American Company
(98 results)
No shipping to countries within the European Union.
|
European Companies
(25 results) |
|
1 |
|
| Orgelsinfonie No. 16 'Martin Luther' Organ - Advanced Schott
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437). ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'. $28.99 - See more - Buy online | | |
| Esslinger Orgelbuch, Bd. I: Intonationen Organ Carus Verlag
By Various. Edited by Volkl, Helmut. This edition: paperbound. Organ Music (hymn...(+)
By Various. Edited by Volkl, Helmut. This edition: paperbound. Organ Music (hymns); Occasions: Eucharist, Peace and Justice, Wedding, Confirmation, Praise and thanks, Morning, Midday, Evening, Psalms, Baptism, Mourning, Death, Our Father, Advent, End of the church year, Epiphany, Lent and Passion, Ascension, New Year. Collection. 96 pages
$38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Gregorian Liturgical Year for Organ, Vol. 3: The Vigil of Pentecost through Pentecost 17 Ordinary Time 24 - Proper 19 Organ
Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Com...(+)
Composed by Gerald Near (1942-). For organ. Chant-Based. Catholic Sequences, Complete Mass, Pentecost, Trinity, Communion. Medium. Published by Aureole Editions
$21.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Laudate, Volume 5 Organ Concordia Publishing House
By Kosnik. For organ. General, sacred. Published by Concordia Publishing House. ...(+)
By Kosnik. For organ. General, sacred. Published by Concordia Publishing House. Level: Moderately Easy.
$24.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Adventure #18 - 105 Favorite Hymns Organ [Sheet music] Hal Leonard
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.
(2)$10.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Esslinger Orgelbuch, Bd. II und III: Vorspiele und Begleitsatze Organ Carus Verlag
Organ solo SKU: CA.1805220 Composed by Various. Edited by Helmut Volkl. T...(+)
Organ solo SKU: CA.1805220 Composed by Various. Edited by Helmut Volkl. This edition: Paperbound. Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern. German title: Vorspiele +Begleitsatze. Organ music based on hymns, Advent, End of the church year, Epiphany, Lent and Passiontide, Ascension, Easter and Eastertide, Whitsun, Trinity, Christmas, Eucharist, Communion, Wedding, Confirmation, Morning, midday, evening. Collection. 160 pages. Carus Verlag #CV 18.052/20. Published by Carus Verlag (CA.1805220). ISBN 9790007100223. Score available separately - see item CA.1805200. $96.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| With Love That Has No Ending Organ - Intermediate Lorenz Publishing Company
Composed by Douglas E Wagner. For organ solo, 3-staff. Sacred, Eastertide, Holy ...(+)
Composed by Douglas E Wagner. For organ solo, 3-staff. Sacred, Eastertide, Holy Week, Lent, Palm/Passion Sunday. Intermediate. Published by Lorenz Publishing Company
$33.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| In the Ending of the Year Organ - Intermediate Lorenz Publishing Company
Composed by Luke Mayernik. Sacred, All Saints' Day, Christmas, General, Holy ...(+)
Composed by Luke Mayernik.
Sacred, All Saints' Day,
Christmas, General, Holy
Communion, Thanksgiving.
Lorenz Publishing Company
#70/2110L. Published by
Lorenz Publishing Company
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wurttembergisches Orgelbuch Organ Carus Verlag
Organ solo SKU: CA.1810000 Composed by Various. Edited by Bernhard Reich....(+)
Organ solo SKU: CA.1810000 Composed by Various. Edited by Bernhard Reich. This edition: Paperbound. Wurttembergisches Orgelbuch (Buch Mit Cd). Organ music based on hymns, Hymn settings, Advent, End of the church year, Epiphany, Lent and Passiontide, Ascension, New year, Easter and Eastertide, Whitsun, Trinity, Christmas, Eucharist, Communion, Wedding, Praise and thanks, Morning, midday, evening,. Package. Carus Verlag #CV 18.100/00. Published by Carus Verlag (CA.1810000). ISBN 9790007100322. $100.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Forty-eight (48) Organ Descants on Well-Known Hymn Tunes Organ GIA Publications | | |
| Fantasia on 'Salve Regina' Organ CanticaNOVA Publications
Composed by Adam Taylor. Fantasia using two chant melodies. Marian, General. Pu...(+)
Composed by Adam Taylor. Fantasia using two chant melodies. Marian, General. Published by CanticaNOVA Publications (C5.6140).
