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DIDGERIDOO
String Quartet: 2 violins, viola, cello
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sic for Four, Volume 1, Set of 4 Parts (String Quartet)
String Quartet: 2 violins, viola, cello
[Set of Parts]
-
Intermediate/advanced
Last Resort Music Publishing
(Baroque, Classical & Romantic Favorites, Wedding Music). By Various. Arranged b...
(+)
(Baroque, Classical & Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Baroque / Classical. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing
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Music for Four, Volume 2, Set of 4 Parts (String Quartet)
String Quartet: 2 violins, viola, cello
[Set of Parts]
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Intermediate/advanced
Last Resort Music Publishing
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged...
(+)
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Baroque / Classical. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing
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sic for Four, Volume 3, Set of 4 Parts (String Quartet)
String Quartet: 2 violins, viola, cello
[Set of Parts]
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Intermediate/advanced
Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/...
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By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Rags and Waltzes. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing
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Music for Four, Volume 4, Set of 4 Parts (String Quartet)
String Quartet: 2 violins, viola, cello
[Set of Parts]
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Intermediate/advanced
Last Resort Music Publishing
(Late 19th and 20th Century Favorites). By Various. Arranged by Daniel Kelley. S...
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(Late 19th and 20th Century Favorites). By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Late 19th/Early 20th Century Favorites. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing
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Music for Four, Christmas, Set of 4 Parts (String Quartet)
String Quartet: 2 violins, viola, cello
[Set of Parts]
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Intermediate/advanced
Last Resort Music Publishing
(Traditional Christmas Favorites). By Various. Arranged by Daniel Kelley. String...
(+)
(Traditional Christmas Favorites). By Various. Arranged by Daniel Kelley. String quartet, mixed quartet. For Flute/Oboe/Violin, Viola, Cello, Bassoon. Quartets. Christmas. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing
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Pearls of the Baroque - for String Quartet (2 Violins, Viola and Cello)
String Quartet: 2 violins, viola, cello
[Set of Parts]
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Advanced
Last Resort Music Publishing
(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel ...
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(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel Lish. String quartet. For 2 Violins, Viola and Cello. Quartets. Baroque. Advanced. Set of 4 parts. Published by Middle Fiddle Music
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Quatuor A Cordes #2 Bitume (PESSON GERARD)
Français
String Quartet: 2 violins, viola, cello
[Sheet music]
Lemoine, Henry
Par PESSON GERARD. Le sténopé est l'appareil photographique le plus élémenta...
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Par PESSON GERARD. Le sténopé est l'appareil photographique le plus élémentaire. Une boîte bien fermée, faisant office de camera oscura, un trou d'épingle pour laisser passer la lumière. L'image inversée du réel, du fait de l'absence de focalisation, se déposera sur le papier photosensible, reproduisant ainsi le système même de la vue. La petitesse d'entrée de la lumière permet une profondeur de champ presque infinie. Elle nécessite, ou plutôt autorise, des temps de pose très longs. Non des centièmes de seconde, mais des minutes, des heures, des semaines, voire des années. Ce temps de pose extrême, l'épingle de la lumière, sont une écriture du temps. Ils parlent de l'invention. Ils sont le sujet de cette musique à laquelle je songe depuis presque dix ans - temps minimum si l'on veut encourager les bougés et être bien sûr que les figures se déposeront toutes sur le bitume de judée. Ainsi toute 'impression' pourra muter vers sa complication. Selon la loi optique, dehors devient dedans, mais à l'envers. La musique glisse vers une sérénade accélérée, indéfiniment reprise, secouée par un traitement 'brutaliste', lancée à marches forcées à travers le panorama, révélée enfin sur des nudités de cantilène qui dessinent le point de fuite de ce galop. La lenteur de la 'chercherie', comme dit Philippe Beck, fait que le chercheur est lui-même cherché. Il devient à son tour photosensible et se voit contraint, sans orgueil, mais non sans présomption, de s'appliquer le principe connu: Chevauchée bien ordonnée commence par soi-même. / contemporain / Répertoire / Quatuor à Cordes
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Season of Carols: String Quartet: Score & Parts
String Quartet: 2 violins, viola, cello
Hal Leonard
String Quartet-A collection of 12 traditional carols for easy string quartet (Gr...
