This useful series is ideal for keyboard players who find themselves playing church organs for village services. Each volume provides a wide selection of material suitable for use as voluntaries for which pedal parts are not required.Volume 2 contains: DE CABEZON - Dic Nobis Maria FELTON - Andante - from Organ Concerto No.4 REGER - Chorale Prelude - Es ist gewisslich an der Zeit BRAHMS - Es ist ein? Ros? entsprungen BOËLLMANN - Verset GUILMANT - Antienne - Que de sang dans la Judée FRANCK - A la venue Noël KARG-ELERT - Bagatelle Op.31 No.7

Fantasy in D minor (No. 1) was written in 1957 by one of the most effectual composers of the twentieth century Miloslav Kabelá (1908–1979) on the initiative of the prominent Czech organist Ji í Reinberger (1914–1977). It was the composer’s first work for solo organ and he later confessed that “… my love of the organ began with this Fantasy and did not end.”He composed Fantasy in D minor in the same year that he completed his cult classics Mysterium asu (Mystery of Time) and Symphony No. 3 (with organ) and the piece soon became a staple of organ repertoire at home andabroad. The following year he composed Fantasy in G minor (No. 2) by commission for the 1st International Organ Competition of Prague Spring 1958.Although Kabelá joined both fantasies into one opus 32 they had as yet been published separately. The present edition is the first to include the whole of Op. 32 in one volume. It is part of the Complete Critical Edition of the Works of Miloslav Kabelá and edited by Jan Hora (1936) a leading Czech organist and expert on Kabelá ’s organ works which he recorded in their entirety.- Permanent repertoire piece for organists all over the world- First edition to include both fantasies of Op.32 in one volume- Part of the Complete Critical Edition V/12 edited by eminent Czech organist Jan Hora

As a famous contributor to classical Organ music César Franck's (1822-1890) catalogue is extensive. Moreover being an organist himself his Organ Works are significant and remain ever-popular to this day. When French organist Marcel Dupré (1886-1971) compiled the series of Franck's Organ Works it was well-received and to this day remains popular with all organists. The second volume includes a favoured selection of Franck's works including a Pastoral Prayer and Finale. In addition Dupré's annotations in Organ Works comprise fingerings ruleson technique and instructions on ornamentation amongst other aspects. This compilation of Franck's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

Volume 4-As a famous contributor to classical Organ music César Franck's (1822-1890) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupré (1886-1971) compiled the series of Franck's Organ Works it was well-received and to this day remains popular with all organists. The fourth volume includes a favoured selection of Franck's works including three of his chorales. In addition Dupré's annotations in Organ Works comprise fingerings rules on technique andinstructions on ornamentation amongst other aspects. This compilation of Franck's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

Louis Vierne (1870-1937) studied privately with Cesar Franck and was appointed titulaire organist at Notre-Dame (Paris) in 1900. Numerous concert tours throughout Europe and the USA made him well-known outside France.Vierne?s Organ works are masterpieces of Organ music and are firm favourites in the virtuoso Organ repertoire. In particular Vierne raised the form of the Organ symphony to a stylistic peak.The famous collection of ?Pieces de Fantaisie? comprising 24 fantasy pieces in four volumes (Livres I-IV) has become internationally known. With their varying degrees of difficulty the pieces are suitable for bothprofessional organists as well as advanced pupils and students.The collection comprises mainly individual movements which are suitable for use on many different types of occasion.The ?Pieces en style libre pour orgue ou harmonium? comprising 24 pieces in two volumes are shorter and technically easier. These are ?miniatures? of a rather meditative character equally suitable for Organ teaching or concert use.- Evaluation of all available autograph manuscripts first printed editions and previously unpublished letters.- Editorial clarification superseding the long-standing international correction lists.- Critical Commentary (Fr/Eng/Ger) and foreword (Fr/Eng/Ger) with detailed performance practice tips.- Numerous illustrations and facsimile pages.

Seven bubbly pieces for organ-There is a large demand for lively and joyful wedding music which speaks to contemporary congregations in the language they know. This collection of Jazzy pieces will command the attention and enhance the atmosphere ofhappiness which is such a wonderful part of the wedding ceremony. Congregations will love these pieces and organists will find them exciting and thrilling to play. We know that organists are always looking for something fresh toplay for weddings and this new collection fits the bill perfectly!Wedding Jazz includes Groovy Gavotte (Tim Blinko) To a slightly Wilder Rose! (Rosalie Bonighton) Mr Purcell’sTrumpeting Tune & Air (Robert Jones) The Perfect Love Waltz (June Nixon) Troldhaugen Blues & Waltz (Betty Roe) Amazing Grace Variation ‘Bluesy Dance’ (Martin Setchell) and Rave TrumpetVoluntary (Andrew Wright).