$4.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Preludes on Gregorian Sequences Organ CanticaNOVA Publications
Composed by Mark Siebert. For organ. Preludes on the common Sequences. Eastertid...(+)
Composed by Mark Siebert. For organ. Preludes on the common Sequences. Eastertide, General. Published by CanticaNOVA Publications
$5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Old Composers from the Early Days of the Organ Playing Organ Breitkopf & Härtel
Organ SKU: BR.EB-3938 12 Compositions of the 15th and 16th Century...(+)
Organ SKU: BR.EB-3938 12 Compositions of the 15th and 16th Century. Composed by Arnold Schering. Edited by Arnold Schering. Solo instruments; stapled. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 40 pages. Breitkopf and Haertel #EB 3938. Published by Breitkopf and Haertel (BR.EB-3938). ISBN 9790004162057. 12 x 9 inches. Antoine Brumel (ca. 1460-ca. 1520) Um 1460 in den franzosischen Niederlanden geboren, wirkte Antoine Brumel 1483 als Vorsanger an der Kathedrale zu Chartres, spater in Laon. 1498-1500 war er Chormeister an Notre-Dame in Paris. Uber Lyon kam er 1505 als Nachfolger Josquins an den Hof Alfonsos I. von Ferrara und starb wahrscheinlich um 1520. Brumel gilt als einer der bedeutendsten ,,Niederlander der Josquin-Generation. Er schrieb uberwiegend Kirchenmusik: Messen (u.a. die 12stimmige Missa ,,Et ecce terrae motus, die noch 1570 in Munchen unter der Leitung Orlando di Lassos aufgefuhrt wurde), Motetten, Magnificat-Vertonungen und Bicinien, ferner einige Chansons. Brumel ist ein Meister des polyphonen Satzes; gelegentlich treten homophone Partien auf (Missa ,,Dringhs). Hans Buchner (1483-1538) Buchner wurde am 26. Oktober 1483 in Ravensburg (Wurttemberg) geboren. Bereits in jungen Jahren kam er nach Augsburg und Innsbruck, wo er Schuler Paul Hofhaimers war. In Wien lernte er in der kaiserlichen Hofkantorei wahrscheinlich Heinrich Isaac und Ludwig Senfl kennen. 1506 wurde Buchner Organist in Konstanz. Er starb im Jahre 1538. Von ihm sind zahlreiche Kompositionen (Orgelwerke, Motetten, Lieder, Tanze) erhalten. Buchners Hauptwerk ist das ,,Fundamentum, ein theoretisch-praktisches Lehrbuch der Orgelspielkunst. Es enthalt Anweisungen zur Improvisation, zum Orgelspiel und zur lntavolierung sowie 145 Orgelkompositionen. Heinrich Finck (1444/45-1527) Finck stammt wahrscheinlich aus Bamberg, wo er um 1444/45 geboren wurde. Uber sein Leben ist wenig bekannt. Er wirkte an der koniglich-polnischen Hofkapelle in Krakau und Warschau, war aber daneben viel auf Reisen. 1510 wurde er Kapellmeister am Hof des Herzogs von Wurttemberg, wirkte spater am erzbischoflichen Hof in Salzburg und erhielt im hohen Alter die Stelle des Hofkapellmeisters Ferdinands I. in Wien, wo er am 9. Juni 1527 starb. Von Heinrich Fincks Kompositionen ist nur ein kleiner Teil uberliefert. An erster Stelle sind seine deutschen Lieder zu nennen; ausserdem schrieb Finck Messen (Missa in summis) und Motetten. Der Komponist gilt als der erste deutsche Grossmeister der Musik. Seine Fruhwerke zeigen zum Teil noch eine karge Dreistimmigkeit mit harten Zusammenklangen; spater wird sein Satz vollklingender, wahrscheinlich unter dem Einfluss der ,,Niederlander (Isaac). Josquin Desprez (ca.1440-1521/24) Josquin ist der beruhmteste Meister seiner Epoche, die nach ihm als Joaquin-Zeit bezeichnet wird. Er wurde um 1440 wahrscheinlich in der Picardie geboren und soll Schuler Ockeghems gewesen sein. 1459-1472 war Josquin Sanger der Mailander Domkantorei, 1473-1479 Mitglied der Kapelle am Hof der Sforza in Mailand. 