SKU: PE.0615811802
ISBN 9780615811802. UPC: 038081509754. English.
Lucien Capet was born in Paris in 1873 and became a renowned violinist in the Capet Quartet. He was a student of Maurin and the pure tradition of French violin technique through Baillot. He was invited to teach chamber music at the Paris Conservatory and during his years there, he published Superior Bowing Technique. This book answers the subjects that many have been wanting to learn about, including: the most complete biography of Capet, a comparison with Baillot's pedagogy, and a comparison with the bowing techniques of Galamian and Fischer.
SKU: PE.EP6757B
ISBN 9790300760391. 232 x 303mm inches.
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SKU: AP.12-0571543235
ISBN 9780571543236. English.
Paul Harris's brilliant series of workbooks, Improve Your Scales! , contains not only the complete scales and arpeggios for the current ABRSM Initial and Grade 1 syllabuses but also uses finger fitness exercises, scale and arpeggio studies, key pieces and simple improvisations to help you play scales and arpeggios with real confidence. An invaluable resource for students, Improve your scales! Violin Initial and Grade 1 covers all the keys and ranges required for the ABRSM syllabuses, helping you pick up valuable extra marks in exams. Now includes requirements for Initial Grade, supporting the ABRSM syllabus from 2024.
SKU: AP.12-0571537022
ISBN 9780571537020. English.
An invaluable resource for students, Improve Your Scales! Violin Grade 2 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. Paul Harris's brilliant series of Improve Your Scales! workbooks contains not only the complete scales and arpeggios for the ABRSM Grade 2 exam but also uses finger fitness exercises, studies, key pieces, and simple improvisations to help you play scales and arpeggios with real confidence.
SKU: AP.12-0571537049
ISBN 9780571537044. English.
An invaluable resource for students, Improve Your Scales! Violin Grade 4 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. Paul Harris's brilliant series of Improve Your Scales! workbooks contains not only the complete scales and arpeggios for the ABRSM Grade 4 exam but also uses finger fitness exercises, studies, key pieces, and simple improvisations to help you play scales and arpeggios with real confidence.
SKU: AP.12-0571537030
ISBN 9780571537037. English.
An invaluable resource for students, Improve Your Scales! Violin Grade 3 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. Paul Harris's brilliant series of Improve Your Scales! workbooks contains not only the complete scales and arpeggios for the ABRSM Grade 3 exam but also uses finger fitness exercises, studies, key pieces, and simple improvisations to help you play scales and arpeggios with real confidence.
SKU: AP.12-0571537057
ISBN 9780571537051. English.
An invaluable resource for students, Improve Your Scales! Violin Grade 5 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. Paul Harris's brilliant series of Improve Your Scales! workbooks contains not only the complete scales and arpeggios for the ABRSM Grade 5 exam but also uses finger fitness exercises, studies, key pieces, and simple improvisations to help you play scales and arpeggios with real confidence.
SKU: BA.BA10960
ISBN 9790006575770. 31 x 24.3 cm inches. Preface: Misha Donat / Jonathan Del Mar.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA09428
ISBN 9790006541362. 31 x 24.3 cm inches.
Ravel worked on his Sonata for Violin and Piano for four years (1923â1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the âfundamental incompatibilityâ of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a âperpetuum mobileâ finale.This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the âBerceuse sur le nom de Faurâ which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Faurâs name.
SKU: BA.BA05259-74
ISBN 9790006568475. 32.5 x 25.5 cm inches. Key: A minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerââ¬â¢s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA05259-75
ISBN 9790006568482. 32.5 x 25.5 cm inches. Key: A minor.
SKU: PR.114418750
ISBN 9781491129524. UPC: 680160655489. 9 x 12 inches.
