SKU: HL.14005371
ISBN 9780711992214. UPC: 884088440367. 6.75x9.75 inches.
Six settings of Innuit texts for mixed voices and optional percussion. If percussion is not available then singers should clap the rhythms indicated, four to each part, depending on the acoustics of the building. Magic Words was commissioned for the Little Missenden Festival. It received its first performance there on 13 October 2000 by the Joyful Company of Singers conducted by Peter Broadbent. Duration c. 15 minutes. A piano part is included for rehearsal purpose.
SKU: SU.29050340
Six Songs Without WordsOboe, Bassoon & Piano Duration: 14' Composed: 2014 Published by: Whitco Press.
SKU: GI.G-017285
English.
This addition to the WorshipWorks. series explores the merits of the texts we sing in worship. Whether you are the person responsible for evaluating sung texts for your community or someone who crafts texts for sung prayer (be they your community‚ intercessions or your own musical compositions), author Alan Hommerding offers helpful insights and practical tools to help you. His background as a hymn writer, a pastoral musician, and an editor of the musical texts of others well qualifies him to author this useful little volume. Words That Work for Worship .approaches the task of text evaluation from two perspectives. In the first section of the book, the various ways that the tenets of the Christian faith should‚Äîand shouldn't‚Äîbe offered in song are examined. Particular attention is paid to scriptural adaptation. In the second half, the use of imagery, metaphor, rhyme, and other devices of language are presented briefly. This section includes some simple writing exercises. Throughout, the stress is on the care that we must take to create and select the words that we musicians put in the mouths of our worshiping assemblies. Words That Work for Worship .provides the critical tools that will help your community to sing God‚ praises faithfully and beautifully.
SKU: CA.4009515
ISBN 9790007061517. Language: Latin/English.
Unlike the well-known settings of the Seven Last Words by Schutz or Haydn, in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the Stabat Mater. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: different-sized ensembles, exciting orchestration, formal variety and sophisticated harmony. Laments, simple passages for the choir in unison, passages with great drama, melodic shapes filled with sweetness convey to the listener a multi-layered impression of a composition stamped by a strongly personal will to expression. Wurttembergische Blatter fur Kirchenmusik 1/1991. Score and part available separately - see item CA.4009500.
SKU: GI.G-RAB49A
ISBN 9780854020997. English.
This edition includes words and melody only.
SKU: CA.4009513
ISBN 9790007061494. Language: Latin/English.
SKU: CA.4009514
ISBN 9790007061500. Language: Latin/English.
SKU: CA.4009511
ISBN 9790007061470. Language: Latin/English.
SKU: CA.4009509
ISBN 9790007061463. Language: Latin/English.
Unlike the well-known settings of the Seven Last Words by Schutz or Haydn, in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the Stabat Mater. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: different-sized ensembles, exciting orchestration, formal variety and sophisticated harmony. Laments, simple passages for the choir in unison, passages with great drama, melodic shapes filled with sweetness convey to the listener a multi-layered impression of a composition stamped by a strongly personal will to expression. Wurttembergische Blatter fur Kirchenmusik 1/1991. Score and parts available separately - see item CA.4009500.
SKU: PE.EP73416A
ISBN 9790577018577. 210 x 297 mm inches. English.
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.
