - James Ehnes- Leila Josefowicz- Janine Jansen - Hilary Hahn - Sarah Chang - Julia Fischer - Sergey Khachatryan / Broché / Livre / Livres
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Cugny, Laurent : Une histoire du jazz en France. Tome 1 : du milieu du XIXe siècle à 1929
Français
[Book]
Outre Mesure
La France, fille aînée du jazz ?
C?est ce qui se pense, s...
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La France, fille aînée du jazz ?
C?est ce qui se pense, se dit parfois, souvent. L?histoire du jazz en France est en tout cas longue et très riche, de musiques, de musiciens, d?événements, de textes, de pensées, de passions, de conflits.
Le projet de cette histoire du jazz en France se conforme à un déroulement chronologique, depuis les débuts jusquHà 1990. Les volumes suivants couvriront respectivement les périodes 1930-1944, 1945-1959 et 1960-1990.
Où faire remonter les débuts ? À l?arrivée en France des Harlem Hellfighters de James Reese Europe dans les derniers jours de 1917 ? À la première apparition écrite du mot « jazz » à l?aube de 1918 ?
La réponse est donnée par le parti pris par lHauteur : celui de ne pas raconter seulement l?histoire des musiques et des musiciens, mais de placer celle-ci dans le contexte général de la société française, de ses tendances conservatrices ou progressistes, de ses blocages et de ses évolutions. C?est ainsi qu?on en est amené à remonter aussi loin que le milieu du XIXe, quand des musiciens (faussement ou réellement) noirs apparaissent sur des scènes parisiennes. On parvient de la sorte à retracer une lente maturation, jusqu?à une première articulation placée en 1929, quand sHobserve la convergence de mutations sociétales et musicales.
Quand, donc, a vraiment commencé le jazz en France ? Et d?abord, que signifie le mot en 1918, quand il est imprimé pour la première fois dans Le Gaulois et Le Figaro ? Est-il arrivé déjà formé des États-Unis ? Qui en furent les acteurs, français, étatsuniens, originaires d?autres pays, musiciens, médiateurs de toutes sortes ? Quels mouvements traversaient les sociétés françaises qu?il a rencontrées ? Quels cadres de pensée ont pu permettre qu?il s?implante, durablement comme on le sait ? Telles sont les questions auxquelles se confronte le volume d?ouverture de cette première histoire générale du jazz en France. / Livre / Agrafé /
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Une Histoire Du Jazz En France. Tome 1 : Du Milieu Du XIXe Siècle A 1929
Piano solo
Outre Mesure
La France, fille aînée du jazz?? C'est ce qui se pense, se dit parfois, souven...
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La France, fille aînée du jazz?? C'est ce qui se pense, se dit parfois, souvent. L'histoire du jazz en France est en tout cas longue et très riche, de musiques, de musiciens, d'événements, de textes, de pensées, de passions, de conflits. Le projet de cette histoire du jazz en France se conforme à un déroulement chronologique, depuis les débuts jusqu'à 1990. Les volumes suivants couvriront respectivement les périodes 1930-1944, 1945-1959 et 1960-1990. Où faire remonter les débuts?? A l'arrivée en France des Harlem Hellfighters de James Reese Europe dans les derniers jours de 1917?? A la première apparition écrite du mot 'jazz' à l'aube de 1918?? La réponse est donnée par le parti pris par l'auteur?: celui de ne pas raconter seulement l'histoire des musiques et des musiciens, mais de placer celle-ci dans le contexte général de la société française, de ses tendances conservatrices ou progressistes, de ses blocages et de ses évolutions. C'est ainsi qu'on en est amené à remonter aussi loin que le milieu du XIXe, quand des musiciens (faussement ou réellement) noirs apparaissent sur des scènes parisiennes. On parvient de la sorte à retracer une lente maturation, jusqu'à une première articulation placée en 1929, quand s'observe la convergence de mutations sociétales et musicales. Quand, donc, a vraiment commencé le jazz en France ? Et d'abord, que signifie le mot en 1918, quand il est imprimé pour la première fois dans Le Gaulois et Le Figaro?? Est-il arrivé déjà formé des Etats-Unis?? Qui en furent les acteurs, français, étatsuniens, originaires d'autres pays, musiciens, médiateurs de toutes sortes?? Quels mouvements traversaient les sociétés françaises qu'il a rencontrées?? Quels cadres de pensée ont pu permettre qu'il s'implante, durablement comme on le sait?? Telles sont les questions auxquelles se confronte le volume d'ouverture de cette première histoire générale du jazz en France. / Livre
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Musique & Cinéma (Berthe, Nicolas / Thiebaux, Pascal )
Français
[DVD]
Fuzeau
Comment amener un enfant à décrypter le rapport existant entre la musique et l...
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Comment amener un enfant à décrypter le rapport existant entre la musique et l?image ? Comment lui faire ressentir le lien entre une ambiance musicale et un sentiment difficilement palpable ? Comment parler concrètement du travail conjoint d?un réalisateur et d?un compositeur ? Comment montrer à la fois un produit fini et l?envers du décor, de sa conception à sa réalisation ? Comment faire pour répondre à toutes ces questions sans tomber dans un exposé théorique et complexe ? Toutes ces questions ont amené Pascal Thiebaux (réalisateur et story-boarder) et Nicolas Berthe (enseignant et compositeur) à réaliser leur propre concept de film pédagogique : la collection `Musique & Cinéma`.
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