The seven-movement in the snowy margins might be considered a sort of atomic suite, as each movement is succinct, yet a microcosmic powerhouse inspired by “The Comet,” by Polish writer and Holocaust victim Bruno Schulz. Hersch’s intensity is expressed through dramatically captivating violin gestures, pushing the boundaries of texture, technique, and emotion.Michael Hersch’s in the snowy margins was written in 2010. Like much of his work, it is grounded in literature and art. The title is drawn from a short story, The Comet by Polish writer, poet, and artist, Bruno Schulz (1892-1942). This forms the last of his collection The Street of Crocodiles, published in 1934. Schulz was shot by a Nazi officer in 1942.Both the title of Hersch’s work, and the ‘motto’ found on the composer’s manuscript (‘Thus far and no further. But what has become of the end of the world…’) are to be found in The Comet. It’s interesting that in in the snowy margins, unlike his earlier Fourteen Pieces which were inspired by the poetry of Primo Levi, Hersch chose to not title each individual movement with a quote. However his choices of text are applied, there is a clear quality of distillation. In every case, the texts which the composer has chosen to eschew lie beneath the music, akin to the greater mass of an iceberg, submerged, but imminent.Hersch also has very particular taste in visual art, and there seems to be common ground between the intensely expressionist drawing of Schulz, and those of Michael Mazur, which inspired his string quartet Images from a Closed Ward. The parallels between these artists reflect common traits shared between these two pieces, which provide a window on how the music should be approached, expressively and technically. I would argue, that from a violinist’s point of view, this pertains directly to how bow and left hand should approach the string: the febrile vibrancy of both Mazur and Schulz’s pencil and charcoal strokes, perhaps what T.S. Eliot called the ‘circulation of the lymph’, in every gesture, speaks to the intense experience, physically and emotionally, of playing (and hearing) this music. There is an intense sense of ‘truth to materials’ at every moment, the sense that every note sings on the edge of, or even beyond, total collapse.— Peter Sheppard-Skaerved.
SKU: PR.114424050
ISBN 9781491137369. UPC: 680160690084.
Hints of Bach’s solo violin music occasionally infuse Hailstork’s modernist side, creating a fascinating drama in this three-movement suite for solo violin. While overall in a fast-slow-fast form, each movement is a world in itself with engaging contrasts, pacing, and textures within the solo instrument.
SKU: PR.144407630
UPC: 680160692743. 9 x 12 inches.
SKU: PO.PME06
ISBN 9780958242844.
In six inter-related movements, exhibiting throughout great concision and economy, devotees of the composer's style will find much to admire in the second of Farquhar's four string quartets.The composer writes: The quartet is in six movements which are played without a break. The odd-numbered movements are quick, and are all based on the same material?an unsettled chord with B as the melody note, followed by a downward arpeggio flourish and a rising stepwise melody. The tempo in movements 3 and 5 gets progressively faster, and the atmosphere increasingly scherzando in character. The first two even-numbered movements (2 and 4) are slow expressive intermezzi; both feature an up-beat of three repeated Bs leading into chromatic lines. The final movement serves as an epilogue and resolution; the instruments are now muted and the three repeated Bs are now on the beat, while off-beat accompaniment figures provide a gentle swaying dance around them..
SKU: PO.ME12
ISBN 9780958206525.
Farquhar's excellent fourth string quartet opens with a rising-scale idea followed by repeated chords that permeate the first movement and, ultimately, the entire work. The second movement combines slow movement and scherzo, with the quartet effectively grouped into two duos. This pairing continues into the concluding vivace movement.
SKU: PO.ME11
ISBN 9780958206518.
Walker drew inspiration for this short, slow movement from I Thirst being the the fifth of Christ's last seven words from the cross - cries of dereliction and comfort that are meditated upon annually at Passiontide. I Thirst is a ritual of solo melody, homophony and biting figuration whose dessication is, in due course, quenched by waves of string harmonics. The work's pervading instability is resolved with the subduing power of melody finally bringing balance.
SKU: PO.PE011
ISBN 9781877218118.
The powerful Whira (1997) demands both virtuosic pyrotechnics and nuanced expressive abilities from the solo violinist. The first and last of its seven movements are bold and ferociously inventive, while the longer second and sixth movements are slow and elegiac but no less concise or intense. The three middle movements form an intermezzo of sorts, incorporating a quirky pizzicato study and a clever 80th birthday tribute to Douglas Lilburn, doyen of classical music composition in New Zealand.
SKU: PO.PE028P
Abhisheka is a highly exotic and intriguing work inspired by the writings of Tibetan Buddhist guru Chögyam Trungpa. It navigates slower passages of musical time and explores the microcosm of inner space between the even intervals of the tempered chromatic scale. Often solely comprised of quarter-tones, the temporal space between Abhisheka's periodic chordal swells gradually contracts and expands, and is filled with sensual solo lines rich with flickering microtonal inflections.
SKU: PO.PE176P
ISBN 9781877564765.
