Leos Janacek almost seventy years old characterised the wind sextet he had just finished as 'a kind of memory of youth' in a letter to Kamila Stösslová. The suite Youth was written in the summer of 1924 prompted by the composer's need to take stock on the occasion of his 70th birthday. Janacek also heard the Parisian ensemble Societe moderne des instruments a vent several times in Salzburg and Brno. He expanded the classic quintet scoring by the addition of a bass clarinet.Janacek referred to an earlier part of his life in this work not only by quoting a theme from March of the Blue Boys but particularly through his general freshness ofexpression astute humour and use of form which adhered to the classical style.The piece was enthusiastically received by both critics and the public and appeared in print as early as 1925 issued by the Prague publisher Hudebni matice.Wind sextet in the classical styleUrtext based on the Critical Complete Edition of the Works of Leos JanacekNew foreword by Jiri Zahradka (Cz/Eng/Ger)

Scales and Tuning Exercises for Superior Bands is a great resource for those bands seeking to improve their development in scale studies intonation and balance through chorales and harmonized studies. This book can be used as a daily warm-up for intermediate or advanced ensembles.Included is an in-depth explanation of how major and minor key signatures and scales are constructed as well as exercises for the students to complete. In addition to major and minor scales the whole tone blues and pentatonic scales are included.Balance is also addressed in detail. The student will not only study band balance but sectional balance as well. When playing the choralesand harmonized studies in this book the student should understand the importance of tone quality intonation blend and balance. Tips for playing chorales and harmonized studies are also included.This book continues the sequence of books in the Superior Bands series. Earlier books include Superior Bands in Sixteen Weeks and Chorales and Rhythm Etudes for Superior Bands.

Par HESS NIGEL. Chansons de Normandie was commissioned by the Central Band of the Royal Air Force and premiered on BBC Radio 2 as part of their D-Day broadcast from the Royal Albert Hall on June 6th, 2014. This 4 minute piece is based on three traditional Normandy folk songs: Les Metamorphoses, Le marchand de velours and Le corselet. An ideal concert opener, the work is in a lively dance tempo with suggestions of Renaissance dance music./ Répertoire / Orchestre à Vent

Par PAULUS STEPHEN. Un ajout incroyable du répertoire de la bande de niveau supérieur ! Un ouvreur de compteur mixtes pointilliste saisit votre attention suivie des motifs rythmiques ensemble urgent, excitation par percussion, surprenant tremolos de corne et laiton palpitante et interaction de bois. Un mouvement deuxième onirique prolongé présente des clarinettes de chalumeau unisson riche et chorals de laiton qui disparaissent et sortir, tout comme la lumière du soleil sur un pool de crystal prism ou de réflexion. Le mouvement final est rempli de travaux de passage rapide de laiton faible, comparé par des solos de clarinette, flûte et hautbois exotiques au fil des coups de poing staccato ensemble complet. Une incursion syncopée tourbillonnante termine le travail avec flair. Le travail commémore le 125e anniversaire du St. Olaf College./ Répertoire / Ensemble à Vent

Winner of the Sudler International Wind Band Composition prize in 1989 this is one of the most popular works for wind bands around the world.Wind Band score and parts. Contains all five movements:GandalfLothlorienGollumJourney In The DarkHobbits

For the project The Music of Kurt Weill, Peter Kleine Schaars rewrote a number of works by the German composer Kurt Weill (1900?1950) for the ?Dreigroschen-Orchester? (an occasional ensemble with the line-up that Weill had prescribed for his Kleine Dreigroschenmusik). Kleine Schaars became inspired by the three periods that characterize the life of Weill: he successively lived in Berlin, Paris and New York. Three Aspects of Kurt Weill (with the subtitle Drei Kurzweilige Impressionen) has one theme that comes forward in three totally different atmospheres, corresponding with the three mentioned periods. Movement one is a ?Berlin-tinted? protest march and parodies the fascist use of music. Movement two is a French musette (valse de Paris). Finally, the theme is featured in big band style in movement three: here, your ensemble transforms into a swinging Broadway band.

Arrangeur: J. Thomas. Par MC DERMOT GALT. / Niveau : Intermédiaire / Répertoire / Orchestre à Vent

Arrangeur: John Glenesk Mortimer. Par FLOTOW FRIEDRICH VON. / Niveau : Intermédiaire / Répertoire / Orchestre à Vent