1486-1494 wird Josquin als Mitglied der papstlichen Sangerkapelle in Rom genannt. Seine Tatigkeit als Chordirektor am Dom zu Cambrai 1495-1499 ist urkundlich nicht gesichert. Er komponierte fur den Hof Konig Ludwigs XII. von Frankreich und fur den Hof der Este in Ferrara. 1502 wurde Josquin von Ercole I. als Kapellmeister nach Ferrara berufen, wo er bis zum Tode des Herzogs (1505) blieb. Sein Nachfolger wurde Brumel. Joaquin kehrte in seine Heimat zuruck und wurde zum Probst der Kirche Notre-Dame in Conde (Hennegau) ernannt. wo er am 27. August 1521 starb. Als Komponist gelangte Josquin bereits zu Lebzeiten zu europaischer Beruhmtheit. Sein Stil beeinflusste das gesamte musikalische Schaffen in Europa bis in die Palestrina-Zeit. Unter seinen Werken sind an erster Stelle die Messen zu nennen (darunter ,,L' homme arme, Missa sine nomine, sein Meisterwerk ,,La sol fa re mi, die zart-lyrische Messe ,,Ave maris stella, die Reprasentationsmesse ,,Hercules Dux Ferrariae und die Spatwerke ,,De beata virgine, ,,Pange lingua und ,,Da pacem); weiterhin schrieb er Motetten (u. a. ,,Stabat mater, ,,Miserere mei, ,,Memor esto verbi tui, ,,De profundis, ,,In exitu Israel, ,,Laudate pueri Dominum) und Chansons (die bekanntesten sind ,,Adieu mes amours, ,,Mille regretz und ,,J' ay bien cause). Josquin ist einer der genialsten Musiker aller Zeiten. Sein streng polyphoner Satz fuhrt konsequent den Stil Ockeghems weiter. Josquin erreicht in seinen Werken die hochste Meisterschaft im konstruktiv-imitatorischen Stil der ,,Niederlander. Gleichzeitig uberwindet er jedoch das nur Artistische dieser Kunst; sein subjektiv gefarbtes, von individuellem Ausdruckswillen bestimmtes Wort-Ton-Verhaltnis wird zum Ideal der Renaissancemusik. Josquins Kompositionslehre wurde 1552 von seinem Schuler Adrian Petit Coclico im ,,Compendium musicae aufgezeichnet. Heinrich Isaac (ca. 1450-1517) Isaac wurde kurz vor 1450 in den Niederlanden geboren. Er war wahrscheinlich Schuler Squarcialupis in Florenz und wirkte in Ferrara und am Hof Lorenzos de' Medici in Florenz. 1484 weilte er gleichzeitig mit Paul Hofhaimer in Innsbruck, war danach bis 1494 wieder in Florenz und wurde 1496 Hofkomponist Maximilians I. in Augsburg und Wien. Er unternahm zahlreiche Reisen (u.a. 1497-1500 an den Hof Friedrichs des Weisen nach Torgau, 1503-1505 zu Ercole I. nach Ferrara). Spater lebte Isaac in Konstanz, wo er sein Motettenwerk ,,Chorale Constantinum (1550 von seinem Schuler Ludwig Senfl herausgegeben) schuf; von 1514 bis zu seinem Tode 1517 lebte er wieder in Florenz. Isaac ist einer der vielseitigsten Musiker seiner Zeit. Er ist in allen musikalischen Nationalstilen sattelfest. Der Bogen seines Schaffens spannt sich vom Konstruktivismus der niederlandischen Polyphonie bis zur anmutigen Intimitat des schlichten Renaissance-Satzes. Isaac schrieb Messen (u. a. die beruhmte ,,Missa carminum), Motetten (,,Chorale Constantinum), Chorlieder und Chorsatze auf deutsche, franzosische und italienische Texte (sein Satz ,,Innsbruck, ich muss dich lassen wurde weltberuhmt) sowie Instrumentalsatze. Johannes Martini (1430/40-ca.1500) Der um 1430/40 in Flandern geborene Komponist wirkte 1474 neben Josquin und Compere an der Mailander Hofkapelle. 