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| Paganini Variations - Piano Concerto No.3 Piano and Orchestra Wilhelm Hansen
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).
$60.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nameless Seas (Piano Concerto) Piano and Orchestra Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5). ISBN 9790550113725. Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss. Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water. The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound. It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work. $49.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Musik für Klavierquartett für Anfänger (Erste Lage Piano and Orchestra EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ14253 By Lajos Vigh. By Arpad Pejt...(+)
String Orchestra and Piano SKU: BT.EMBZ14253 By Lajos Vigh. By Arpad Pejtsik. EMB Music for Beginners. Educational Tool. Book Only. Composed 2000. 92 pages. Editio Musica Budapest #EMBZ14253. Published by Editio Musica Budapest (BT.EMBZ14253). Hungarian-English-German-French. The volume comprises works by classical and romantic masters for beginners. The chamber ensemble includes violin, viola, violoncello and piano, but if the viola is missing, its part can be played by a second violin from the version enclosed in the appendix. The string parts do not go beyond the first position. As opposed to the basso continuo part that children are less fond of, the piano assumes a soloistic role alternating with the strings. A certain part of the pieces can already be played after two years of serious studies. The colourful music containing dance movements and larger forms alike offers possibilities of common music making for string players andpianists. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yellow River Piano and Orchestra [Study Score / Miniature] Hal Leonard | | |
| Kammermusikschule für Streicher I Leichte Trios a Piano and Orchestra EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Jahrhunderten. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1993. 248 pages. Editio Musica Budapest #EMBZ13548. Published by Editio Musica Budapest (BT.EMBZ13548). At first sight, this publication appears to merely be a collection of pieces due to the lack of drier technical studies that are characteristic of tutors. Yet the selection of the works, their order according to the development of ensemble playing, and the advice towards technical realization included after the foreword - these all make this publication a tutor. The works form a cross-section of a longer period of the history of chamber music and offer an insight into the different methods of composition.Volume I contains easy chamber music from the Renaissance to Viennese Classicism for two violins and cello, in the first position. (In some works the 2nd violin part or others thecello part, respectively, can also be played on the viola.) The easier pieces can be played after two years of active instrumental study. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Beatles Best - 2nd Edition Piano and Orchestra - Easy Hal Leonard
For Easy Piano. By The Beatles. Easy Piano Personality. Softcover. 384 pages....(+)
For Easy Piano. By The
Beatles. Easy Piano
Personality. Softcover. 384
pages. Published by Hal
Leonard
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto for Piano in D minor Op. 13 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str) S...(+)
Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-32026 Urtext. Composed by Eduard Franck. Edited by James Tocco. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Have a look into PB 32026. Solo concerto; Romantic. Full score. 120 pages. Duration 30'. Breitkopf and Haertel #PB 32026. Published by Breitkopf and Haertel (BR.PB-32026). ISBN 9790004215142. 10 x 12.5 inches. Finally performable again Eduard Franck's Piano Concerto in D minor Op. 13 is the first major orchestral work by this Mendelssohn pupil. The pianist, already celebrated at a young age, had early plans for the piano concerto that he completed at the latest in 1846. Contemporary critics emphasized the catchy motives and the balanced relationship of solo instrument to the orchestra. Ignaz Moscheles was impressed by the noble manner, the poetic ideas, and the orchestration. Thanks to the kind support of the Accademia di Santa Cecilia, in whose library the orchestral parts, once thought to be lost, are preserved, the work can be introduced for the first time in the present edition. $106.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Piano and Orchestra in G minor, op. 33 B 63 Piano and Orchestra - Intermediate/advanced Barenreiter
Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bas soon,2Hn,2Trp,Timp,2V,Va, Vc,Db) - Le...(+)
Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bassoon,2Hn,2Trp,Timp,2V,Va,Vc,Db) - Level 4 SKU: BA.BA10420 Composed by Antonin Dvorak. Edited by Robbert van Steijn. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 33. Duration 00:40:00. Baerenreiter Verlag #BA10420_00. Published by Baerenreiter Verlag (BA.BA10420). ISBN 9790260108387. 31 x 24.3 cm inches. Key: G minor. Preface: David R. Beveridge. Composed in 1876, Dvorákâ??s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.