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String Quartet-A collection of 12 traditional carols for easy string quartet (Grade 2) from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come. Eachcarol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily on High? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including The DreydlSong Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 00842195 Solo Cello and Piano String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
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Sogni, Ombre Et Fumi (MURAIL TRISTAN)
Français
String Quartet: 2 violins, viola, cello
Lemoine, Henry
Par MURAIL TRISTAN. Songes, ombres et fumées : le titre est emprunté à un ver...
(+)
Par MURAIL TRISTAN. Songes, ombres et fumées : le titre est emprunté à un vers du Sonnet 123 de Pétrarque (l'un des sonnets qui ont inspiré à Liszt trois pièces de ses Années de Pélerinage). Ces mots figurent aussi dans La Vallée Close, sur des sonnets de Pétrarque, pour voix, clarinette et trio à cordes, écrite cette même année 2016. Il s'agit avant tout d'un travail sur la 'grande forme' - une vaste trajectoire, qui passe par de nombreux territoires, revient sur ses pas, anticipe... Allusions aux formes traditionnelles : adagio central, rondo final - mais tout s'entremêle, et les différentes textures et idées musicales luttent entre elles sans cesse. Sont refusés tous les petits expédients qui permettent d'esquiver la grande question - la question posée par une forme musicale aussi chargée d'histoire que le quatuor à cordes - sont donc évités tous ces sons écrasés, divers petits bruits, gloussements d'harmoniques, qui prolifèrent dans tant de quatuors contemporains. Evitée aussi la segmentation en une succession de mouvements courts, au profit de la continuité du discours. Le thème est, comme le suggère le titre, la mélancolie - une mélancolie profonde et persistante. Une idée fixe (battements réguliers de pizzicati) jalonne la partition, s'affronte aux autres éléments musicaux, finira par triompher. Au long de cette trajectoire jailliront des visions, des hallucinations, des phases de dépression et d'excitation, de renoncement, d'espoir, de colère, de révolte... 'sogni, ombre et fumi...' / Contemporain / Répertoire / Quatuor à Cordes
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String Quartet #1
String Quartet: 2 violins, viola, cello
Schott
Avec les acteurs de la chaîne sérieux ce compositeur letton reconnaît depuis ...
(+)
Avec les acteurs de la chaîne sérieux ce compositeur letton reconnaît depuis longtemps en raison de ses concepts tonales sonores et son idiome modale, parfois aléatoire. Fonctionne comme ' Cantabile per Archi ' ou ' Musica dolorosa ' est déjà assez bien connue, mais des morceaux plus récents comme le Concerto pour violon avec orchestre à cordes ' Fernes Licht ', commandée par Gidon Kremer pour sa Kremerata Baltica, gagnent aussi en exposition échelle internationale. Le genre du Quatuor à cordes est bien représenté en sortie de Vasks. Le 2e Quatuor 'Summer Tunes' (ED 8512) a été publié depuis un certain temps et la 3ème a été créée par le Kronos Quartet, qui étaient tellement enthousiaste qu'ils a commandé un 4e Quatuor. En 1996, invité par un enregistrement complet de tous ses quatuors par le Quatuor À cordes de Miami de conifères Records Vasks totalement révisé son début 1er Quatuor 1996, il est ici présenté pour la première fois dans une édition imprimée. / Quatuor A Cordes
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Johann Sebastian Bach: Bach - 10 Fugues: String Quartet: Score
String Quartet: 2 violins, viola, cello
Spartan Press
For String Quartet Volume 1-The idea for these arrangements came to me whilst li...
