SKU: BT.DHP-1115113-400
ISBN 9789043139205. 9x12 inches. English-German-French-Dutch.
In Double Bass Starter you will find a variety of tunes for beginner double bass players - young as well as old. It is a fantastic album, with a solid methodical structure. A range of styles is featured, from classical to jazz and pop. The tunes can be picked or bowed. The CD features demo tracks together with play-along tracks for each piece. In Double Bass Starter zijn verschillende stukken voor beginners op de contrabas verzameld. Het is zowel een geweldig speelboek als een goed doordachte aanvulling op het gebruikelijke lesmateriaal. Allerlei stijlen passerende revue - van klassiek tot pop. Alle stukken kunnen zowel pizzicato als con arco worden gespeeld.In Double Bass Starter sind vielfältige Stu?cke fu?r Anfänger auf dem Kontrabass versammelt. Es ist zugleich ein fantastisches Spielbuch und sehr lehrreiches Zusatzmaterial fu?r den Unterricht mit einem durchdachten methodischen Aufbau. Allerlei Stile kommen darin an die Reihe - von Klassik u?ber Jazz bis hin zu Pop. Alle Stu?cke können sowohl gezupft als auch gestrichen werden.Die CD bietet sowohl Demo- als auch Play-Along Tracks an.Double Bass Starter propose de nombreuses pièces de style divers (classique, jazz ou pop), arrangées pour contrebassiste débutant. Chaque partition contient un large éventail de compléments pédagogiques qui sâ??intégreront facilement votre méthode dâ??apprentissage. Ce fantastique ouvrage offre la possibilité de jouer en pizzicato ou en legato. In Double Bass Starter troverete una variet di pezzi per avviare i principianti allo studio del contrabbasso. Oltre al materiale pedagogico utile a supportare l'insegnamento, vengono anche trattati tutti i generi musicali dalla classica al jazz al pop.
SKU: HL.49046908
UPC: 196288082071.
The Easy Concert Pieces series contains easy to moderately difficult works for double bass with piano accompaniment. Arranged according to the level of difficulty in three volumes, there are representative pieces for all epochs that are suitable for auditions, competitions or examinations. In addition, the Easy Concert Pieces serve as a motivating supplement in the classroom. All pieces are included in the booklets for download, as a full version and as playback (piano accompaniment). Volume 1 (ED 22551) contains pieces in the half and first position. Pieces for each individual position as well as pieces with change of position are offered in each epoch. Light bowing styles such as portato, staccato and legato as well as pizzicato are worked on, as well as simple dynamic gradations from piano to forte, crescendo and decrescendo and light phrasing. The selected pieces have varied characters with catchy melodies, different meters and various simple rhythms.
SKU: BR.OB-5354-26
Bach's manuscript leaves several questions unanswered.
ISBN 9790004337868. 10 x 12.5 inches.
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.
SKU: BR.OB-4065-27
The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.
ISBN 9790004303535. 10 x 12.5 inches.
The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..
SKU: BT.EMBZ14110
ABRSM Syllabus title, Grade 5 The original source of these sonatas for cello and double bass duo was a collection created by G.A. Perti and his pupils in Bologna around 1695. Among the easy and small-scale movements (at most 28 measures long), the most quintessential dances of the Baroque era are represented.Some of these compositions can be played after a mere 3 years of instrumental study, therefore music students can use them as an opportunity to familiarize themselves with the fundamentals of baroque style. The simple development of the continuo allows for it to be played by a pupil performing alongside their teacher. The pieces also sound great when played on two cellos.
SKU: SU.80300210
Ed. by James H. Laster (b. 1934). This bouyant baroque setting of a Psalm text imitates the sound of the trumpet with melismas in both choral parts. (If your two-part treble choir enjoyed Purcell’s Sound the Trumpet, they will revel in this.) The basso continuo part has been realized, and may be doubled by cello or bassoon. SA & Organ; Latin. Easy-Medium. SA, organ Published by: Treble Clef Music Minimum order quantity: 8 copies.
