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| Alexander Glazunov: String Quartet No. 3 Opus 26 (Quatuor Slave) String Quartet: 2 violins, viola, cello [Set of Parts] Belaieff | | |
| Pearls of the Baroque - for String Quartet (2 Violins, Viola and Cello) String Quartet: 2 violins, viola, cello [Set of Parts] - Advanced Last Resort Music Publishing
(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel ...(+)
(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel Lish. String quartet. For 2 Violins, Viola and Cello. Quartets. Baroque. Advanced. Set of 4 parts. Published by Middle Fiddle Music
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pop Ballads for String Quartet String Quartet: 2 violins, viola, cello - Intermediate De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1064034-070 Arranged by Gunter ...(+)
String Quartet - intermediate SKU: BT.DHP-1064034-070 Arranged by Gunter Van Rompaey and Hans Aerts. Pop & Rock. Set (Score & Parts). Composed 2006. 40 pages. De Haske Publications #DHP 1064034-070. Published by De Haske Publications (BT.DHP-1064034-070). ISBN 9789043124720. 9x12 inches. English-German-French-Dutch. Traditionally a string quartet will not readily take on pop music. But times are changing and the classic quartet line-up proves suitable for beautiful arrangements of contemporary songs as well. This book features three hits from past decades, The Rose (Bette Midler) with its simple, pure sounds and underlying harmonies, La Solitudine (Laura Pausini) - compelling and with a hidden energy and finally Wonderwall (Oasis), an unexpected choice, with its persistent rhythmic background. To allow the string quartet to play together with optional guitar or keyboard, chord symbols have been added in the score. These songs - which certainly have a passionate andromantic ring to them - are ideal for receptions, weddings and other festive occasions. (Position 1-5)
Drie bekende songs in geslaagde bewerkingen voor strijkkwartet: Pop Ballads for String Quartet bewijst dat het kan. Om het strijkkwartet de mogelijkheid te bieden samen te spelen met gitaar of keyboards zijn akkoordsymbolentoegevoegd in de partituur. Deze songs vol passie en romantiek zijn ideaal voor het opluisteren van recepties, bruiloften en andere feestelijke gelegenheden. (Position 1-5)
Ein Buch für alle Streicher, die anstatt der klassischen Literatur für Streichquartett auch einmal etwas ganz Modernes, Unterhaltsames spielen wollen. Hans Aerts und Gunter Van Rompaey bearbeiteten für diese Ausgabe drei bekannte Pop- Titel für zwei Violinen, Viola und Cello. Akkordsymbole für eine Begleitung von Keyboard oder Gitarre sind ebenfalls enthalten.(Position 1-5)
Ce recueil contient trois succès des dernières décennies : The Rose, avec ses sonorités simples et épurées et ses harmonies demi cachées ; La Solitudine, l‘énergie dissimulée et enfin Wonderwall, un choix inattendu dont le tapis sonore est continuellement rythmé. Des symboles d’accords ont été ajoutés sur la partition afin de permettre au quatuor cordes de se faire accompagner d’une guitare ou clavier (partie optionnelle). (Position 1-5)
Questa pubblicazione permetter ai giovani musicisti di cominciare a suonare in gruppo. Il quartetto d’archi è da sempre la formazione per eccellenza, equilibrata e potente nell’espressione. Anche la musica in stile pop, arrangiata per l’occasione da Hans Aerts, si adatta a questo tipo di organico. L’importante è saper ascoltare la parte degli altri per inserire il proprio ritmo nell’insieme. (Position 1-5). $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed by Dan Welcher. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Full score. With Standard notation. Composed 2007. WRT11142. 52 pages. Duration 24 minutes. Theodore Presser Company #164-00272S. Published by Theodore Presser Company (PR.16400272S). UPC: 680160588442. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| More Classical Highlights String Quartet: 2 violins, viola, cello De Haske Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score and Parts). De Haske Publications #DHP 1135315-070. Published by De Haske Publications (BT.DHP-1135315-070). ISBN 9789043146814. 9x12 inches. English-German-French-Dutch. More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances!
More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen!
More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen gro�en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des �sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitrei�enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák.
