Method for descant recorder-A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons. ? Discover the adventure of learning the recorder? Make real progress through games: breathing? A mixture of lively new and traditional tunes? Three supplementery tune books each with a sheet of stickers? Teacher's commentary? Join Dotty-do-a-lot and her friends in the exciting orld of musicFun and Games with the Recorder is a comprehensive recordertutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes providing a carefully planned pathway between first playful contact with the instrument and professional recorder playing.The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing sound production and the development of rhythmic security.In the Tutor books we speak directly to the child and provide carefully planned precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B A g E1 C2 and D2 leaving sufficient time

Bienvenue à la flûte cirque! Le long du volume attendu troisième comprend le 'Circus flûte' manuel éprouvée: Près de 80 chansons avec des mélodies familières et nouvelles pour la flûte à nouveau fournir un répertoire magnifique et mixtes pour les leçons de l'enregistreur. Comme dans les volumes précédents est toujours un second vote pour permettre l'interaction avec l'enseignant ou les autres élèves de l'Ensemble Recorder. Nouveaux sons et traite jusqu'à c'' 'joue beaucoup de morceaux populaires permettent. Soit dit en passant est élargi de manière ludique la connaissance de la musique: de nouveaux personnages musicaux, les concepts, les échelles et les triades. Dans une petite excursion à certains joueurs plus avancés de l'appoggiature et l'art de Trillerns est présenté. / Flûte A Bec Soprano

Nine poeces for Soprano Recorder with Piano accompaniment by by Jean-Philippe Rameau. Selected for the ABRSM Descant Recorder examinations grade 4 and 5.

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine) Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

This book contains a selection of Christmas Carols in very easy arrangements for descant recorder with an optional second part. On the accompanying CD each carol is given in two versions with and without recorders: children (and adults) can play along with a professional ensemble. Content: Away in an MangerHark! The Herald Angel SingIt Came upon the Midnight ClearOnce in Royal David?s CityThe First NowellSilent Night!O Little Town of BethlehemO Christmas TreeO Come All Ye FaithfulSee Amid the Winters SnowWhile Shepherds Wathed Their FlocksThe Holly and the IvyAngels from the Realms of GloryWe Three Kings of Orient AreGood Christian Men RejoiceWe Wish You a MerryChristmasGood King WenceslasGod Rest You Merry GentlemenPast Tree O?clockPatapan

50 for Fun - A Graded Collection of Fifty Tunes to Enjoy selected and arranged for Descant Recorder by Brian Bonsor

Arrangeur : Magolt, Marianne / Beliebte Weihnachtslieder in leichten Sätzen / 2 descant recorders and 1 treble recorder

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James Contact Magazine)These two tutors with accompanying teacher's books are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.

Also suitable for tenor recorder and most dances also suitable for treble Recorder

The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.

This anthology contains pieces by seventeenth- and eighteenth-century composers in a variety of different styles. The repertoire includes works by major composers such as Telemann Purcell and Corelli as well as lesser-known composers including amongst others Babell Delalande van Eyck Fischer Locke and Luidhens. This collection is ideal for recorder teachers looking for additional repertoire for their teaching practice as well as developing players looking to expand their repertoire and for use in school or music centre concerts.Content - Telemann: Minuet - Telemann: Rigaudon - Delalande: Passepied - Bingham: Trumpet Air - Fischer: Angloise I - Fischer: Angloise II - Playford: Red House - Purcell: Rondo - Corelli: Sarabanda - Corelli: Gavotta - Delalande: Rondeau - Delalande: Gavotte - Babell: Boree - Luidhens: Corente - Telemann: Affetuoso - Telemann: Presto - Carr: Divisions upon an Italian Ground - Aubert: Le Moulinet I - Aubert: Le Moulinet II - Caix: Muzette - Telemann: A Tempo Giusto - Telemann: Tempo di Minuetto - Telemann: Allegro - Van Eyck: den Nachtegael - Fischer: Gigue - Fischer: Bouree - Fischer: Menuet en Rondeau - Fischer: Gigue - Blow: Gavotte - Locke: Sarabande - Locke: Jigg - Jenkins: The Lady Katherine Audley's Bells - Van Eyck: Postillon

Cet ouvrage contient une sélection de chants de Noël dans les arrangements très faciles pour enregistreur descant avec une deuxième partie facultative. / 1 Ou 2 Flûte(s) A Bec Soprano

A comprehensive method for group, individual and self tuition Edition : teacher's book Instrumentation : soprano recorder Number of Pages : 172 Language : English