The Alfred Jazz EASY Play-Along series for Rhythm Section goes beyond the other play-alongs. The rhythm section book has written out parts for piano, bass, and drumset to show comping suggestions. In addition, each of the nine jazz standards includes the melody and a sample written-out jazz solo for you to listen to, play, and practice. The included MP3 disk has a demo track and a play-along track for each tune for piano, bass, and drums. The demo track, featuring a pro rhythm section with a horn player, is a learning tool for the melody, piano comping, bass lines, drum parts, and improvisation. The play-along track allows each player to practice with the rhythm section as individuals with their part removed from the mix. In addition, the rhythm section parts in the book can be used as small group arrangements. Each jazz standard has specific improvisation tips and suggestions. The written out comping examples and melody along with the written out sample solos are all invaluable assets that makes learning how to improvise easier. Nine great tunes=great jazz! Titles: After You've Gone * Blues March * Lazy Bird * Lester Leaps In * Mr. PC * Road Song * Scrapple From the Apple * St. James Infirmary * Summertime. - See more at: http://www.fabermusicstore.com/Easy-Standards-Play-Along-2-Rhythm-CD-36090.aspx#sthash.66bVow8j.dpuf

Finally, an authentic collection of Salsa/Latin favorites, with syncopations, voicings and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drum set on this recording! All the percussion is purely Latin/American and the rhythm section is tight! Be sure to check this one out. It?s like no other play-a-long in the series. Rhythm section is Mark Levine-Piano; David Belove?Bass; John Santos-Timbales and miscellaneous percussion; Harold Muniz-Congas and miscellaneous percussion. Sabor - Linda Chicana - Mambo Inn - II/V7/I Cha Cha - II/V7/I Bolero - Afro Blue - Come Candela - Delirio - Manteca - Curacao - Philly Mambo - Mindanao - Picadillo

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violoncelle Et Contrebasse

11 essential jazz standards and 3 important “workout” tracks for the student ready to make the transition from playing scales, chords and exercises to playing popular jazz standards. Excellent reference material that can be used as a resource for beginning improvisation . . . actual tunes instead of exercises! Features slower tempos and easier changes. Each selection includes it’s own specific tips and suggestions on how to approach soloing over it. Scales are written out for every chord change. A wide variety of related publications (see below) make this the perfect jazz improvisation method for High School and College music directors. Rhythm section is Jamey Aebersold, piano; Tyrone Wheeler, bass; and Steve Davis, drums. Summertime - Bb Shuffle Blues - Impressions - Maiden Voyage - Watermelon Man - Doxy - Autumn Leaves - Song For My Father - Cantaloupe Island - Satin Doll - Blues In F - Footprints - III/V17/II/V7 progression … and more

For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you've mastered his feel and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef with chord symbols above each measure. Transcribed bass lines to the chord changes of: Billie's Bounce, Confirmation, Dewey Square, Donna Lee, My Little Suede Shoes, Now's The Time, Ornithology, Scrapple From The Apple, Thriving From A Riff, and Yardbird Suite.

Drums optional. Par TAILOR NORMAN. / Niveau : Intermédiaire / Répertoire / Contrebasse et Piano

Intermediate/Advanced. The man who brought the trombone to the front of the band was also known as a great composer. These hard boppin' favorites are a fitting tribute to his legacy. Boneology - Coffee Pot - Fatback - Flat Black - Interlude - In Walked Horace - Lament - May I Have Dis Dance - Mohawk - Shutterbug - Ten-85 - Turnpike - Kenya. Rhythm Section: Steve Allee (piano); Tyrone Wheeler (bass); Steve Davis (drums) Support média : Compact disc Langue : en anglais

This organ trio play-a-long set simply swings like no other! You will be sure to explore all that the blues form has to offer with a B-3 trio that will blow you away with their musicianship and feel. A great addition to your collection! Special stereo separation has drums and bass on both channels with guitar and organ split on different channels.Boogaloo in Bb - Work Song - Slow Blues - Groove Blues - Down Home Blues - Bossa Blues - Killer Joe - Shuffle Blues - Modal Blues - Dirty Blues - …and more Support média : Compact disc Langue : en anglais