1475 wurde er Mitglied der Hofkapelle zu Ferrara, wo er noch 1492 tatig war. Sein Todesjahr ist unbekannt. Nach 1500 wird Martini nicht mehr in den Listen bekannter Komponisten gefuhrt. Von Martini sind Messen, Motetten und Chansons uberliefert, die stilistisch von Dufay und Ockeghem beeinflusst sind. Eine gewisse Erstarrung des Stils ist unverkennbar. Gregor Meyer (ca. 1510-1576) Meyer wurde um 1510 in Sackingen geboren und wirkte um 1535 bis 1558 als Organist in Solothurn, 1561 bis zu seinem Tode 1576 am Munster zu Basel. Auf Veranlassung Glareans schrieb Meyer fur dessen ,,Dodekachordon (1547) zahlreiche Kompositionsbeispiele; ausserdem sind in anderen Sammlungen einige Kanons, Motetten, einzelne Messsatze und kirchliche und weltliche Lieder erhalten. Jacob Obrecht (1450/51-1505) Als einziger der grossen ,,Niederlander stammt Obrecht aus dem nordniederlandischen Raum; er wurde wahrscheinlich am 22. November 1450 in Bergen op Zoom geboren. 1476-1478 war er Chormeister in Utrecht, 1479-1484 in seiner Heimatstadt. 1484/85 wirkte er als Kapellmeister an der Kathedrale in Cambrai und anschliessend in Brugge. 1487/88 besuchte Obrecht den Hof Ercoles I. von Ferrara. 1492 finden wir ihn als Chormeister an Notre-Dame zu Antwerpen, 1496 in Bergen op Zoom, 1498 in Brugge. 1500 schied er krankheitshalber aus dem Dienst und lebte bis 1504 in Antwerpen. Auf einer Reise nach Ferrara starb er im Jahre 1505 (angeblich an der Pest). Von Obrechts Kompositionen sind etwa 25 Messen (darunter ,,Maria zart, ,,L' homme arme, ,,Caput, ,,Je ne demande, ,,Fortuna desperata), Motetten und Chansons auf niederlandische, franzosische und italienische Texte uberliefert. Obrecht gehort mit Josquin, lsaac und Pierre de la Rue zu den Grossmeistern der Josquin-Zeit. Er setzt die Polyphonie Dufays und Ockeghems fort, doch spielen bei ihm die Durchimitation wie auch das bei Josquin stark ausgepragte Wort-Ton-Verhaltnis eine geringe Rolle. Obrechts Musik ist durch ihre vitale Kraft, Spontaneitat des Ausdrucks, klare Periodenbildung, den Hang zum vollen harmonischen Satz und ein neues Tonalitatsbewusstsein gekennzeichnet. Im Spatwerk ist der Einfluss des volkstumlichen italienischen Liedes festzustellen. Obrechte ausgepragter Penonalstil ist so unnachahmlich, dass er keine Fortsetzer fand. Nicht zu Unrecht wird Obrecht als der grosse ,,Aussenseiter zwischen den Perioden Dufay-Ockeghem und Josquin-Isaac bezeichnet. Marbrianus de Orto (ca. 1450-1529) Orto stammt moglicherweise ebenfalls aus Flandern; sein Geburtsjahr ist nicht bekannt. 1484-1494 war er gleichzeitig mit Josquin papstlicher Kapellsanger in Rom, spater (1505) am Hofe Philipps des Schonen von Burgund. Orto starb 1529 in Nivelles. Von ihm sind Messen, Motetten und Chansons erhalten. Vermutlich redigierte er wahrend seines romischen Aufenthaltes gemeinsam mit Josquin die Bearbeitung Duf'ayscher Hymnen. Ortos Messen reichen nicht an die Spitzenleistungen seiner Zeit (Josquin, Obrecht) heran; bedeutender sind seine Motetten, wie etwa die Motette ,,Ave Maria, die Petrucci 1501 an die Spitze seines ,,Odhecaton stellte, und die Vergil-Motette ,,Dulces exuviae. $24.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Laudate Dominum Organ Ione Press