More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert ! $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720). UPC: 680160573042. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music for Four, Volume 4, Set of 4 Parts (String Quartet) String Quartet: 2 violins, viola, cello [Set of Parts] - Intermediate/advanced Last Resort Music Publishing
(Late 19th and 20th Century Favorites). By Various. Arranged by Daniel Kelley. S...(+)
(Late 19th and 20th Century Favorites). By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Late 19th/Early 20th Century Favorites. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing
$70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet No. 14 A flat major, Op. 105 String Quartet: 2 violins, viola, cello [Set of Parts] Barenreiter
(Streichquartett nr. 14 / Quatuor A Cordes No. 14). By Antonin Dvorak (1841-1904...(+)
(Streichquartett nr. 14 / Quatuor A Cordes No. 14). By Antonin Dvorak (1841-1904). For 2 violins, viola, cello. In a folder. The Complete Works of Antonin Dvorak IV/7 - B 193. Czech title: Smy covy kvartet 14 As dur op. 105. Set of parts. Opus 105, No. 14. 16/16/16/16 pages. Published by Editio Baerenreiter Praha
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ensembles for One World -- Traditional Folk Songs - Latin America (string quartet) String Quartet: 2 violins, viola, cello - Easy LudwigMasters Publications
String Quartet - Grade 2.5 SKU: AP.36-52703614 Volume 1. For St...(+)
String Quartet - Grade 2.5 SKU: AP.36-52703614 Volume 1. For String Quartet. Composed by Gene Milford. This edition: Latham Music. Quartet; Solo Small Ensembles; String - Quartet. LudwigMasters - Latham Music. Book. LudwigMasters Publications #36-52703614. Published by LudwigMasters Publications (AP.36-52703614). ISBN 9781581069761. UPC: 654690687517. English. This collection of folk songs from Latin America (Mexico, Costa Rica and Guatemala) are meant to expand young player's knowledge of music from other cultures or give them pride in the music of their own heritage. The music is mostly in 1st position with only Violin 1 and Violoncello wandering briefly into other positions. Players will use pizzicato and a variety of bowing styles. Program Notes: - Cielito Lindo (Lovely Sweet One) was popularized in 1882 by Mexican author Quirino Mendoza y Cortés. It is one of the most widely recognized tunes throughout the Spanish-speaking world as a symbol of Mexico.
- Naci en la Cumbre (I was Born on the Mountain) is a traditional Guatemalan folk song.
- Vuela, suspiro (Fly, My Sighs) is a traditional Costa Rican folk song.
- Ay! Tituy is a traditional folk song from Costa Rica.
- La Cucaracha (The Cockroach) is a traditional Spanish song, also trendy in Latin America. It is about a cockroach who can't walk. The song came to symbolize the Mexican Revolution (1910-20) and Pancho Villa.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $18.99 - See more - Buy online | | |
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| String Chamber Music I-2 String Quartet: 2 violins, viola,
cello Schott
Le travail de Paul Hindemith est encyclopédique dans la nature. Dès le départ...(+)
Le travail de Paul Hindemith est encyclopédique dans la nature. Dès le départ, il a travaillé dans tous les genres musicaux et a élaboré plusieurs de ses idées et de projets individuels, non pas comme des oeuvres autonomes musicales, mais aussi des cycles de travailavec différents rapports fonctionnels. Ces pièces contrastées complètent mutuellement si connu dans le cadre de la structure globale. Hindemith lui-même ne voulait pas seulement une édition complète de ses oeuvres complètes, mais avait commencé à planifier cela, à sa mort, il a laissé une liste détaillée des, morceaux inédits pour une éventuelle édition complète '.Les oeuvres complètes contiennent tous les travaux finis dans toutes les versions existantes, nouvellement gravés pour l'édition. Esquisses et fragments sont publiés dans les annexes du volume concerné, et sont évalués dans l'introduction et le commentaire critique par l'éditeur du volume respectif.Chaque volume contient une préface par les directeurs de rédaction et une introduction par l'éditeur de volume, la délimitation de la genèse et l'histoire de l'exécution des travaux, avec des instructions de performances authentiques, une évaluation des enregistrements existants par Paul Hindemith lui-même et un commentaire critique.Les oeuvres complètes de Paul Hindemith sont donc présentés dans une édition critique, scientifique qui est également appropriée pour l'étude et la performance. Hindemith chercheurs vont accueillir les nombreuses premières publications des oeuvres du compositeur et les musiciens pratiques apprécieront le matériau de performance philologique commandé récemment préparé. / Quatuor A Cordes
184.15 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| String Quartet No. 4
(LERDAHL FRED) String Quartet: 2 violins, viola,
cello [Score and Parts] Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...(+)
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.
My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.