Kartsigar is perfect for string quartets looking to perform music influenced by Greek folk music. Psathas based this work on his transcriptions of highly expressive and virtuosic improvisations performed by Greek folk musicians. The work enables each player to demonstrate individual skill and prowess through a captivating melody and ostinato. Kartsigar makes for an exotic and engaging addition to any concert programme.
SKU: PO.PE176S
Kartsigar is perfect for string quartets looking to perform music influenced by Greek folk music. Psathas based this work on his transcriptions of highly expressive and virtuosic improvisations performed by Greek folk musicians. The work enables each player to demonstrate individual skill and prowess through a captivating melody and ostinato. Kartisgar makes for an exotic and engaging addition to any concert programme.
SKU: PO.PE121
ISBN 9781877564215.
Christos Hatzis Dystopia was written especially for two-time Grammy Award-winning violinist Hilary Hahn. Hatzis considers this work to be a meditation on the causes of religious intransigence, disenchantment and ultimately, jihad. Within the work Hatzis evokes a Middle-Eastern sound world by incorporating a microtonally altered modal scale. These exotic sounds subtly transforms into the equal- temperament of the Western European music tradition, and thereby juxtaposes these traditions and creates a dramatic interplay within the work. Dystopia is highly virtuosic and lends itself well to individual expression, making it an exciting addition to solo violin repertoire as an encore or recital work.
SKU: PO.ME25P
ISBN 9790674521574.
John Ritchie's String Quartet (1962) is another fine example of his writing style that is imbued with lyricism and traditional forms. Ritchie considers the work to be autobiographical with each movement reflecting a period of his life. this makes it an important work to study within the context of Ritchie's overall musical output.
SKU: PO.PE107S
ISBN 9781877654123.
String Quartet No.2: The Gathering was commissioned by and dedicated to the renowned St. Lawrence String Quartet, who have performed the work extensively and recorded by EMI Classics. At nearly 40 minutes in duration this is one of Hatzis monumental works and showcases his eclectic style. It draws influence from a variety of sources including elements of American minimalism of the 1960s, Brazilian tango, and dance music of the Balkans and Middle East. This is a standout work that is sure to enhance the repertoire of professional string quartets. String Quartet No.2: The Gathering is published in celebration of Hatzis' 60th birthday. it is now available for purchase as a study score and/or performance set (parts only).
SKU: PO.PE033S
ISBN 9781877218332. 30.5 x 22 cm inches.
Mondo Rondo is one of Farr's most widely performed chamber music works. It is immediately engaging due to its combination of exotic melodies and percussive, funky rhythms throughout the three contrasting movements. Farr incorporates a clever use of the ensemble with hocketting pizzicato, in which a tune is shared and passed between players. Farr combines this pizzicato with subtle body percussion (by tapping on the string instruments), which evokes the unique sound of the mbira (African thumb piano). This work is perfect for string quartets looking for repertoire that is energetic and enjoyable for listeners. This listing is for the study score only. Parts are sold separately.
SKU: PO.ME25S
ISBN 9780958296731.
SKU: PO.PME07
ISBN 9780958242882.
Composed after finishing the vocal score of an opera based on Shakespeare's The Tempest, Farquhar's String Quartet No.3 (1998) is pervaded by material from the opera. A twisting, rising violin phrase provides most of the material for the first movement, in which moods shift and compound rhythms alternate and combine. Speed and capriciousness are reflected in the scherzando second movement, while the third movement is a series of variations culminating in the twisting lines of the work's opening.
SKU: PO.UME10
ISBN 9781877564901.
The Sonata for Solo Violin (1969) demonstrates the consummate craftsmanship and refinement in Carr's writing. Central to this work is an exploration of the melodic and expressive possibilities of the violin within the framework of a 12-tone system. A variety of meticulous bowing articulations are juxtaposed against one another throughout the four contrasting movements of the work. The score also calls for extreme dynamic and registral changes, which adds to its virtuosic and challenging appeal as a highly expressive work. It is also intriguing to study as a representative 12-tone work in considering the reception of European modernism within New Zealand composition during the late 1960s.
SKU: PO.PE015
ISBN 9781877218156.
Perfect for violin duos wanting to embrace theatricality and virtuosity, Hindson's Chrissietinas Magic Fantasy has become a popular piece among violinists and has been performed many times by numerous artists in Australia and around the world. The title of the work is something of a red herring, as the composer's utilisation of elements of rockabilly, techno and particularly death metal make for a savage sonic onslaught.
SKU: PD.PIL0587