Mezzo-Soprano Book Only-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) · Back on Base (Closer Than Ever) · That Mister Man of Mine (Dames at Sea) · A Little Brains A Little Talent (Damn Yankees) · Something of My Own (Dessa Rose) · I Know the Truth (Elton John and Tim Rice's Aida) · Holding to the Ground (Falsettos) · Think of Meryl Streep (Fame: The Musical) · A Little Girl from Little Rock (Gentlemen Prefer Blondes) · Lazy Afternoon (The Golden Apple) · What Is a Woman? (I Do I Do) · Old Friend (I'm Getting My Act Together and Taking It on the Road) · Last Midnight (Into the Woods) · Moments in the Woods (Into the Woods) · Somewhere That's Green (Little Shop of Horrors) · West End Avenue (The Magic Show) · Tell Me Why (A Man of No Importance) · Take It on the Chin (Me and My Girl) · Like It Was (Merrily We Roll Along) · The Music Still Plays On (A New Brain) · Mad About the Boy (Oh! Coward) · It's a Fine Life (Oliver!) · How Can I Wait? (Paint Your Wagon) · Zip (Pal Joey) · My Cousin in Milwaukee (Pardon My English) · Notice Me Horton (Seussical the Musical) · Wonderful Wonderful Day (Seven Brides for Seven Brothers) · What a Nice Idea (Two Gentlemen of Verona) · If You Hadn't but You Did (Two on the Aisle ) · Over the Rainbow (The Wizard of Oz) · Millwork (Working).

NOUVELLE ÉDITION 2017 - AUGMENTÉE Partition musicale (musical score) : Format A4, reliure cousue, couverture cartonnée 130 pages, Papier ivoire 90g avec notice biographique, synopsis, commentaire de l'?uvre, et repères musicologiques. Chaque air est traduit et présenté dans le contexte de l'opéra, ISBN 9782849263372 Réf. EB-2-337 C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. Les opéras de Vivaldi sont riches en arias d'une extraordinaire beauté. Envoutants, languissants, passionés, terrorisés, fâchés, les sentiments sont peints avec sensualité. Les 27 airs de ce recueil sont proposés en réduction chant-clavier, pour voix de mezzo, extraits des opéras :Farnace, Bajazet, Tito Manlio, Argippo, Andromeda liberata, Ottone in villa, L'Olimpiade, Il Giustino, la Verita in cimento, la Fida ninfa, Orlando Furioso. Gelido in ogni vena Dividete, o giusti Dei Sposa, son disprezzata Combatta un gentil cor Sonno se pur sei Se lento ancora il fulmine [transposition en sol mineur] Sovvente il sole Leggi almeno, tiranna infedele Ah che non posso, non lasciar d?amare Sento in seno ch?in pioggia di lagrime Mentre dormi, amor fomenti Ne giorni felici Vedro con mio diletto Ne vostri dolci sguardi Il ciglio arciero Fragil fior, ch?appena nasce Cara sorte di chi nata Alza in quegl?occhi Asconderò il mio sdegno Amorose ai rai del sole Voresti amor da me Taci, non ti lagnar Qual candido fiore Che dolce più, che più giocondo stato Io son ne? lacci tuoi Vorrebbe amando il cor Anderò, chiamerò dal profondo

Mezzosoprano - Mezzo-soprano-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

Cheryl Frances-Hoad's One Life Stand for Mezzo-Soprano with Piano accompaninment sets a text by Sophie Hannah. 'The idea for One Life Stand originated from a discussion over lunch in Cambridge with my friend Jennifer Johnston. She was bemoaning the fact that although she loved to sing Schumann’s Frauen-Liebe und Leben (Women’s Lives and Loves) and was always being asked to do so she did find Chamisso’s words rather outdated and suggested I write an updated version. I jumped at the chance and by pudding we were already thinking about whose poetry I might set. A few weekslater during a meeting with Chris Gribble (Chief Executive of Writers’ Centre Norwich) he told us that the crime writer and poet Sophie Hannah had recently moved to Cambridge and had many suitable poems. It wasn’t long before we all met up for lunch and began discussing the contenders for a series of poems that might portray a modern woman’s life and loves. To begin with I had a list of about twenty five poems that I would have liked to set taken from four of Sophie’s poetry collections (The Hero and the Girl Next Door (1995) Hotels like Houses (1996) First of the Last Chances (2003) and Pessimism for Beginners (2007: all published by Carcanet Press) but the final eight in my view come together to form a narrative that is clear yet open to interpretation and contains the whole gamut of complex emotions (both serious and humorous) that made the poems such a dream to set to music. Although the idea for the work originated as a reaction to Chamisso’s poetry in the course of composing the cycle I found much inspiration from Schumann’s song cycle and many of the songs in my work are based very closely on either the harmony and/or the motivic material of what in my view is the “corresponding” song in Frauen-Liebe und Leben.' - Cheryl Frances-Hoad