Composed by Robert Kyr (1952-). For organ. General, Praise/Thanksgiving. 12 page...(+)
Composed by Robert Kyr (1952-). For organ. General, Praise/Thanksgiving. 12 pages. Published by Ione Press
$7.35 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sunday Solos for Organ Organ Hal Leonard
(Preludes, Offertories & Postludes). By Various. Organ Folio. Softcover. 96 page...(+)
(Preludes, Offertories & Postludes). By Various. Organ Folio. Softcover. 96 pages. Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Temple Organist Vol. 2 Organ - Easy Jackman Music Corporation
Organ - Easy SKU: JK.01927 Composed by Various. Arranged by Brent Jorgens...(+)
Organ - Easy SKU: JK.01927 Composed by Various. Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01927. Published by Jackman Music Corporation (JK.01927). UPC: 093285019270. The Temple Organist is a series of hymn arrangements designed to support the sacred reverence found in temples of the Church of Jesus Christ of Latter-day Saints. The songs selected for the two volumes have been taken directly from approved lists of hymns appropriate for temples. The arrangements in this volume, like volume 1, are arranged to include the harmonizations from the 1985 hymnal, with a variation that follows in most cases. True to the style of Orgain Chains, they include interludes to connect each hymn so they can be played consecutively (including modulations that bridge different keys beautifully). You will enjoy serving temple patrons as you play these simple, contemplative hymn settings.
Contents Include: Oh, May My Soul Commune with Thee Nearer, My God, to Thee O My Father I Need Thee Every Hour Jesus, Lover of My Soul More Holiness Give Me Guide Me to Thee Did You Think to Pray? Sweet Hour of Prayer How Gentle God's Commands Where Can I Turn for Peace? Be Thou Humble Dearest Children, God Is Near You Be Still, My Soul Lead, Kindly Light Sweet Is the Peace the Gospel Brings O Love That Glorifies the Son God Loved Us, So He Sent His Son How Great the Wisdom and the Love With Humble Heart Jesus, Once of Humble Birth In Humility, Our Savior There Is a Green Hill Far Away I Stand All Amazed Sweet Is the Work Come, Follow Me Love One Another Dear to the Heart of the Shepherd Lord, I Would Follow Thee Composer: VariousArranger: Brent JorgensenDifficulty: Easy. $10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Organ Library, Vol. 59 Organ - Easy Lorenz Publishing Company
For organ: 2-staff. Sacred. Moderately easy. Lorenz Publishing Company #70/1958L...(+)
For organ: 2-staff. Sacred. Moderately easy. Lorenz Publishing Company #70/1958L. Published by Lorenz Publishing Company
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Most Beautiful Songs Ever Organ [Sheet music] Hal Leonard
70 All-Time Favorites Arranged for Organ. Composed by Various. Organ. Sof...(+)
70 All-Time Favorites Arranged for Organ. Composed by Various. Organ. Softcover. 208 pages. Published by Hal Leonard (HL.144638).
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Complete Organ Player: Hymn Book Organ Music Sales
For Guitar. Religious. Sheet Music. 48 pages. Published by Music Sales. Thir...(+)
For Guitar. Religious. Sheet Music. 48 pages. Published by Music Sales.
Thirty-one of the best known hymns, with suggested registrations for each song and a keyboard chord chart.
