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DIDGERIDOO
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FOR DIDGERIDOO
Choir Organ
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Come, Christians, Join to Sing SATB choir and Organ
Come, Christians, Join to Sing SATB choir and Organ
$1.99
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Choral SATB
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Gene Roberson
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Gene Roberson
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Gene Roberson
Organ: Verleih uns Frieden (Cantata for Choir & Orchestra, MWV A 11 / WoO 5) - Felix Mendelssohn
Organ: Verleih uns Frieden (Cantata for Choir & Orchestra, MWV A 11 / WoO 5) - Felix Mendelssohn
$7.95
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Organ
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Felix Bartholdy Mendelssohn
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Aubrey Tucker
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Aubrey Tucker
Organ: Abendlied / Evening Song (3 Sacred Songs for Mixed Choir, Op. 69, No. 3) - Josef Rheinberger
Organ: Abendlied / Evening Song (3 Sacred Songs for Mixed Choir, Op. 69, No. 3) - Josef Rheinberger
$5.95
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Organ
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Josef Gabriel Rheinberger
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Aubrey Tucker
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Aubrey Tucker
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Martin, Frank : Agnus Dei from Mass for Double Choir (1926/1966)
Organ
[Sheet music]
Barenreiter
[Agnus Dei aus der zweichörigen Messe von 1926/1966] / Classique / Partition / ...
(+)
[Agnus Dei aus der zweichörigen Messe von 1926/1966] / Classique / Partition / Agrafé /
13.95 EUR - Sold by Note4Piano
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Prelude Canonique: Mixed Choir: Score
Organ
[Sheet music]
Wilhelm Hansen
Prelude Canonique for Chamber Orchestra (version 2009) Canonic elements play an ...
(+)
Prelude Canonique for Chamber Orchestra (version 2009) Canonic elements play an important role in this work. Shortly after the opening a two-part canonic passage is introduced by the violins. Later on this energetic music shows up as three-part and four-part canons in different orchestrations. But next to the canons a different kind of music is present almost from the beginning: fragments of choral-like melodic lines. Gradually choral-like music gets a more prominent role. By a process of manipulating the fragments in different ways (i.e. argumentation and superpositioning) a more extensive version of the choral isprogressively (re)constructed. At the end of the piece the choral appear in its ‘original’ form. Niels Rosing-Schow 2009
19.99 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: Elijah Op.70: Mixed Choir: Part
Organ
Barenreiter
Oratorio-Immediately after completing “St. Paul” in 1836 Mendelssoh...
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Oratorio-Immediately after completing “St. Paul” in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of “Elijah” which takes as its theme the story of the Biblical prophet from the 1 st Book of Kings.When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. “Elijah” was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the firstperformance Mendelssohn undertook a revision of the oratorio in which whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn’s most popular works in an edition reflecting the latest editorial knowledge- Bärenreiter-Urtext including numbers from the original version for the first time- English and German singing texts- Critical Commentary (Eng)
15.50 GBP - Sold by Musicroom UK
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Sigfrid Karg-Elert: Choral Improvisationen(14) Aus: Mixed Choir: Instrumental
Organ
Breitkopf & Härtel
Choral Improvisationen(14) Aus
20.20 GBP - Sold by Musicroom UK
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