20 Chorals Divers (L à W) 13 Chorals supplémentaires Sinfonias des 29e e 146e cantatas-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The third volume includes a selection of Bach's favoured Chorals and Cantatas. In addition Dupr?'s annotations in Complete Organ Works comprise fingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

8 petits préludes and fugues 3 préludes 9 fugues 5 fantaisies-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The fifth volume includes a selection of Bach's favoured Preludes and Fugues and Fantasies. In addition Dupr?'s annotations in Complete Organ Works comprisefingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

Jehan Alain (1911-1940) was a French organist and composer. The third volume of Alain's Organ Works comprise Prélude Profane and Lamento as well as other favourites from the composer. Alain studied with Organ virtuosos Guilmant and Vierne and was primarily an organist and composer of religious music. Whilst at the Paris Conservatoire Alain won many prizes and his composition catalogue comprises some 140 works. The compositions in the third volume of Organ Works by Jehan Alain are full of life mirroring his personality. From lively andcomical pieces to sensitive and unexpected works Alain's pieces are diverse in musicality. Moreover the composer exploits Organ techniques making for an exciting and varied collection for intermediate to advanced level organists.

Gerard Bunk (1888?1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works.

Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement.

This Urtext edition, prepared by the composer?s grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary.

The complete edition will comprise a total of six volumes.
- First complete Urtext edition
- Each volume contains a detailed foreword and critical commentary (Ger/Eng)
- Numerous facsimiles and illustrations / [Complete Organ Works, Volume IV] / Classique / Partition / Dos Carré Colllé /

A Study and Practice Book-Franz Josef Stoiber organ professor and organist at Regensburg Cathedral has decided not to present a conventional improvisation tutor here. Instead he offers a multi-faceted reader and workbook containing useful methodical and pedagogical reflections e.g. on cultivating a feeling for sound and training responsiveness. It also features a wide range of practical exercises for improvising in various styles all reflecting his years of experience as a teacher and performer.This guide to organ improvisation has the potential of becoming a standard work in the training of today’s organists.- A new approach to organ improvisation- Includes many practicalexercises and music samples- German/English text- Spacious attractive layout

Orgel Büchlein-Volume 1 of Bach?s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA).This updated edition takes into account the latest findings of Bach scholarship: thus for example a newly-discovered copy of the first edition containing inscriptions in Bach?s own hand could be incorporated into the musical text of the Schübler Chorales.For the Orgel-Büchlein Bach?s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach?smost famous collection was played at that time.Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the ?riddle? of how these partitas were handed down.Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis.Urtext of the New Bach EditionComplete new engravingNew detailed Foreword by Christine Blanken (Ger/Eng)Links to relevant sources in Bach digitalVolume 1 hardback BA5056The Complete Organ Works: The Definitive Edition Now in 11 paperback volumes in a slipcase BA 5279

When Reubke died in 1858 at the age of only 24 his achievements included two monumental works (a Piano sonata and an Organ sonata) and a few smaller compositions including a Trio for Organ. This Urtext edition brings together the two Organ works in a new edition: the Organ sonata is also known by the title of the 94th Psalm whose words inspired its content. The Sonata whose style and virtuosity show the influence of Liszt is one of the greatest Organ works of the whole Romantic period. The Trio a musically charming but technically less demanding piece should represent a welcome addition to the teaching repertoire forOrgan. The only original documents remaining for these works are the first editions. In this new edition we have attempted to correct obvious mistakes in the first impression and to offer cautious suggestions for improvements in dubious instances.

this new edition by Harald Vogel is a practical source-based edition that seeks to make the information content of the sources accessible to present-day users and to the extent that this is feasible in modern-day practice to remain as close as possible to the original notation. In order to lead the user closer to the original form Vogel eschews editorial additions through analogical formations. The editors detailed comments refer not only to the extant collection of works but also in the text The Organs and Their Tunings to the instruments on which the composer exercised his mastery in Flensburg Stade and Hamburg.