(+)
For String Quartet Volume 1-The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets' Op. 20. The spirit and influence of J.S. Bach in particular his Well Tempered Clavier Book II courses through these three miraculous Haydn fugues. Like the viol consort the string quartet suits this kind of composition (the fugue) with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content telling yousomething about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations there's little fugal writing for string quartet at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire – lightness of sound and rhythmic fluidity for example - willbe very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces mostly fast bright and in major keys show Bach at his most playful funny and mischievous composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues written by my favourite composer - a violinist and violist himself but above all a
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Quatuor A Cordes En Sol M Op. 106
Français
String Quartet: 2 violins, viola, cello
G. Henle
À l'automne 1895, suite à son retour définitif de New York, Dvo?ák reprend s...
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À l'automne 1895, suite à son retour définitif de New York, Dvo?ák reprend son activité de professeur au Conservatoire de Prague. Ce retour au pays semble avoir donné un coup de fouet à son énergie créatrice car en seulement quatre semaines il compose un Quatuor en Sol majeur qui - avec celui en La bémol majeur op. 105 - couronne sa production de musique de chambre. Dans ce nouveau quatuor, des échos de musique populaire bohémienne se mélangent à des thèmes chantants, tandis que le développement des motifs révèle un maître au sommet de son art. On a l'impression de pouvoir aujourd'hui encore ressentir la satisfaction qu'avait le compositeur à l'égard de son oeuvre, lui qui écrivait: 'Je travaille avec tellement de facilité et cela me réussit si bien que je ne pourrais rien souhaiter de mieux'. / Quatuor A Cordes
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Johann Sebastian Bach: 10 Fugues For String Quartet - Book 2: String Quartet:
String Quartet: 2 violins, viola, cello
Spartan Press
10 Fugues For String Quartet Vol. 2-The idea for these arrangements came to me w...
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10 Fugues For String Quartet Vol. 2-The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets' Op. 20. The spirit and influence of J.S. Bach in particular his Well Tempered Clavier Book II courses through these three miraculous Haydn fugues. Like the viol consort the string quartet suits this kind of composition (the fugue) with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations there's little fugal writing for string quartet at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire – lightness of sound and rhythmic fluidity for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces mostly fast bright and in major keys show Bach at his most playful funny and mischievous composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues written by my favourite composer - a violinist and violist himself but above all a master
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Edward Gregson: String Quartet No. 1: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Edward Gregson's String Quartet was commissioned by The Manchester Mid-day Conce...
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Edward Gregson's String Quartet was commissioned by The Manchester Mid-day Concerts Society in celebration of its 100th year. The premier performance took place on the 14th of January 2015 performed by the Navarra Quartet at the Bridgewater Hall in Manchester. The piece is divided into three distinct movements each developing and changing what has come before. When commenting on his compositional process for String Quartet Gregson noted that he desired to return to the classical principles of Beethoven and Bartok deciding to include extended sonata variation and rondo forms.
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Prête-Moi Ta Plume (Violon I, Violon II, Alto, Violoncelle / 8 Chansons Enfantines Trad.)
String Quartet: 2 violins, viola, cello
[Sheet music]
Soldano
8 Chansons Enfantines Trad.. Par DIGUET JEAN. Grâce au compositeur Jean-Claude ...
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8 Chansons Enfantines Trad.. Par DIGUET JEAN. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Prête-moi ta plume (violon I, violon II, Alto, violoncelle / 8 chansons enfantines trad.) de Diguet Jean qui a été composé pour Ensemble Instrumental et Petit Orchestre / Niveau : De 1er Cycle/3ème Année / Répertoire / Quatuor à Cordes
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Per Nørgård: 'Quartetto Brioso' String Quartet No.2: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Study Score / Miniature]
Wilhelm Hansen
Work dating from 1952-58. Programme note: The spectrum of sound the gesticu...
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Work dating from 1952-58. Programme note: The spectrum of sound the gesticulation in short the very nature of the strings has always had a central place in my output demonstrated by the numbers of string quartets concertos with string soloist chamber and solo works. The interest dates back to my school years when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow four strings and five fingers.. My second string quartet Quartetto Brioso has a firm root in the Nordic traditionand is strongly inspired by Jean Sibelius (1865-1957) and my teacher Vagn Holmboe (1909-96). Per Nørgård
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