SKU: HL.48016421
UPC: 073999634761. 9.0x6.0x0.308 inches.
A collection of organ pieces (easy cadences, preludes and postludes) by prominent composers from Bach to Bruckner.
SKU: LO.70-2308L
ISBN 9780787772932.
The choral music of André J. Thomas instantly evokes an exhilarating feeling of joy in anyone who has experienced his unique signature style of writing. Seven of Dr. Thomas's most often performed choral titles (largely based on spirituals) are arranged in this collection by Douglas E. Wagner to become stunning organ solos.
SKU: GI.G-5125
Text Source: O beata beatorum, 12th C., alt. Faber, Frederick W. Text by Frederick W. Faber.
A concertato on in babilone with two quite varied texts. the second is the well-known “There's a wideness in God's mercy,†while the first is a lesser-know text for the feast of a martyr. It's a rather big setting for SATB, assembly, organ and brass, but if your parish patron is a martyr, this may be just the piece for a parish dedication, anniversary or feast day celebration. .
SKU: HL.50576960
SKU: HL.50576939
SKU: BA.BA06177
ISBN 9790006476466. 24.1 x 29.7 cm inches.
SKU: HL.14014113
ISBN 9788774552291.
54 Organ pieces from the 17th century.
SKU: HL.14067915
SKU: BR.OB-5212-15
,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)
ISBN 9790004330906. 9 x 12 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
SKU: HL.50576969
SKU: CA.9109149
ISBN 9790007231958. Key: F major. Language: all languages.
Score available separately - see item CA.9109100.
SKU: MN.10-433
UPC: 688670104336.
Our customers who usually buy hymn-based organ music have been quite taken with Mr. Stover's original, non-hymn-based pieces! (See his Tambourine, 10-437, for example.) His Blue Prelude is exactly what the title indicates; it's introspective with complex and lush harmonies. An Art Deco†homage to Gershwin, Ellington, and other composers of the ‘30s and ‘40s- it's perfect for an unusual piece on a recital. While we don't exactly rule out using it in worship, it might be a tad too sultry!
SKU: GI.G-3141
UPC: 785147314103. English. Text Source: John 15:9&ndash,17, adapt. J. Michael Joncas. Scripture: John 15:9–17.
Instrument parts are optional.
SKU: HL.14072569
SKU: GI.G-009449
UPC: 641151094496. Text by William Wallace.
The indigenous New Zealand MÄori tune name NGAKAU NIWHA translates resolute heart. Lim Swee Hong has set the words of William Wallace to newly composed music that speaks of a vision of a words of renewed through radical concern. The piece begins with a drumbeat that resembles a heartbeat. The simple melody moves through the vocal parts in a variety of textures. An organ interlude sets up the key change and the final verse, which calls us to leave the past behind and work with Christ to build a new community, bringing hope and fullness of life to all humanity.