The Musical Theatre Essentials series represents the ultimate selection of songs from the stage. Volumes are available for Soprano Mezzo-Soprano Tenor and Baritone/Bass either with or without accompaniment CDs.Unique song lists are provided in the books for each vocal range including this volume for Mezzo-Soprano.Newly edited and engraved with Vocal line and Piano accompaniment the two Mezzo-Soprano volumes from theMusical Theatre Essentials series provide a golden opportunity to celebrate the music of the stage containing songs from classic and modern musicals such as: Cabaret Evita Guys and Dolls MammaMia! and Les Miserables.

The Musical Theatre Essentials series represents the ultimate selection of songs from the stage. Volumes are available for Soprano Mezzo-Soprano Tenor and Baritone/Bass either with or without accompaniment CDs.Unique song lists are provided in the books for each vocal range including this volume for Mezzo-Soprano.Newly edited and engraved with Vocal line and Piano accompaniment the two Mezzo-Soprano volumes from theMusical Theatre Essentials series provide a golden opportunity to celebrate the music of the stage containing songs from classic and modern musicals such as: Cabaret Evita Guys and Dolls MammaMia! and Les Miserables.

15 Lieder. Par SCHWEINITZ WOLFGANG VON. 15 Lieder/ Recueil / Mezzo-Soprano et Piano

L'édition de livres et 2CD de la collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Mezzo-Soprano 2

Cette nouvelle série importante fête des plus grands trésors dans l'opéra américain, avec arias, les favoris et les gemmes moins connues, de progrès de râteaux de Stravinsky, John Adam, Nixon en Chine, Trouble de Bernstein in Tahiti et autres grands opéras par Dominic Arg / Mezzo-Soprano Et Piano / Edition Avec Cd

L'édition de livres et 2CD de la collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Baryton ou Basse 3

Opern-Arien-An essential new edition for every singer and voice studio! This is the most comprehensive multi-volume collection of Mozart opera arias ever published with editions for Soprano Mezzo-Soprano Tenor and Bass/Baritone with 31 to 41 arias per volume. Includes historical and plot notes about each opera and aria and English translations for study.The most familiar arias of course are found in the collections along with many masterful vocally gratifying but less familiar selections.Operas represented: Apollo et Hyacinthus; Ascanio in Alba; Bastien und Bastienne; La Clemenza di Tito; Così fan tutte; Don Giovanni; Die Entführung aus dem Serail; Lafinta giardiniera; La finta semplice; Idomeneo; Lucio Silla; Mitridate rè di Ponto; Le nozze di Figaro; L'oca del cairo; Il rè pastore; Der Schauspieldirektor; Il sogno di Scipione Zaide Die Zauberflöte.

The Good-morrow which was written in 1971 is a setting for mezzo-soprano and piano of five poems by John Donne. These are not songs in the closed sense: the settings deliberately blur one poem into the next so as to form a little musical drama about a passionate but light-hearted love-affair. The model for this piece was the beautiful song-cycle The voice of love (1966) by Nicholas Maw who was my teacher from 1968 until 1971 and whose influence upon my development was both strong and fruitful. My debt to Maw (who died in 2009) is great and this song-cycle was my grateful acknowledgement of it. The Good-morrow was first performed in 1986 at the Purcell Room London by Linda Hibberd and Giles Swayne.1. I wonder by my troth2. 'Tis true 'tis day3. Come live with me and be my love4. So so breake off this last lamenting kiss5. Now thou hast lov'd me one whole day

3 mélodies pour mezzo-soprano et orchestre, sur des textes de H. Michaux, T. Corbières, V. Hugo.Réduction pour mezzo-soprano et piano.Commande de l'Orchestre National de Lyon. Création du 24 mai 2008, à l'Auditorium de Lyon, par Nora Gubisch et l'Orchestre National de Lyon sous la direction de Jun Märkl. / Mélodie, Chant Et Piano