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| Concerto for Alto Saxophone and String Orchestra Alto Saxophone and Piano [Reduction] Barenreiter
(Concerto for Alto Saxophone in E-flat Major). By Alexander Glazunov (1865-1936)...(+)
(Concerto for Alto Saxophone in E-flat Major). By Alexander Glazunov (1865-1936). Edited by Regina Back and Douglas Woodfull-Harris. For Alto Saxophone Solo and Piano (String Reduction). This edition: Urtext Edition. Score and part. Op. 109. Duration 13 minutes. Published by Baerenreiter Verlag
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Alto Saxophone And Orchestra Alto Saxophone and Piano Dantalian
By Donald Martino. For Saxophone, Piano. This edition: Saxophone with Piano. Con...(+)
By Donald Martino. For Saxophone, Piano. This edition: Saxophone with Piano. Contemporary Classical. Contemporary Classical. Level: Conservatory. Sheet Music. Published by Dantalian, Inc.
$20.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto Alto Saxophone and Piano Sikorski
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598(+)
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601598 Alto Saxophone and Piano Reduction Exempla Nova 680. Composed by Edison Denisov. Woodwind Solo. Classical. Softcover. 121 pages. Sikorski #SIK8880. Published by Sikorski (HL.50601598). 8.0x11.75 inches. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996.In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from thecomposer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development,recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with soniceffects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova). $64.00 - See more - Buy online | | |
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| Concerto For Alto
Saxophone And Orchestra
(DENISOV EDISON) Alto Saxophone and Piano Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...(+)
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
68.44 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Roger Boutry:
Divertimento: Alto
Saxophone: Instrumental
Work Alto Saxophone and Piano Leduc, Alphonse
Saxophone and String Orchestra-As a musical genre of the 18th century it is unu...(+)
Saxophone and String Orchestra-As a musical genre of the 18th century it is unusual that a divertimento is composed for the Alto Saxophone an instrument which was not developed until the mid-19th Century. Yet Roger Boutry (b. 1932) proves with his Divertimento for Alto Saxophone that the combination of style and instrument make for a thrilling performance. French composer Boutry won many prizes during his time at the Paris Conservatoire as well as for his professional work. He has over 100 published works in which he successfully unites diverse modern and traditional trends. He was named Personality of the Year in 1989 for all of his artisticactivities. Divertimento is cast in three movements beginning in a highly rhythmic and syncopated way before moving on to a moody and balladlike second movement that ends with a cadenza. This leads into the third movement a light presto finale. Boutry's Divertimento for Alto Saxophone and Piano accompaniment is an essential and varied addition to the advanced saxophonist's repertoire.
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Jacques Ibert: Concertino
Da Camera: Alto
Saxophone: Instrumental
Work Alto Saxophone and Piano [Sheet music] Leduc, Alphonse
Concertino Da Camera written in 1935 by Jacques Ibert (1890-1962) was a small c...(+)
Concertino Da Camera written in 1935 by Jacques Ibert (1890-1962) was a small concerto for alto-saxophone and eleven instruments: Flute Bassoon Oboe Horn Trumpet and Strings. This score is for Alto Saxophone and Piano. This Concertino is in two movements Allegro con moto and Larghetto – Animato Molto is dedicated to the saxophonist Sigurd Rascher and is standing out for its large use of the Alto-Saxophone. It can be technically challenging and has a strong lyrical part. Its author Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed manysymphonic suites operas and seven orchestras including Angelique (1926) and Divertissement (1930). He was also in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera. This concerto has some similarities with his Flute Concerto (1934) also published by Alphonse Leduc.
28.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
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