SKU: AP.36-52720596
ISBN 9781633610019. UPC: 679360613108. English.
Volume 1 begins with open strings and basic notation, rhythms, and bowing skills. New notes, notation, and bowing skills are added in logical progression, reinforcing both right- and left-hand technique and developing the cognition for string performance. This book introduces students to: the basic major and minor tetrachords on all four strings; essential rhythmic notation from whole notes through eighth-note patterns; left-hand techniques such as easily played double stops, left-hand pizzicato, differentiating whole and half steps; and a variety of bow techniques. Audio available online.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-52720469
ISBN 9781628763874. UPC: 746241220448. English.
A best seller for over ten years! Everything the working soloist needs to play a wedding prelude and service, without being technically taxing. All 22 selections from the original album have been rescored to include introductions for solo performance. Air on the G String (Bach); Arioso (Bach); Jesu, Joy of Man's Desiring (Bach); Sheep May Safely Graze (Bach); Wachet auf (Bach); Ave Maria (Bach/Gounod); Ave Maria (Schubert); Ode to Joy (Beethoven); Canon (Pachelbel); La Rejouissance (Handel); Queen of Sheba (Handel); Water Music Selections (Handel); "Largo" from Winter (Vivaldi); Bridal Chorus (Wagner); Wedding March (Mendelssohn); Alleluja (Mozart); Piano Concerto No. 21 (Mozart); Panis Angelicus (Franck); Prelude (Charpentier); Rondeau (Mouret); Trumpet Tune (Purcell); Trumpet Voluntary (Clarke).
SKU: AP.36-52720604
ISBN 9781633610088. UPC: 679360614877. English.
The third volume moves students toward more advanced playing techniques and literature. This text continues to develop playing skills found in Book 2 and advances the student through more rigorous and lengthy literature. Instrument-specific selections promote performance, reinforcing shifting skills, more advanced bowing techniques, and complex and multiple-meter pieces. The book contains solo literature that: enables the student to use higher positions with suggested fingerings; features accidentals that challenge left-hand intonation; utilizes more complex time signatures, multiple-meters, and challenging rhythmic patterns; and develops the bow stroke to perform more expressive dynamics and musicianship. Digital audio available.
SKU: AP.36-52720600
ISBN 9781429126267. UPC: 679360613795. English.
This volume continues the development of playing skills found in Book 1 and progresses to more complex rhythms, left-hand finger patterns and techniques, bowing techniques, and preparation for shifting. Book 2 introduces students to: long and controlled bow strokes, slurred legato and staccato bow strokes, string-crossing slurs, and producing dynamic contrasts; new rhythmic patterns including dotted notes, triplets, sixteenth notes, swinging eighth notes, and syncopated rhythms; new time signatures including 6/8 and 3/8, along with cut time for cello/bass; and major and minor left-hand string patterns, extended fingerings, and beginning octave harmonics and shifting. Online audio available.
SKU: BT.YE0009
Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.
SKU: M7.SAE-22-07
ISBN 9790707651674.
This is a unique improvisation for violin and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.
SKU: HL.48188752
UPC: 888680884000. 9.0x12.0x0.111 inches.
“Second of the series of ?Four Faces? by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers alternating up and down every two bars. It is supposed to represent an American girl coming from Wisconsin. She is part of the four faces with: I. The Californian girl, II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.â€.
SKU: M7.AST-7003
ISBN 9790203870036.
SKU: HL.49019370
ISBN 9790001189804. UPC: 884088992378. 9.0x12.0x0.052 inches.
'Songs Without Words' - that's what Felix Mendelssohn Bartholdy (1809-1847) called his lyrical piano pieces, romantic miniatures in which the composer wanted to 'sing' on the keyboard instrument. With them, he invented an entirely new form of chamber music playing in the 19th century. These 'Songs' are also perfectly suitable for duet playing: for a melodic instrument with piano accompaniment. The 'Song Without Words' Op 30/3 is a rewarding lyrical solo piece.