My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
167.61 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Ballads of Britain:
String Quartet:
Instrumental Album String Quartet: 2 violins, viola,
cello - Intermediate/advanced Spartan Press
A selection of folk ballads from England Ireland Scotland and Wales.A ballad ...(+)
A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The
6.95 GBP - Sold by Musicroom UK | |
| Klassik Für Kinder -
Classical Music For
Children String Quartet: 2 violins, viola,
cello [Sheet music] - Easy Schott
12 Beliebte Klassische Stücke Für 3-4 Violinen. Well-known melodies in easy Ar...(+)
12 Beliebte Klassische Stücke Für 3-4 Violinen. Well-known melodies in easy Arrangements are ideally suited for joyful music-making in a group. The arrangements allow students of different performance levels to make music together. Most pieces and parts can be played in first position. The third and fourth parts can also be played with viola or cello. Not only kids will have fun with this booklet! / Niveau : Facile / Recueil / 4 Violons
32.75 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| STRING QUARTET NO. 1 OP.
7 (BARTOK BELA) (BARTOK
BELA) String Quartet: 2 violins, viola,
cello [Sheet music] G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...(+)
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
25.32 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| STRING QUARTET NO. 1 OP.
7 (BARTOK BELA) (BARTOK
BELA) String Quartet: 2 violins, viola,
cello [Sheet music] G. Henle
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and ...(+)
Par BARTOK BELA. Béla Bartók?s six string quartets, composed between 1908 and 1940, are 20th-century milestones of the genre. His First String Quartet is closely linked to his unhappy love for the violinist Stefi Geyer, to whom he sent the initial measures of its first movement in early 1908 with the remark: ?My song of death?. When he completed all three movements of the work a year later, he had, according to his friend and colleague Zoltán Kodály, written himself ?back into life?. In this First Quartet, Bartók combines late-Romantic sounds with elements of the folk music that had since 1905 been a source of increasing interest to him. This definitive edition, supervised by Bartók scholar László Somfai, is the first-ever Urtext edition of this work. It takes into account both manuscript and printed sources, as well as letters and notes by the composer in which he recorded matters such as modifications to tempo markings. The Henle edition thus offers a musical text edited to the highest scholarly standards, with fascinating information on the work?s compositional history and performance practice. Sensible page turns and cue notes help to make this edition a real ?must have?. / Date parution : 2023-05-06/ Répertoire / Quatuor à Cordes
14.77 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Larry Clark: Compatible
Quartets for Strings:
String Quartet:
Instrumental Album String Quartet: 2 violins, viola,
cello Carl Fischer
21 Quartets That Can Be Played by Any Combination of String Instruments-The Comp...(+)
21 Quartets That Can Be Played by Any Combination of String Instruments-The Compatible Ensemble Series allows chamber groups to play together no matter the instrumentation or who wants to play melody harmony or bass.This collection contains 21 quartets for string instruments in a variety of styles from classical to folk to original compositions. Players get the opportunity to mix-and-match instrumentation and line played making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Larry Clark: Compatible
Quartets for Strings:
String Quartet:
Instrumental Album String Quartet: 2 violins, viola,
cello Carl Fischer
21 Quartets That Can Be Played by Any Combination of String Instruments-The Comp...(+)
21 Quartets That Can Be Played by Any Combination of String Instruments-The Compatible Ensemble Series allows chamber groups to play together no matter the instrumentation or who wants to play melody harmony or bass.This collection contains 21 quartets for string instruments in a variety of styles from classical to folk to original compositions. Players get the opportunity to mix-and-match instrumentation and line played making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.
15.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Larry Clark: Compatible
Quartets for Strings:
String Quartet:
Instrumental Album String Quartet: 2 violins, viola,
cello Carl Fischer
21 Quartets That Can Be Played by Any Combination of String Instruments-The Comp...(+)
21 Quartets That Can Be Played by Any Combination of String Instruments-The Compatible Ensemble Series allows chamber groups to play together no matter the instrumentation or who wants to play melody harmony or bass.This collection contains 21 quartets for string instruments in a variety of styles from classical to folk to original compositions. Players get the opportunity to mix-and-match instrumentation and line played making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Kevin Volans: String
Quartet No. 4 'The
Ramanujan Notebooks':
String Quartet: String Quartet: 2 violins, viola,
cello Chester
Irish composer Kevin Volans' work has gained international acclaim over the year...(+)
Irish composer Kevin Volans' work has gained international acclaim over the years. Drawing on a combination of European and African compositional techniques his music displays a unique charm. Volans' distinctive sound is heavilyin demand and since the mid-1980s his work has been performed regularly at such venues as the Pompidou Centre the Royal Albert Hall and the Lincoln Center in New York.This work for string quartet was commissioned by theShobana Jeyasingh Dance Company and was first performed on the 16th December 1990 at the Almeida Theatre London by the Smith Quartet.Set of parts. Score available: CH61341
29.99 GBP - Sold by Musicroom UK | |
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