$11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Music for the Trinity Season Organ [Sheet music] Sacred Music Press
By Gerhard Krapf. For organ. Trinity Sunday, General. Level: 3-staff. Sacred org...(+)
By Gerhard Krapf. For organ. Trinity Sunday, General. Level: 3-staff. Sacred organ. Published by Sacred Music Press. (70/1577S)
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Essential Dale Wood Organ - Intermediate Lorenz Publishing Company
(40 Classic Hymn Tune Settings for Organ). By Dale Wood. For organ: 3-staff. Sac...(+)
(40 Classic Hymn Tune Settings for Organ). By Dale Wood. For organ: 3-staff. Sacred. Moderately difficult. Published by Lorenz Publishing Company
$56.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sunday Morning Organist, Volume 4: Introductions to Hymns and Carols Organ [Sheet music] - Intermediate/advanced Alfred Publishing
For Organ. Organ - Method or Collection. Alfred's Classic Editions. Sacred. Late...(+)
For Organ. Organ - Method or Collection. Alfred's Classic Editions. Sacred. Late Intermediate / Early Advanced. Book. 96 pages. Published by Alfred Music Publishing
(1)$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fantasie for organ Organ EMB (Editio Musica Budapest)
Organ SKU: BT.EMBZ14775 Composed by Ernst Von Dohnanyi. Book Only. Compos...(+)
Organ SKU: BT.EMBZ14775 Composed by Ernst Von Dohnanyi. Book Only. Composed 2012. 12 pages. Editio Musica Budapest #EMBZ14775. Published by Editio Musica Budapest (BT.EMBZ14775). Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen.This work, which is appearing in print now for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written while he was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammar school student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie wasprepared for publication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.
Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen. This work, now appearing in print for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written whilehe was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammarschool student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie was prepared forpublication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.
Ern Dohnányi (1877-1960) komponierte die Fantasie in c-Moll 1892 im Alter von fünfzehn Jahren. Das Werk, welches nun erstmalig in Druck erscheint, ist ein echtes Kuriosum: Abgesehen von ein paar wenigen polyphonen Stilübungen aus der Musikakademie ist es das einzige Orgelwerk des Komponisten. Dieser erinnerte sich später folgendermaßen an das Kennenlernen des Instruments: Meine erste Begegnung mit dem Orgel reicht bis zur dritten Klasse im Gymnasium zurück. Ab dieser Klasse nahm ich sonntags die Funktion des Kantors in der Kirche der Schule ein. Das war mein erstes Geld, was ich mit Musik verdiente. Die Fantasie wurde von der bekannten Dohnányi-Forscherin Deborah Kiszelynach dem Originalmanuskript herausgegeben. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spirituals for Saxophone -- O Happy Day Organ Advance Music
Alto Saxophone & Organ SKU: AP.1-ADV7060 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ SKU: AP.1-ADV7060 For Alto Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Alto Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7060. Published by Advance Music (AP.1-ADV7060). UPC: 805095070606. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, O Happy Day, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Spirituals for Saxophone -- O Happy Day Organ Advance Music
Tenor Saxophone & Organ SKU: AP.1-ADV7065 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ SKU: AP.1-ADV7065 For Tenor Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Tenor Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7065. Published by Advance Music (AP.1-ADV7065). UPC: 805095070651. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, O Happy Day, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three in One: Festive Preludes, Offertories, and Postludes for Ascension, Pentecost, and Trinity Sundays Organ - Intermediate MorningStar Music Publishers
Organ - Intermediate SKU: MN.10-499 Composed by Various. Offertories, Pre...(+)
Organ - Intermediate SKU: MN.10-499 Composed by Various. Offertories, Preludes, Postludes, Compilations. Ascension, Pentecost, Trinity, 21st Century. MorningStar Music Publishers #10-499. Published by MorningStar Music Publishers (MN.10-499). UPC: 688670104992. We’ve been delighted at the success of our recently released compilations of previously-published but little known gems. We hope to continue the trend with this collection for Ascension, Pentecost, and Trinity. Composers represented are Burkhardt, Callahan, Held, Hildebrand, Hobby, Manz and Schulz-Widmar.
$20.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Complete Organist
Organ [Sheet music] - Easy Lorenz Publishing Company
By James Southbridge. Organ. Level: 2-staff. Sacred organ. Published by Lorenz P...(+)
By James Southbridge. Organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company.
(1)$56.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
Next page 1 31 61 91 |
|
| Orgelsinfonie No. 16
(SCHNEIDER ENJOTT) Organ Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...(+)
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.
