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| Jean-Philippe Rameau : Nais Soli and Orchestra Barenreiter
Composed by Jean-Philippe Rameau (1683-1764). Edited by Pascal Denecheau. Th...(+)
Composed by Jean-Philippe
Rameau (1683-1764). Edited
by Pascal Denecheau. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag #BA
7565. Published by
Baerenreiter Verlag
$102.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Lo Speziale - Der
Apotheker (HAYDN FRANZ
JOSEF) Soli and Orchestra BARENREITER
Par HAYDN FRANZ JOSEF. The newly-built opera house in the park at Schloss Eszter...(+)
Par HAYDN FRANZ JOSEF. The newly-built opera house in the park at Schloss Eszterháza was opened in September 1768 with Lo Speziale . The work has combinations of roles and the complications typical for opera buffa . The two youths Mengone and Volpino complete for the affections of Grilletta , the pretty ward of the strange apothecary Sempronio . But the apothecary would prefer the girl for himself. In the end, true love triumphs.
Unfortunately, the score of Lo Speziale has not survived the centuries in a complete form. Parts of the music of the third act are lost. The corresponding text has been taken from the libretto.
The appendix includes a second version of aria #7, which has survived in Haydn's autograph .
The vocal score is based on the Urtext of the corresponding volume of the Haydn Complete Edition (XXV/3, 1959) and the Critical Commentary./ Répertoire / Chant
42.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Georg Friedrich Händel:
Almira Königin Von
Kastilien HWV 1: SATB:
Score Soli and Orchestra Barenreiter
Opera in three acts-“Almira” Handel’s first opera was well r...(+)
Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias
257.50 GBP - Sold by Musicroom UK | |
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