SKU: CY.CC2580

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


III. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

SKU: CY.CC5005

ISBN 9790530110409. 8.5 x 11 in inches.

Barumba is an original composition by former iTromboni Bass Trombonist Kenneth Pearce. It was the very first original composition written for the ensemble. Barumba is a light hearted, playful Bossa Nova which attempts to capture a bit of the droll humour of its composer! This 3-minute composition is scored for 4 Tenor Trombones, 1 Bass Trombone and is suitable for medium-advanced performers. Trombone 1 contains a repeated 16 bar improvised solo and Trombone 3 contains a high D!

SKU: CY.CC2712

The Paris premiere of the Firebird ballet in June 1910 propelled Stravinsky onto the international stage and forever changed the world of music. An orchestral suite of the highlights of the ballet is the most performed of all of his works and the final two movements, Berceuse and Finale have been arranged by Randall Malmstrom for 8-part Trombone ensemble comprised of advanced performers. This arrangement performed at your concert will bring your audience to its feet.

SKU: CY.CC2937

ISBN 9790530057568.

Having written over five hundred choral works, Salvation is Created, written in 1914, is perhaps Pavel Chesnokov's most famous. Yet ironically, it was one of his very last sacred works before he was forced to secular composition by the new Soviet government.
This beautiful arrangement by James Tranquilla of iTromboni brings together a beautiful communion hymn based on Kievan chant with an added homage to Rimsky-Korsakov's great Russian Easter Overture solo.
About 4 minutes in length, this work is appropriate for advanced performers.

SKU: CY.CC2995

ISBN 9790530058145.

Samuel Scheidt's Galliard Battaglia, composed around 1621 and popularized by the Canadian Brass, has become one of the most recognized works in the brass quintet repertoire. This secular work was originally written for five viols. The Galliard dance style, very popular at the time serves as a perfect foil for the music's echoing back-and-forth fanfares and brilliant scales.

Neal Bennett of iTromboni has done a great job of arranging this music for Trombone quintet of 2 altos (possible on tenor also), 2 tenors & bass, playable by advanced performers. Length is about two minutes.

SKU: CY.CC2884

Mozart's Die Zauberflöte (Magic Flute) Opera was premiered in 1791, just two months before his untimely death. The Overture was composed after completion of the Opera and includes three Trombones, adding a rich timbre to the orchestral sound.
Randall Malmstrom has once again done a brilliant job arranging this great music for an 8-part Trombone ensemble (octet) of advanced performers.

SKU: CY.CC3161

ISBN 9790530111307. 8.5 x 11 in inches.

Jesu, meine Freude was composed sometime between 1723 and 1727, most likely for the St. Thomas Church in Leipzig. It is the longest and most musically complex of Bach's six motets, originally for 5-part choir comprising eleven movements. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble of eleven movements is about 19 minutes in length. Because of its length, it is possible to divide the music into three sections and perform each section separately. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: CY.CC2742

Liebestod (German for Love Death) is the title of the final, dramatic music from the 1859 opera Tristan and Isolde by Richard Wagner. The music is actually an aria that Isolde sings over Tristan's dead body before she herself is consumed in death.

The music is lush, with rich harmonies and undulating rhythms as the agony of death is also meshed with the passion of love.

Randall Malmstrom has scored this 7-minute work for Trombone octet of advanced performers.

SKU: CY.CC3172

ISBN 9790530111420. 8.5 x 11 in inches.

Motet Lobet den Herrn, BWV 230, for four part chorus has no known date of composition and was first published in 1821. It has a different character from the previous motets in that it was not written for a funeral and has no chorale melody, but rather a joyous Hallelujah. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is is inspired from text drawn from Psalm 117 and is about 6 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: CY.CC2603

Joshua F'it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f'it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies.

Put into perspective, Joshua's battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era.

This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers.

The mp3 sound clip is taken from Mr. Markey's solo Bass Trombone album, on base, and includes star performers including Joseph Alessi, David Finlayson and Lisa Albrecht.

SKU: CY.CC2972

ISBN 9790530057919.

BIG RIFF is a new work by John Frith for 8-part Trombone Ensemble. It was written as the opening Anthem for Trombonanza 2017, which is a festival takes place annually in the town of Santa Fe, Argentina.
Mr. Frith was commissioned to compose this work to open the Festival.
The music is about 5 minutes in length and features strong Latin rhythms throughout. The work builds and builds as it adds layers of complexities including a jazz solo for one of the players.
The all the middle parts are playable by intermediate performers. Part 1 can be performed on alto or tenor and goes up to high f's. Part 8 is quite low.
The work ends in a big climax after building up throughout. Very fun work to perform with a massed group.

SKU: CY.CC3158

ISBN 9790530111277. 8.5 x 11 in inches.

Bach's Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 226 was composed in 1729. The Motet was written for the funeral of the blessed rector Ernesti, Professor of poetry at Leipzig University. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for double 4-part choir of three movements is about 7 1/2 minutes in length and appropriate for advanced performers. The top voices in each choir have parts supplied in both alto and tenor clef.

SKU: CY.CC3112

ISBN 9790530110898. 8.5 x 11 in inches.

Sinfonietta was written for large orchestra with 25 brass players. The composer was inspired to write the work after hearing a brass band perform and was excited to write some fanfares himself. The work is dedicated To the Czechoslovak Army. Cory Mixdorf arranged this exciting music to the first movement fanfare for 8-part Trombone Ensemble and Timpani. For advanced performers.