SKU: CA.4005509
ISBN 9790007059361. Key: B flat major. Language: Latin.
The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776. Score and parts available separately - see item CA.4005500.
SKU: CA.2705111
ISBN 9790007199463. Language: Latin.
If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score and part available separately - see item CA.2705100.
SKU: CA.2710919
ISBN 9790007200503. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart. Score and parts available separately - see item CA.2710900.
SKU: CA.2710914
ISBN 9790007200497. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart. Score and part available separately - see item CA.2710900.
SKU: CA.4062607
ISBN 9790007074029. Key: C major. Language: Latin.
An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this Mass in C: in the Agnus Dei (Dona nobis pacem) he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. This work is now available in carus music, the choir app! Score available separately - see item CA.4062600.
SKU: CA.4005507
ISBN 9790007087456. Key: B flat major. Language: Latin.
The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776. Score available separately - see item CA.4005500.
SKU: CA.4061611
ISBN 9790007073657. Key: C major. Language: Latin.
Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and part available separately - see item CA.4061600.
SKU: CA.2710900
ISBN 9790007075934. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart.
SKU: CA.2705105
ISBN 9790007112448. Language: Latin.
If, during his lifetime, Leopold Mozart was highly regarded as composer of programmatic instrumental music, it is his church music which has proven to comprise the more important part of his opus. This is also especially true for the influence which this music had on the sacred compositions of his son Wolfgang Amadeus. In the Missa in A (ca.1765), in the manner of the times, Leopold Mozart blends baroque and gallant stylistic elements and through formal structure and an expressive musical language he gives the Credo a special importance. Score available separately - see item CA.2705100.
SKU: CA.4061619
ISBN 9790007133313. Key: C major. Language: Latin.
Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score and parts available separately - see item CA.4061600.
SKU: CA.4062709
ISBN 9790007084691. Key: C major. Language: Latin.
The relatively unspectacular nature of the Spaur Mass may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's important church works. With regard to scoring, the Spaur Mass belongs to the category of the missa solemnis, but its brevity and its stylistic character belong far more to the missa brevis. Unlike the Organ Solo Mass KV 259, here the soloistic element - both instrumental and vocal - is clearly integrated to the background in favour of the development of the whole ensemble. Score and parts available separately - see item CA.4062700.
SKU: CA.4062711
ISBN 9790007084707. Key: C major. Language: Latin.
The relatively unspectacular nature of the Spaur Mass may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's important church works. With regard to scoring, the Spaur Mass belongs to the category of the missa solemnis, but its brevity and its stylistic character belong far more to the missa brevis. Unlike the Organ Solo Mass KV 259, here the soloistic element - both instrumental and vocal - is clearly integrated to the background in favour of the development of the whole ensemble. Score and part available separately - see item CA.4062700.
SKU: CA.4061649
ISBN 9790007073688. Key: C major. Language: Latin.
SKU: CA.2710905
ISBN 9790007110833. Language: Latin.
Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire south-German region. His extensive oeuvre comprises over 300 works, and his compositions served as models for the young Mozart. Score available separately - see item CA.2710900.
SKU: CA.4005500
ISBN 9790007007584. Key: B flat major. Language: Latin.
The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776.
SKU: CA.4062749
ISBN 9790007084738. Key: C major. Language: Latin.
SKU: CA.4061609
ISBN 9790007073640. Key: C major. Language: Latin.
SKU: CA.2710903
ISBN 9790007077563. Language: Latin.
SKU: CA.4005503
ISBN 9790007035716. Key: B flat major. Language: Latin.
SKU: CA.2705103
ISBN 9790007092191. Language: Latin.
SKU: CA.4005505
ISBN 9790007059354. Key: B flat major. Language: Latin.
SKU: CA.4061612
ISBN 9790007073664. Key: C major. Language: Latin.
SKU: CA.4005712
ISBN 9790007059545. Key: E flat major. Language: Latin.
This Litany consists of six movements divided into nine different, distinguished sections. Clearly, Mozart used as models for his work the sacramental litanies of his Salzburg predecessors and contemporaries. Score and part available separately - see item CA.4005700.
SKU: CA.4005711
ISBN 9790007059538. Key: E flat major. Language: Latin.
SKU: CA.4005709
ISBN 9790007059521. Key: E flat major. Language: Latin.
This Litany consists of six movements divided into nine different, distinguished sections. Clearly, Mozart used as models for his work the sacramental litanies of his Salzburg predecessors and contemporaries. Score and parts available separately - see item CA.4005700.
SKU: CA.4062705
ISBN 9790007084684. Key: C major. Language: Latin.
The relatively unspectacular nature of the Spaur Mass may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's important church works. With regard to scoring, the Spaur Mass belongs to the category of the missa solemnis, but its brevity and its stylistic character belong far more to the missa brevis. Unlike the Organ Solo Mass KV 259, here the soloistic element - both instrumental and vocal - is clearly integrated to the background in favour of the development of the whole ensemble. Score available separately - see item CA.4062700.
SKU: CA.4062700
ISBN 9790007089764. Key: C major. Language: Latin.
The relatively unspectacular nature of the Spaur Mass may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's important church works. With regard to scoring, the Spaur Mass belongs to the category of the missa solemnis, but its brevity and its stylistic character belong far more to the missa brevis. Unlike the Organ Solo Mass KV 259, here the soloistic element - both instrumental and vocal - is clearly integrated to the background in favour of the development of the whole ensemble.
SKU: CA.4061607
ISBN 9790007073862. Key: C major. Language: Latin.
Here, as also in his earlier Litte Credo Mass KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the Credo. This presupposes that the setting of the words of the intonation Credo in unum Deum as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word Credo to be repeated before the individual articles of belief, thus strengthening the declaration of faith. Score available separately - see item CA.4061600.
SKU: CA.4005714
ISBN 9790007059569. Key: E flat major. Language: Latin.
SKU: CA.4005719
ISBN 9790007134457. Key: E flat major. Language: Latin.