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| Sonatina String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Red Rock Rag String Orchestra - Intermediate Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS7 Composed by Doris Gazda...(+)
Orchestra String Orchestra - Grade 3 SKU: CF.CAS7 Composed by Doris Gazda. Edited by Amy Rosen. FS-SWs. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 20+24+24+6+15+15+15 pages. Carl Fischer Music #CAS7. Published by Carl Fischer Music (CF.CAS7). ISBN 9780825847578. UPC: 798408047573. 8.5 X 11 inches. Key: D major. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista.The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color.Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fire walk String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS9 Full Score and P...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS9 Full Score and Parts. Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Score and Parts. With Standard notation. 8+8+5+2+5+5+2+12 pages. Carl Fischer Music #YAS9. Published by Carl Fischer Music (CF.YAS9). ISBN 9780825844867. UPC: 798408044862. 8.5 X 11 inches. Key: A minor. Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program. Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production ofA The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material forA Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax.A Firewalk is a diverse addition to any concert program. Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program. Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato.This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chanukah O Chanukah String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS15 Composed by Tradit...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS15 Composed by Traditional Holiday Song. Edited by Amy Rosen. Arranged by Bud Caputo. SWS FS. Carl Fischer Young String Orchestra Series. Score and Parts. With Standard notation. 16+2+4+16+10+10+3+10+12 pages. Carl Fischer Music #YAS15. Published by Carl Fischer Music (CF.YAS15). ISBN 9780825851995. UPC: 798408051990. 8.5 X 11 inches. Key: D minor. Lower strings be sure to maintain a steady pulse and dont rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 121. If the soloist is comfortable using third position, play mm. 119 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen. Lower strings be sure to maintain a steady pulse and donat rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1a21. If the soloist is comfortable using third position, play mm. 1a19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen. Lower strings be sure to maintain a steady pulse and don't rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1-21. If the soloist is comfortable using third position, play mm. 1-19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen. Lower strings be sure to maintain a steady pulse and don’t rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1–21. If the soloist is comfortable using third position, play mm. 1–19 and the first half of m. 20 one octave higher.All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance.String editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatina - Fs String Orchestra [Score] - Easy Carl Fischer
For String Orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. F...(+)
For String Orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Full Score. Published by Carl Fischer . Full Score.
$8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Moonlight Shadows String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+8+5+2+5+5+2+8 pages. Carl Fischer Music #YAS1. Published by Carl Fischer Music (CF.YAS1). ISBN 9780825840630. UPC: 798408040635. 8.5 X 11 inches. Key: G major. Moonlight Shadows is a passionate and colorful piece for strings that explores the expressive power of the string orchestra. Sean O'Loughlin uses a lush harmonic palette and variety of texture (including a short pizzicato section), to create an important and soulful addition to the repertoire for younger string ensembles. Duration: 2'30. Moonlight Shadows is a work for string orchestra that reflects my great love for the music of Samuel Barber. His compositions from the 1930s and 1940s were characterized by plush harmonies, flowing melodies and engaging suspensions. These elements are what I focused on in the composition of Moonlight Shadows.The material represents my mood and feelings when I look at a big, bright moon. The shadows it casts create an eerie feeling, while at the same time providing a deep, rich tapestry for the earth at night.The harmony features many major seventh-chords with half-step suspensions. These suspensions function as common tones to the next chord and create the tension of the piece. They also move, in order to provide resolution to the piece which allows the listener to rest. With this in mind, these suspensions should be brought out during performance.Moonlight Shadows is an emotional piece that allows the young musician the opportunity to play with much expression. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Two Daughters String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS45 Composed by Alan L...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS45 Composed by Alan Lee Silva. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #YAS45. Published by Carl Fischer Music (CF.YAS45). ISBN 9780825863462. UPC: 798408063467. 8.5 X 11 inches. Key: A major. Two Daughters is a flowing and impassioned composition dedicated to the composer's daughters that gives the young string orchestra ample chances to display its lyrical abilities. Several solo passages vary the texture, which displays Alan Lee Silva's usual flair for lush contemporary harmonic writing. From the poignant, heartwarming violin melody at m. 5, to the soaring ensemble climax at m. 61, Two Daughters is a flowing, lyrical composition with a wide dynamic range. Written in AABA form with a bridge, the delicate introduction sets up a legato violin solo at m. 5. The piece builds to the singing B-section (m. 21) and returns again to the gentle A-melody (m. 29). The cello is featured in m. 37 under a soft, high string sustain. Two modulations (mm. 37 and 52) move seamlessly and build excitement to the bridge, highlighted by alternating melodic phrases. The slower ending section (m.69) is played with intensity, featuring more sixteenth-note passages. The final two measures return to the sweet, gentle feeling of the introduction. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Free Flight String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS25F For String Orc...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS25F For String Orchestra. Composed by Larry Clark. This edition: full score. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. Composed 2004. 12 pages. Carl Fischer Music #YAS25F. Published by Carl Fischer Music (CF.YAS25F). ISBN 9780825854989. UPC: 798408054984. 8.5 X 11 inches. Key: G major. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ruminations String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS42F For String Orc...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS42F For String Orchestra. Composed by Sean O'Loughlin. This edition: full score. Carl Fischer Young String Orchestra Series. Choral. Full score. With Standard notation. 8 pages. Carl Fischer Music #YAS42F. Published by Carl Fischer Music (CF.YAS42F). ISBN 9780825861321. UPC: 798408061326. 8.5 X 11 inches. Key: A minor. Sean O'Loughlin has delivered a stunning new composition with such pathos and lyrical energy that it will be the musical highlight of your year. There are limitless opportunities to teach musicianship with this one. This piece is a must have! About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Velvet Morning String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O'Loughlin. SWS - FS. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+16+16+4+10+10+10+3 pages. Carl Fischer Music #YAS33. Published by Carl Fischer Music (CF.YAS33). ISBN 9780825858468. UPC: 798408058463. 8.5 X 11 inches. Key: G major. A walk through the park or a morning stroll through the forest is what this piece best calls to mind. With its pastoral setting and lush melodies, Velvet Morning will truly showcase your group's mastery of legato playing. Velvet Morning is a warm and colorful work for string orchestra. Please play con sordino if available. The music is a reflection of my love for the orchestral music of Barber, Ravel, Debussy and Satie. It should have the same sense of passion and intensity that those masters employ in their music.The opening tempo is marked rubato, and should speed up then slow down based on the phrases. The main melody appears at m. 11 in the first violins and should have a flowing quality. The harmony does utilize some slight dissonances from time to time which should be emphasized. The violas and cellos take over the melody at m.19 with a counter line in the violins. The melody returns to the violin at m. 27 with a pianistic cello line punctuated by pizzicato in the bass. Some transitional material follows that builds up to a full presentation at m. 47. Let the ensemble open up here with an intense, full sound. This winds down to a return of the introduction at m. 60. The ending should be tender and deliberate all the way to the last plush chord. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Scalin' Back String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS50 Composed by Matt T...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS50 Composed by Matt Turner. Carl Fischer Young String Orchestra Series. Scalin’ Back is a pop-rock string orchestra piece. A section that allows for solos has been provided at m. 33. Students are encouraged to improvise a solo using the pitches in the C-major scale. Classical. Score and Parts. With Standard notation. 8 pages. Carl Fischer Music #YAS50. Published by Carl Fischer Music (CF.YAS50). ISBN 9780825863561. UPC: 798408063566. 8.5 X 11 inches. Key: C major. Another fine rock-styled selection by the gifted Matt Turner that offers young players the chance to perform improvised solos with the ensemble. The basic framework of the piece is a lively and inventive use of simple rock progressions and standard rock rhythms. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Velvet Morning String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score. Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 8 pages. Carl Fischer Music #YAS33F. Published by Carl Fischer Music (CF.YAS33F). ISBN 9780825858475. UPC: 798408058470. 8.5 X 11 inches. Key: G major. A walk through the park or a morning stroll through the forest is what this piece best calls to mind. With its pastoral setting and lush melodies, Velvet Morning will truly showcase your group's mastery of legato playing. Velvet Morning is a warm and colorful work for string orchestra. Please play con sordino if available. The music is a reflection of my love for the orchestral music of Barber, Ravel, Debussy and Satie. It should have the same sense of passion and intensity that those masters employ in their music.The opening tempo is marked rubato, and should speed up then slow down based on the phrases. The main melody appears at m. 11 in the first violins and should have a flowing quality. The harmony does utilize some slight dissonances from time to time which should be emphasized. The violas and cellos take over the melody at m.19 with a counter line in the violins. The melody returns to the violin at m. 27 with a pianistic cello line punctuated by pizzicato in the bass. Some transitional material follows that builds up to a full presentation at m. 47. Let the ensemble open up here with an intense, full sound. This winds down to a return of the introduction at m. 60. The ending should be tender and deliberate all the way to the last plush chord. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mr. Natural ('Based on The Little Beggerman') String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29 Based On the Li...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29 Based On the Little Beggerman. Composed by Anonymous. Arranged by James Uhl. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. Carl Fischer Music #YAS29. Published by Carl Fischer Music (CF.YAS29). ISBN 9780825858383. UPC: 798408058388. 8.5 X 11 inches. Key: G major. This fun tune based on the folk song The Little Beggar Man is skillfully arranged by James Uhl and has all the components needed to challenge developing string players. Very playable and with light counterpoint, Mr. Natural encourages rhythmic accuracy wh. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mr. Natural ('Based on The Little Beggerman') String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29F Based On the L...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29F Based On the Little Beggerman. Composed by Anonymous. Arranged by James Uhl. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. Carl Fischer Music #YAS29F. Published by Carl Fischer Music (CF.YAS29F). ISBN 9780825858390. UPC: 798408058395. 8.5 X 11 inches. Key: G major. This fun tune based on the folk song The Little Beggar Man is skillfully arranged by James Uhl and has all the components needed to challenge developing string players. Very playable and with light counterpoint, Mr. Natural encourages rhythmic accuracy wh. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Die Musici (Music Alone Shall Live) String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS59 Music Alone Sha...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS59 Music Alone Shall Live. Composed by Traditional German Carol. Arranged by Virginia Croft. Carl Fischer Young String Orchestra Series. Score and Parts. With Standard notation. 8+8+2+5+5+5+2+8 pages. Carl Fischer Music #YAS59. Published by Carl Fischer Music (CF.YAS59). ISBN 9780825866937. UPC: 798408066932. 8.5 X 11 inches. Key: D major. Virginia Croft has taken a popular German canon and transformed it into a stunning new piece for young string groups. It begins with the canon as is, and then adds two other composed themes that complement the original tune. With its largely contrapuntal composition, this piece is an excellent opportunity for students to develop their independence. “All things shall perish from under the skyMusic alone shall live, music alone shall live,Music alone shall live, never to die.â€Here is an exciting treatment of a well-known simple canonic melody, first stated in its entirety by the cellos. As it passes through the voices, it should predominate over the accompanying embellishments, resulting in an energetic and exciting presentation of an old tune.What a wonderful way to teach the harmonic aspects of canonic melody while offering a lively and enjoyable experience for both performers and audience. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Valley of the Sun String Orchestra [Score and Parts] - Easy Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and Parts. Standard notation. 12 pages
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for String Orchestra (from Concerto a Quattro) String Orchestra [Score and Parts] - Easy Alfred Publishing
By Georg Philipp Telemann (1681-1767). Arranged by Tim McCarrick. Orchestra. Str...(+)
By Georg Philipp Telemann (1681-1767). Arranged by Tim McCarrick. Orchestra. String Orchestra. Belwin Intermediate String Orchestra. Form: Concerto. Baroque. Grade 2.5. Conductor Score and Parts. 67 pages
$49.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Light the Candles! String Orchestra [Score and Parts] - Easy Carl Fischer
By Deborah Baker Monday. For string orchestra. Carl Fischer Young String Orchest...(+)
By Deborah Baker Monday. For string orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festive Dance String Orchestra [Score and Parts] - Easy Carl Fischer
By Carl Strommen. String ensemble. For String Orchestra. Carl Fischer Young Stri...(+)
By Carl Strommen. String ensemble. For String Orchestra. Carl Fischer Young String Orchestra Series. Classical. Grade 2-2.5. Score and Parts. Standard notation. 8 pages
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Variations On A Sailing Song String Orchestra [Score and Parts] - Easy Carl Fischer
By Carl Strommen. Edited by Amy Rosen. String ensemble. For String Orchestra. Ca...(+)
By Carl Strommen. Edited by Amy Rosen. String ensemble. For String Orchestra. Carl Fischer Young String Orchestra Series. Classical. Grade 2-2.5. Score and Parts. Standard notation. 8 pages. Published by Carl Fischer
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Muzio Clementi : Sonatina String Orchestra [Score and Parts] - Easy Carl Fischer
By Muzio Clementi (1752-1832). Arranged by Douglas Townsend. String ensemble. Fo...(+)
By Muzio Clementi (1752-1832). Arranged by Douglas Townsend. String ensemble. For String Orchestra. Carl Fischer Young String Orchestra Series. Classical. Grade 2-2.5. Score and Parts. Standard notation. 12 pages. Published by Carl Fischer
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Potomac Spring (Karol's Waltz) String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS43F Karol's Waltz<...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS43F Karol's Waltz. Composed by Joseph Compello. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 20 pages. Carl Fischer Music #YAS43F. Published by Carl Fischer Music (CF.YAS43F). ISBN 9780825863431. UPC: 798408063436. 8.5 X 11 inches. Key: D major. Joe Compello’s expertise as a writer for young players has never been better demonstrated than it is in this charming waltz. Beautiful melodic writing and memorable, singing counter-melodies fill this tribute to the famous river that flows past our nation’s capital, Washington, DC. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Slider (March) String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS62F Composed by Mike ...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS62F Composed by Mike Forbes. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS62F. Published by Carl Fischer Music (CF.YAS62F). ISBN 9780825867002. UPC: 798408067007. 8.5 X 11 inches. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Die Musici (Music Alone Shall Live) String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS59F Arranged by Virgi...