The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Å olc.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$83.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bent Sorensen: 'La Notte' Piano Concerto (Score) Piano and Orchestra Wilhelm Hansen
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sales America. Classical. Score. 96 pages. Edition Wilhelm Hansen #KP00980. Published by Edition Wilhelm Hansen (HL.14030961). ISBN 9788759857458. English. Score of the Danish Composer's Concerto for Piano and Orchestra written in 1996. Bent Sorensen writes: 'The title of this piano concerto came, as usual, very early to me, when my thoughts about the work had started to circulate, but before 'real' music was written down. I held on to the Italian title, even though its association with Vivaldi had no influence on my music, and even when German, French, English, and Danish titles covering almost the same content -'Nachtmusik', 'Nocturne', 'By Night', 'Om Natten', were just about to get the upper hand. The piano concerto has, then, in my opinion, something to do with night, but to describe this further is at least as difficult to me as it is to defend the final Italian title against those which were rejected. The Piano Concerto is in two movements. The first, swarming, is perhaps the mystery of the night, and the second perhaps the dreams of the night; with this, however, I have already given the concerto a more programmatic content than I can defend. Each movement ends with a cadenza and perhaps the last of those - the ending of the work that is - is inspired by a sequence from Bruce Chatwin's wonderful book 'The Viceroy of Ouidah': Or the Amazons howling. 'No, No, No. It was not the leopard that killed him. Not the buffalo that killed him. It was night. Night that killed him!'. $109.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lamentate Piano and Orchestra [Study Score / Miniature] Universal Edition
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE0326...(+)
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE032667. Published by Universal Edition
$77.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quintet Piano and Orchestra EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set ...(+)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338). Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'. $113.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 2 B-flat major op. 19 Piano and Orchestra [Study Score / Miniature] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 19 No. 2. Duration 28 minutes. Published by Baerenreiter Verlag (BA.TP922).
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 1 C major op. 15 Piano and Orchestra [Study Score / Miniature] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 15 No. 1. Duration 40 minutes. Published by Baerenreiter Verlag (BA.TP921).
$21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 5 E-flat major op. 73 Piano and Orchestra [Study Score / Miniature] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 73 No. 5. Duration 38 minutes. Published by Baerenreiter Verlag (BA.TP925).
$20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 4 G major op. 58 Piano and Orchestra [Study Score / Miniature] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 58 No. 4. Duration 33 minutes. Published by Baerenreiter Verlag (BA.TP924).
$20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 3 C minor op. 37 Piano and Orchestra [Study Score / Miniature] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 37 No. 3. Duration 34 minutes. Published by Baerenreiter Verlag (BA.TP923).
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ans Meer: Concerto For Piano And Orchestra Score Piano and Orchestra Schott
Piano and orchestra (2(picandafl).1.2(2.bcl). 1(cbsn)-0.2.3.0-2(or4)per c(2tam-t...(+)
Piano and orchestra (2(picandafl).1.2(2.bcl).1(cbsn)-0.2.3.0-2(or4)perc(2tam-t, tub bells, 2cym.ant, 6trgl, b.d, 3rins on timp, 2gongs, vib, s.d)-2hp-str(24.0.10.8.4)) SKU: HL.49044458 Concerto for piano and orchestra. Composed by Toshio Hosokawa. Sheet music. Edition Schott. Softcover. Composed 1998-1999. Duration 17'. Schott Music #SJ10028. Published by Schott Music (HL.49044458). 11.5x16.5x0.26 inches. $215.00 - See more - Buy online | | |
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| Hans Abrahamsen: Left
Alone: Piano: Score Piano and Orchestra [Sheet music] - Intermediate/advanced Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...(+)
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
64.99 GBP - Sold by Musicroom UK | |
| Robert Schumann: Great
Works For Piano And
Orchestra: Piano: Score Piano and Orchestra Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...(+)
Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
20.30 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Lamentate (PART ARVO) Piano and Orchestra [Study Score / Miniature] Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...(+)
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
70.48 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 20 in
D minor K. 466: Piano: Piano and Orchestra Barenreiter
for Piano and Orchestra-Mozart perfected the form of the modern piano concerto ...(+)
for Piano and Orchestra-Mozart perfected the form of the modern piano concerto which from about 1750 begins to show its affinity with sonata form in his 21 concertos for solo piano and orchestra. The D minor piano concerto K.466 is one of the few concertos which remained in concert repertoire in the years following Mozart’s death. After the resuscitation of the other concertos it remained the most popular of all Mozart’s works in this genre and there can scarcely be a pianist who has not studied it or played it in a concert.Urtext of the New Mozart EditionFull score performance material (BA4873) two-piano reduction (BA4873-90) and study score format 22.5 x 16.5cm (TP147)available for sale
20.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Ludwig van Beethoven:
Piano Concerto No.4 In G
Op.58: Piano: Study Score Piano and Orchestra Barenreiter
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.4 In G Op...(+)
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.4 In G Op.58.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchased individually.Themusical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.
