SKU: YM.GTP01096649

ISBN 9784636966497.

15 famous melorides by Composers in romantic era arranged for children. The purpuse of this book is NOT to study piano technique, but to touch the sound of each era through the historical masterpieces.
15Shou Lai Zi Lang Man Zhu Yi Shi Qi De Zhu Ming Xuan Lu . Ben Shu De Mu De Bing Fei Gang Qin Ji Qiao Jiao Xue . Er Shi Yong Er Duo Qu Qin Shen Gan Shou Mei Ge Shi Qi Yin Le De Te Dian .

Schubert: 1. Wild Rose Op.3/3; 2. Erlkonig Op.1; 3. Piano Quartet Op.114 Trout - 4th movement; 4. Ave Maria O.52/6; 5. Impromptus Op.142/3 Chopin: 6. Piano Concerto No.1 Op.11 - 1st movement; 7. Study OP.10/3; 8. Grand Waltz Brillante Op.18; 9. Prelude Op.28/15 Raindrop; 10. Waltz OP.64/1 Tchaikovsky: 11. Piano Concerto No.1 Op.23 - 1st movement; 12. Famous Scene from The Swan Lake Op.20; 13. Garland Waltz from The Sleeping Beauty Op.66; 14. March from The Nutcracker Op.71; 15. Dance of the Candy Fairy from The Nutcracker Op.71.

SKU: MA.EMR-26393

Rock Your Blues Away / Romancing / Old Fashioned Romance / Rush Hour / Mountain Rock / Rumba Of Love.

SKU: SU.27060280

Six Bagatelles is a set of whimsical character pieces which, in my own composer’s perception, provided balance to some of the heavier works I had written over the previous several years. The first movement, Humming, not only hums along like a well-tuned engine, but it also evokes a melody that someone might actually hum. Let Evening Come is an arrangement of a song, for baritone or mezzo-soprano, flute, and piano, on Jane Kenyon’s poem of the same name—part of a cycle from 1994 called Night Will Blossom. The title Melancholy speaks for itself, as does that of the fifth movement, Solace. Skirmish started out as a march, but when changes of meter emerged in the composing of the piece, I realized it was no longer marchable, though still martial in character. The final movement is a Mosaic in two senses: the accompaniment in the strings in the outer sections of the piece is made up of small bits of material, combining to create an overall texture; and its middle section is made up of fragments of material heard in earlier movements. —Mark Carlson Flute & String Quartet Composed: 1995 Published by: Pacific Serenades.