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS59F Arranged by Virginia Croft. SWS. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 8 pages. Carl Fischer Music #YAS59F. Published by Carl Fischer Music (CF.YAS59F). ISBN 9780825866944. UPC: 798408066949. 8.5 X 11 inches. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Crystal Moon String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS17F Full Score...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS17F Full Score. Composed by Larry Clark. Edited by Amy Rosen. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS17F. Published by Carl Fischer Music (CF.YAS17F). ISBN 9780825852046. UPC: 798408052041. 8.5 X 11 inches. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Road Less Traveled String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS52F Composed by Sean ...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS52F Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS52F. Published by Carl Fischer Music (CF.YAS52F). ISBN 9780825863615. UPC: 798408063610. 8.5 X 11 inches. Key: G major. This is a striking and original piece that builds interest and momentum using a four note cello and bass ostinato. Arco and pizzicato contrasts of texture and off-beat accents and rhythms sustain interest in this unusual selection, which puts minimal musical resources to maximum use. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Renaissance Canzona String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS5 Composed by Adriano...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS5 Composed by Adriano Banchieri. Arranged by Carl Strommen. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 8 pages. Carl Fischer Music #YAS5. Published by Carl Fischer Music (CF.YAS5). ISBN 9780825843808. UPC: 798408043803. 8.5 X 11 inches. Key: G major. Born in Bologna, Italy, Adriano Banchieri studied composition and organ and was a member of the Olivetan Order where he lived and worked in its Monasteries. As a founder of the Academia Dei Floridi, his writings on Theory, Figured Bass and Vocal Ornamentation are considered important in early Baroque Music. As an Associate of Monteverdi, Banchieri composed masses, psalm settings, motets, theater works and madrigals. Born in Bologna, Italy, Adriano Banchieri studied composition andorgan and was a member of the Olivetan Order where he lived andworked in its Monasteries. As a founder of the Academia Dei Floridi, his writings on Theory, Figured Bass and Vocal Ornamentation are considered important in early Baroque Music. As an Associate of Monteverdi, Banchieri composed masses, psalm settings, motets, theater works and madrigals. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatina No. 6 In C Major String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS56F Composed by Wolfg...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS56F Composed by Wolfgang Amadeus Mozart. Arranged by Bill Calhoun. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 8 pages. Carl Fischer Music #YAS56F. Published by Carl Fischer Music (CF.YAS56F). ISBN 9780825866883. UPC: 798408066888. 8.5 X 11 inches. Key: C major. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Summer Dance String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19F Composed by Alan ...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19F Composed by Alan Lee Silva. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS19F. Published by Carl Fischer Music (CF.YAS19F). ISBN 9780825854866. UPC: 798408054861. 8.5 X 11 inches. Key: D major. Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patterns in the violas and low strings. An AABA form begins at m. 5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the 13 section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Highland Celebration String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS57F Composed by Alan ...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS57F Composed by Alan Lee Silva. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS57F. Published by Carl Fischer Music (CF.YAS57F). ISBN 9780825866906. UPC: 798408066901. 8.5 X 11 inches. Key: G major. This is a sweeping new original composition in a subto Scottish style from popular composer Alan Lee Silva. Just another one of the pieces that always seem to flow effortlessly from his talented pen. This is an excellent piece for any contest or festival. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Andante Trio Sonata Op. 5
No 1 (S/O) String Orchestra Alfred Publishing
This trio shines as transcribed for string orchestra and makes possible the incl...(+)
This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations. All parts are playable in first position with the exception of fourth position required occasionally for cellos. Opportunities abound for students to polish Baroque bowing techniques. (4:30) / Orchestre A Cordes
62.16 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Gottfried Finger: Sonate:
String Ensemble:
Instrumental Work String Orchestra Barenreiter
B-Dur für drei Violinen und b. c.-Gottfried Finger (c 1656 - 1730).Many sonatas...(+)
B-Dur für drei Violinen und b. c.-Gottfried Finger (c 1656 - 1730).Many sonatas trio sonatas and chamber compositions for Wind and String Instruments are part of the compositional legacy of Gottfried Finger. Nowadays works for Wind Instruments especially for Alto Recorder are being published occasionally while works for Violin and Viola Da Gamba have escaped the attention of the researchers. One of the most remarkable composition from among them is the Sonata In B Flat Major for three Violins and Continuo whose period copy present in the library of Uppsala University served as a source for this edition. The piece is interesting especially for its unusalstructure as it is composed as a dialogue between the three concert Violins that are in contrast to the broadly set tutti. In solo parts the composer provides equal space for self-presentation for all three Violins. The edition was prepared by Miloslav Klement.