14.00 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Piano Concerto No.5 In
E-Flat Op.73: Piano:
Study Score Piano and Orchestra Barenreiter
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.5 In E-Fl...(+)
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.5 In E-Flat Op.73.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchasedindividually.The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.
14.00 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Piano Concerto No.2 In
B-Flat Op.19: Piano:
Study Score Piano and Orchestra Barenreiter
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.2 In B-Fl...(+)
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.2 In B-Flat Op.19.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchasedindividually.The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.
13.00 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Piano Concerto No.3 In C
Minor Op.37: Piano: Study
Score Piano and Orchestra Barenreiter
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.3 In C Mi...(+)
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.3 In C Minor Op.37.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchasedindividually.The musical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.
13.00 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Piano Concerto No.1 In C
Op.15: Piano: Study Score Piano and Orchestra Barenreiter
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.1 In C Op...(+)
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.1 In C Op.15.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchased individually.Themusical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.
14.50 GBP - Sold by Musicroom UK | |
| John Williams: Indiana
Jones and The Kingdom Of
The Crystal Skull: Piano Piano and Orchestra Alfred Publishing
Piano accompaniments for a selection of superb John Williams' compositions from ...(+)
Piano accompaniments for a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull. This piano accompaniment book is part of an instrumental series arranged for Flute Clarinet Alto Sax Tenor Sax Horn in F and Trombone. It includes a specially designed accompaniment that can be easily played by a teacher or intermediate piano student. A CD which features live demonstration performances of various instrument tracks from throughout the series has also been included. This terrific edition is full of images from the film including 6 pages of full-colour stills.
13.50 GBP - Sold by Musicroom UK | |
| Konzertante Werke Op. 32
Wev N.15 Piano and Orchestra Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
178.71 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Fantaisie (MANTOVANI
BRUNO) Français Piano and Orchestra [Sheet music] Lemoine, Henry
Par MANTOVANI BRUNO. Cette pièce emprunte sa matière soliste à une oeuvre pou...(+)
Par MANTOVANI BRUNO. Cette pièce emprunte sa matière soliste à une oeuvre pour piano, Le Livre de Jeb, véritable portrait musical de son dédicataire Jean-Efflam Bavouzet. Ce pianiste protéiforme, aussi sensible à la musique de Claude Debussy qu'au jazz, est un artiste unique, par l'ampleur de son répertoire et par la générosité de ses interprétations. C'est justement la diversité des goûts de ce musicien qui est à l'origine de mon inspiration : ma pièce renvoie autant à une contemplation caractéristique d'un certain 'esprit français' (notamment en son début) qu'à des rythmiques plus américanisantes.
L'orchestre fonctionne ici comme le prolongement des résonances naturelles du piano. Il interprète les silences de la pièce originelle, vient ajouter des commentaires, afin de complexifier une matière première qui vise à l'évidence. La forme est extrêmement libre, mais le retour de certaines idées vient structurer un parcours dense, où la logique traditionnelle du concerto (alternance entre soliste et orchestre) est remplacée par un jeu permanent de doublures.
Commande de l'Orchestre National de Lille, cette Fantaisie composée en 2009 est dédiée à Julia, Laura, Andrea, et Jean-Efflam Bavouzet.
Bruno Mantovani / contemporain / Date parution : 2010-01-04/ Répertoire / Piano et Orchestre
65.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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