Troisième édition, révisée. Suggested Prerequisites: Volume 24, 1, 21.The Blues have had the very essence of the jazz sound since the 1920’s. A player who masters the sound and feel of the Blues will play other jazz tunes in a manner that will inspire the listener. The rhythm section on this recording really grooves and makes this set fun to play with. Contains 11 different Blues and is a natural follow-up to Volume 1 or Volume 21. The tempos are not fast. The Blues are presented in various keys and with a variety of moods from slow to rock. Chords and scales are written in the staff for each recorded track. Rhythm section is Dan Haerle, piano; Mike Hyman, drums; and Rufus Reid, bass.Mr. Super Hip - Horizontal (C Blues) - 6/8 Modal Blues - Slow Blues in G - Slow Blues in F - Fast Blues in F - Fast Blues in Bb - Minor Blues in C - Bird Blues - Home Stretch - Long-meter Jazz/Rock

Sadie Harrison's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes.Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ‘ghost’ in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country’s annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with ‘gongs’ ‘kendang drums’ and ‘bamboo flutes’. The music ishighly repetitive with rhythm and pitch cycles used to imitate the structure of much gamelan music.The piece is divided into three main sections. The first and last are dark and menacing  marked ‘a slow procession of spirits’. The central section entitled ‘The ghost’s dance’ is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night.The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an attempt to dispel the evil spirits through the beauty of song.The piece was kindly commissioned by The Friends of Music at Wells Cathedral School and given its first performance by Nick Lum and Gemma Beeson at Wells Cathedral School on 23 June 2013.

This set contains the essence of modern music and is considered by most musicians to be some of the most important music of this century. Bebop is the music of the future! Ten Charlie Parker songs that truly represent the Bebop Era. This is truly a bebop rhythm section and they make the songs sing! This is a tremendous way to learn ten songs by the master musician, Charlie Parker. The songs have all become well known jazz standards that are essential for every jazz player to know. There are blues, “Rhythm” changes, alternating latin/swing, fast, and standard 32 bar songs in this outstanding collection. Learn from the master! The recorded back-up rhythm section is Kenny Barron, piano; Ron Carter, bass; and Ben Riley, drums. Now’s The Time - Donna Lee - Billie’s Bounce - Dewey Square - Yardbird Suite - Ornithology - Confirmation - Scrapple From The Apple - Thriving From A Riff - My Little Suede Shoes

Par GILMORE S.. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you’ve mastered his “feel” and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef withchord symbols above each measure. THIS BOOK: Transcribed bass lines to the chord changes of: Blue Moon, Don’t Blame Me, I Left My Heart In San Francisco, Invitation, Just Friends, Laura, My Secret Love, No Greater Love, On The Trail, On Green Dolphin Street, Once In Awhile, Over The Rainbow, Spring Is Here, Star Eyes, Stompin’ At The Savoy, The Shadow Of Your Smile, You Stepped Out Of A Dream, and Without A Song. / Rép International / Recueil / Guitare Basse

Eight classic jazz originals written by Miles Davis. This is a unique way to learn eight of the most popular songs of the Fifties. These tunes are considered jazz classics because most all jazz musicians around the world have learned them. And the reason so many jazz musicians have learned them is because they are all such interesting vehicles for improvising and interesting chord changes, altered bridges and logical melodies that have been quoted in many compositions throughout the music world. Gain an insight into early Miles and gain an understanding of the transitional bop to post-bop period. Rhythm section is Dan Haerle, piano; Rufus Reid, bass; Jonathan Higgins, drums. Four - Solar - Tune Up - Dig - Vierd Blues - Milestones (Old) - The Theme - Serpent's Tooth. Related Publication: Vol. 50 Magic of Miles.

Here’s a great way to expand your blues playing in every key. And, it’s real fun, too! These are slow tempos and are for all levels of ability. Try playing some of the tougher keys without looking at the music and see just how fast your ear takes over. You’ll find yourself gaining confidence very quickly and that confidence will greatly improve your soloing. Charlie Parker learned the Blues in all 12 keys before he learned anything else. Transposed for all instruments. Each key contains a different blues melody and two compatible chord/scale progressions. It’s enjoyable and it’s sure to make you a better blues player. Get started now with this great addition to the series. The outstanding rhythm section is James Williams, piano; Bob Cranshaw, bass; Mickey Roker, drums.