8.50 GBP - Sold by Musicroom UK | |
| Soon Hee Newbold: Ships
of Ireland: String
Ensemble: Score and Parts String Orchestra [Sheet music] - Easy FJH
Surrounded by the sea Ireland has historically relied on its ships as a means o...(+)
Surrounded by the sea Ireland has historically relied on its ships as a means of transportation trade fishing and exploration. Soon Hee Newbold uses various instruments to convey the rocking of the boats as well as the waves in the water. The celtic melody shines throughout over an occasional drone in the bass voices. A pizzicato section adds color and intensity to this vibrant work for strings. Strongly consider this one for your next concert!
45.95 GBP - Sold by Musicroom UK | |
| Dumfries Place: String
Ensemble: Score and Parts String Orchestra [Sheet music] - Easy FJH
This fun-to-play dance music is based on a Scottish jig and reel. The two tradit...(+)
This fun-to-play dance music is based on a Scottish jig and reel. The two traditional Scottish melodies Highlander’s Jig and Dumfries Place are combined in an intriguing arrangement by Robert D. McCashin. An occasional drone is heard among the rhythmic drive of the supporting instruments giving everyone an exciting role in this tribute to some of the most popular types of Scottish music!
45.95 GBP - Sold by Musicroom UK | |
| Heitere Ouvertüre
Op. 27 String Orchestra Schott
Joseph Haas a été le professeur, Paul Hindemith le modèle du directeur des co...(+)
Joseph Haas a été le professeur, Paul Hindemith le modèle du directeur des commandes de nombreuses années de la Musikhochschule de la Frankfurter. La ' Suite de Heitere ' a été créée en 1945. ' Après une introduction lente (quasi-rezitativo) avec un alto solo plein de suspense, les premiers violons démarrer jouant un thème succinct et rythmiquement accentuée dominat-ing, l'ensemble du mouvement et apparaissant dans différentes formes. Intensifications animées et, surtout, l'usage occasionnel polyrythmiques des instruments sont donnant couleur à ce travail. Une addition Value-mesure à nos programmes de concerts de style moderne modérée '. (Das Liebhaberorchester) / Orchestre A Cordes
53.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Heitere Ouvertüre
Op. 27 String Orchestra Schott
Joseph Haas a été le professeur, Paul Hindemith le modèle du directeur des co...(+)
Joseph Haas a été le professeur, Paul Hindemith le modèle du directeur des commandes de nombreuses années de la Musikhochschule de la Frankfurter. La ' Suite de Heitere ' a été créée en 1945. ' Après une introduction lente (quasi-rezitativo) avec un alto solo plein de suspense, les premiers violons démarrer jouant un thème succinct et rythmiquement accentuée dominat-ing, l'ensemble du mouvement et apparaissant dans différentes formes. Intensifications animées et, surtout, l'usage occasionnel polyrythmiques des instruments sont donnant couleur à ce travail. Une addition Value-mesure à nos programmes de concerts de style moderne modérée '. (Das Liebhaberorchester) / Orchestre A Cordes
18.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Daydreams (S/O) String Orchestra Alfred Publishing
Everyone has the pleasure of an occasional daydream where reality is set aside a...(+)
Everyone has the pleasure of an occasional daydream where reality is set aside and happy thoughts or memories are brought to mind. It is in this spirit that this piece transports your audience to a lovely, imaginary place during your concert. (1:40) Correlates to Sound Innovations Book 1, Level 4. / Orchestre A Cordes
58.83 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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