Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him.  Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However

In his Hamburg Concerto Ligeti, inspired by the tonal possibilities of the natural horn, explores alternatives to the well-tempered tonal system. In the orchestra piece he juxtaposes the solo horn with four differently tuned natural horns in the chamber orchestra version. / Cor Et Orchestre

Par VAN DOREN THEO. Theo Van Doren was an Antwerp musician, violinist and composer who, despite many foreign offers, preferred to stay in his own Antwerp. He started his career as a musician in silent movies, then as a soloist, with his own string trio. Later he became solo violinist in the Flanders' Opera Orchestra and conductor. He worked with a.o. Strawinksy, Rubinstein, Stern, etc. He also taught violin for 35 years at the Borgerhout music academy, where he trained many professional musicians. / Date parution : 2022-11-29/ Répertoire / Concert Band et Cor

Penderecki\'s Horn Concerto subtitled Winterreise [Winter Journey] is already part of the repertoire of every hornist who concerns himself with unusual sounds and playing techniques. Now the piano reduction is to be published in order that the work shall, deservedly, be even more widely distributed. / Cor Et Orchestre

Mozart's Horn Concerti display the pinnacle of classical elegance with delightfully playful melodies and musical interaction. This arrangement is for solo Horn with a Piano reduction of the original orchestral material by W. Salomon.