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| Messa concertata Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, basso continuo SKU: CA.9104205 Composed by G...(+)
SATB vocal soli, SATB choir, basso continuo SKU: CA.9104205 Composed by Giovanni Battista Casali. Coppenrath Series. German title: Messa Concertata 1102801. Sacred vocal music, Masses, Latin. Choral Score. Composed 1804. 40 pages. Carus Verlag #CV 91.042/05. Published by Carus Verlag (CA.9104205). ISBN 9790007114398. Key: G major. Language: Latin. Score available separately - see item CA.9104200. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messa concertata Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, basso continuo SKU: CA.9104200 Composed by G...(+)
SATB vocal soli, SATB choir, basso continuo SKU: CA.9104200 Composed by Giovanni Battista Casali. This edition: Paperbound. Sacred vocal music, Mass, latin. German title: Messa Concertata 1102801. Sacred vocal music, Masses, Latin. Full score. 40 pages. Carus Verlag #CV 91.042/00. Published by Carus Verlag (CA.9104200). ISBN 9790007114381. Key: G major. Language: Latin. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Credo In D A8 Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard Hinshaw Music Inc.
By Giacomo Puccini, Sr. Edited by Martin Banner. Arranged by Giacomo Puccini, Sr...(+)
By Giacomo Puccini, Sr. Edited by Martin Banner. Arranged by Giacomo Puccini, Sr. Text: Ancient Liturgical Text. For SATB/SATB double choir. (Accompaniment: Keyboard). Martin Banner Series. Sacred, Concert. Level: Medium Advanced Jr. High/High School or Medium Adult. 76 pages. Duration 11 min. Published by Hinshaw Music Inc.
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| Nouvelle Aventures Soli, Mixted choir and accompaniment [Score] Peters
By Gyorgy Ligeti. For soprano (coloratura), alto, baritone soli, 1000 1000 percu...(+)
By Gyorgy Ligeti. For soprano (coloratura), alto, baritone soli, 1000 1000 percussion, piano/celesta, cembalo, violoncello, contrabass. Musical-dramatic Action in 14 Parts for 3 Singers,3 Mimes,Dancers,Extras and 7 Instrumentalists (Can also be performed as a concert piece)(Ger). Published by C.F. Peters.
$49.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Il trionfo del Tempo e della Verità, HWV 46 b Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
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| Feel the Spirit Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Oxford University Press
(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voic...(+)
(A cycle of spirituals). Composed by John Rutter (1945-). For mezzo-soprano voice solo, SATB choir, large orchestra/chamber orchestra. Mixed Voices. Vocal score. Duration 30 minutes. Published by Oxford University Press
$13.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Carus Verlag
(Completed and edited by Robert D. Levin). By Wolfgang Amadeus Mozart / Robert D...(+)
(Completed and edited by Robert D. Levin). By Wolfgang Amadeus Mozart / Robert D. Levin. Edited by Robert D. Levin. For Soli SSTB, SATB/SATB Choir Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. This edition: Paperbound. C-Moll (C minor). Stuttgart Urtext Edition. German title: Missa in c (arr. Levin). Masses, Latin. Full score. Language: Latin. KV 427. 304 pages. Duration 80 minutes. Published by Carus Verlag
$142.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Vespro della Beata Vergine Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Schott
Vocal Score. By Claudio Monteverdi. Arranged by Jerome Roche. Schott. Size 7.5x1...(+)
Vocal Score. By Claudio Monteverdi. Arranged by Jerome Roche. Schott. Size 7.5x10.75 inches. 175 pages. Published by Schott.
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| La damnation de Faust, op. 24 Holoman 111 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Intermediate/advanced Barenreiter
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass...(+)
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4 SKU: BA.BA05448 Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448). ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de. In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.
Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre actsâ€, which comes very close to the spirit of Goethe's presentation.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$872.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Resurrezione HWV 47 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voic...(+)
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.)) SKU: BA.BA04096 Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096_00. Published by Baerenreiter Verlag (BA.BA04096). ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece. The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli. In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$300.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Il sogno di Scipione - Der Traum des Scipio, KV 126 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (3Soprano Voice Solo, 3Tenor Voice Solo, Mixed cho...(+)
Solo voices, choir, orchestra (3Soprano Voice Solo, 3Tenor Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, harpisc., Str) SKU: BA.BA04577-01 Azione teatrale. Composed by Wolfgang Amadeus Mozart. Edited by Josef-Horst Lederer. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series II, Volume 5, No. 6. Singspiele, Musiktheater (Choral, Concert Music). Complete edition, Score. KV 126. Duration 2 hours. Baerenreiter Verlag #BA04577_01. Published by Baerenreiter Verlag (BA.BA04577-01). ISBN 9790006451036. 33.2 x 26 cm inches. Text Language: Italian. Pietro Metastasio. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$259.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ascanio in Alba Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeu...(+)
(Festspiel in zwei Teilen (Italienisch), mit Anhang: Ballo.). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. For Soprano Solo (3), Mezzo-Soprano Solo, Tenor Solo, Mixed Choir, Ball, Flute (2), Oboe 1, Oboe 2/English Horn, Bassoon (2), Horn (4), Trumpet (2), Kettledrum, Strings, Basso Continuo. Neue Mozart-Ausgabe. Serie II, Werkgruppe 5/5. Musiktheater, Tanz, Klassik (Concert Music, Dance, Classical). Score; Urtext Edition; Complete Edition (cloth bound). KV 111. Duration 150'
$266.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo ...(+)
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104209 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. 1x 31.042/21 oboe 1, 1x 31.042/22 oboe 2, 1x 31.042/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 42. 20 pages. Duration 28 minutes. Carus Verlag #CV 31.042/09. Published by Carus Verlag (CA.3104209). ISBN 9790007205836. Language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo ...(+)
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104214 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Cello/Double Bass. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/14. Published by Carus Verlag (CA.3104214). ISBN 9790007205874. Language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo ...(+)
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104213 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Viola. Composed 1725. BWV 42. 4 pages. Duration 28 minutes. Carus Verlag #CV 31.042/13. Published by Carus Verlag (CA.3104213). ISBN 9790007205867. Language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo ...(+)
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104219 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 42. Duration 28 minutes. Carus Verlag #CV 31.042/19. Published by Carus Verlag (CA.3104219). ISBN 9790007140175. Language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and parts available separately - see item CA.3104200. $106.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo ...(+)
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104211 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 1. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/11. Published by Carus Verlag (CA.3104211). ISBN 9790007205843. Language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo ...(+)
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104212 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Violin 2. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/12. Published by Carus Verlag (CA.3104212). ISBN 9790007205850. Language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104207 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed 1725. BWV 42. 48 pages. Duration 28 minutes. Carus Verlag #CV 31.042/07. Published by Carus Verlag (CA.3104207). ISBN 9790007142711. Text language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score available separately - see item CA.3104200. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| And in the ev'ning of that very Sabbath (Am Abend aber desselbigen Sabbats) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo ...(+)
SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.3104200 Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1725. BWV 42. 48 pages. Duration 28 minutes. Carus Verlag #CV 31.042/00. Published by Carus Verlag (CA.3104200). ISBN 9790007134617. Language: German/English. Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rhapsody Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
Solo A, Coro TTBB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb SKU: CA.1...(+)
Solo A, Coro TTBB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb SKU: CA.1039700 (Alto Rhapsody). Composed by Johannes Brahms. Edited by Rainer Boss. Secular choral music. Full score. Op. 53. 32 pages. Duration 14 minutes. Carus Verlag #CV 10.397/00. Published by Carus Verlag (CA.1039700). ISBN 9790007187590. Language: German. Johannes Brahms's Alto Rhapsody is published here in a new Urtext edition, modernised for present-day performance practice. It is based on the 2nd impression of the first printed edition, as this is regarded as the authentic musical text following the last revisions made by the composer. The musical setting of Goethe's poem Harzreise im Winter opens with a somber beginning, then by turning to divine powers, it arrives at a hopeful new level. The work - which was composed in connection with the marriage of Julie, the daughter of Brahms's revered Clara Schumann, in 1869 - impresses above all with its personal touch as well as its pioneering progressive harmonies and enormous compositional power, which still entice listeners into the concert hall. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Soli, Mixted choir and accompaniment - Intermediate Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3 SKU: CA.3118212 Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 1. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/12. Published by Carus Verlag (CA.3118212). ISBN 9790007050290. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck. Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ring Out, Wild Bells - Piano/Vocal Score Soli, Mixted choir and accompaniment Soli, mixted choir and piano - Intermediate Schirmer
By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-h...(+)
By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-hands, opt. Percussion and Timpani. Choral, general, christmas. Moderately Difficult. Piano/vocal score. Composed 2010. 20 pages. Duration c. 7 minutes. Published by E.C. Schirmer Publishing
$3.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Les Indes Galantes Ballet
Réduit A Quatre
Grands Concerts
Français Soli, Mixted choir and accompaniment Soli, mixted choir and piano Anne Fuzeau Productions
Présentation de Pascal Duc : Historique, bibliographie - Index des pièces - Te...(+)
Présentation de Pascal Duc : Historique, bibliographie - Index des pièces - Texte complet des Indes Galantes. Préface de RameauTrès belle gravure, extrêmement lisible et élégante. La préface est remarquablement bien documentée. Cette version est certainement due au grand succès que connut l'Opéra-ballet de Rameau.Pièces pour clavecinPour le détail de chaque Concert, nous consulter / Soli Choeurs Et Instruments / 257 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5
94.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Wolfgang Amadeus Mozart:
Missa in C major K.337:
Mixed Choir: Score Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Barenreiter
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coro...(+)
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coronation Mass K. 317; 'nel Marzo 1780 in Salisburgo' he wrote on the first page of his original score. And just as was the case with K.317 this work together with a new church sonata (K. 336/336) will have been intended for the Easter High Mass in Salzburg Cathedral. The formal instrumentation of the score with oboes solo bassoon trumpets and timpani (but without horns) only serves to strengthen such a supposition. What is striking about the work is the rigorously contrapuntal Benedictus which forms a stark contrast to the similarly unusual Agnus Dei in which a solo organ alternating with theconcertante wind instruments (oboe and bassoon) provides a framework for the coloratura-rich part of the solo soprano. Urtext of the “New Mozart Edition” Ideal for church services and concert performances Full score & performance material (BA4881) and vocal score (BA4881-90) for sale
31.50 GBP - Sold by Musicroom UK | |
| Carl Philipp Emanuel
Bach: Magnificat WTQ215:
Mixed Choir: Vocal Score Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Sheet music] Carus Verlag
CPE Bach's Magnificat WQ215 for SATB.C. P. E. Bach?s nine-movement Magnificat (...(+)
CPE Bach's Magnificat WQ215 for SATB.C. P. E. Bach?s nine-movement Magnificat (1749) the first great vocal work from his Berlin years is among the most magnificent sounding in which the solo vocal parts are also among the most ambitious settings of the ?Hymn to the Virgin Mary? (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur dignity polyphonic and concertante choral movements sensitive (?empfindsam?) and expressive arias a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.) which is almost one hour in duration would be well suited for example as thecentral work on every Christmas or pre-Christmas concert programme.
18.90 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa in C minor K.139:
Mixed Choir: Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Barenreiter
Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted h...(+)
Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor K.139 to inaugurate a new orphanage on Vienna?s Rennweg in 1768.This astonishing early work adheres to the form of a Neapolitan cantata mass in which the separate movements (?Gloria? ?Credo? etc.) are themselves made up of self-contained choruses ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrast between its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church services andconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists choir & organ (BA7521) for sale
40.00 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
I Will Magnify Thee:
Mixed Choir: Vocal Score Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Sheet music] Barenreiter
Handel?s four anthems were all composed during his London period in the Chapel R...(+)
Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.
14.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa In C Major K.257:
SATB: Vocal Score Soli, Mixted choir and accompaniment [Sheet music] Barenreiter
Credomesse (C)-This Mozart Mass (together with BA 7521 - BA 7522) have been arra...(+)
Credomesse (C)-This Mozart Mass (together with BA 7521 - BA 7522) have been arranged for solo voices chorus and organ from the Urtext of the ?New Mozart Edition? thereby making them accessible in all their beauty to choruses and church choirs with limited financial means at their disposal.Martin Focke has based the ?concertante? organ parts on the orchestral writing doing full justice to the timbre of the original. The solo parts and choruses of course leave the Urtext of the ?New Mozart Edition? entirely untouched.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt the like-named movement. Dating from the end of 1776 this Mass isremarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Our arrangement successfully patterns the idiosyncrasies of the orchestral writing.The solo and choral writing leaves the Urtext of the ?New Mozart Edition? entirely untouched.Self-contained version with organ instead of orchestra.Straightforward and easy-to-play organ part.Ideal for church services and concert performances.
16.50 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Sheet music] Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
12.50 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
10.50 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Score Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
38.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Part Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
14.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Part Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
5.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Parts Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
31.50 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
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