The composer describes the five movements of the symphony as follows:
'1st movement:
Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.
2nd movement:
In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.
3rd movement:
The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air.
4th movement:
The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air.
5th movement:
The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
25.53 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| The Oxford Book of Organ
Music by Women Composers Organ Oxford University Press
The Oxford Book of Organ Music by Women Composers presents a comprehensive surve...(+)
The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument.
? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire
? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde
? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture
? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided
23.50 GBP - Sold by Musicroom UK | |
| John McCabe: Esperanza
for Organ: Organ:
Instrumental Work Organ Novello & Co Ltd.
Commissioned for the 26th International Organ Festival at St Albans 2011 and fun...(+)
Commissioned for the 26th International Organ Festival at St Albans 2011 and funded by the RVW Trust.Duration: 7.45 Performance notes Registration: the performer is free to determine the entire registration scheme except at bar 60 where a solo reed is mandatory.Pitch: manual passages at bars 25 32 38 are written for a solo 4' stop (s). The Pedal is at 16' (ad lib 32') unless otherwise indicated (bars 31 37 where a solo 8' is required).III - Sw.II - Gt.I - Pos/Ch Composer's note Esperanza is named after Camp Esperanza (Camp Hope) the location of the mission to rescue the thirty-three miners trappedunderground for seventy days in 2010 at the San Jose Mine in Chile a rescue that was televised live and was one of the most moving and inspiring things I have ever seen. By the most extraordinary coincidence I had already done a good deal of sketching for this Organ piece before this all happened and had determined on a 'darkness-to-light' kind of piece - so the coincidence as well as my feelings of elation were both too strong to ignore.The piece persues a course from a fairly knotty slow beginning (heralded by a few chords that recur at the very end) full of rising themes (another coincidence - the material had already been sketched before the miners were trapped underground) and reaching a loud climax the quick toccata-like second section bursting vigourously out of the tension which is created at the beginning of the work.
13.99 GBP - Sold by Musicroom UK | |
| Wedding Music for Manuals Organ [Sheet music] Kevin Mayhew
25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunnin...(+)
25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunning and player-friendly collection of 25 of the most requested and timeless classical organ pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any organist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for manuals, with an emphasis on capturing the emotional power and joy of the wedding day. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Manuals is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Orgue
23.42 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Richard Wagner:
Pilgerchor: Organ:
Instrumental Work Organ [Sheet music] - Intermediate Schott
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt develop...(+)
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827 1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.
10.50 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Organ Works - Volume 11:
Organ: Instrumental Album Organ [Score] Barenreiter
Freely Composed Organ Works-This performing Urtext edition contains ?free? Organ...(+)
Freely Composed Organ Works-This performing Urtext edition contains ?free? Organ pieces (i.e. not based on a chorale) and chorale partitas from various source traditions. Owing to doubts about their authenticity they did not appear in the New Bach Edition until the end of 2003 (NBA IV/11). Today however scholars view Bach?s authorship of these pieces either as certain (e.g. the valuable Fantasy in C minor BWV 1121) or at least worthy of serious consideration.Bärenreiter therefore decided to issue them in this separate performance edition. This volume comes in addition to the nine volume edition of Bach?s Organ music (BA 5179).
30.00 GBP - Sold by Musicroom UK | |
| Orgelwerke Band I/1
(BUXTEHUDE DIETERICH) Organ [Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...(+)
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
42.74 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Orgelwerke Set Band I
(BUXTEHUDE DIETERICH) Organ [Sheet music] Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...(+)
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
75.49 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Anthology Ez Play Today
Orgue (PRESLEY ELVIS) Organ [Sheet music] Hal Leonard
Par PRESLEY ELVIS. A Comprehensive Collection Of 59 Songs / Rép International ...(+)
Par PRESLEY ELVIS. A Comprehensive Collection Of 59 Songs / Rép International / Recueil / Orgue
22.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Brian Chapple: Six
Bagatelles for Organ:
Organ: Instrumental Work Organ Chester
The first performance of Six Bagatelles was given by Margaret Phillips in St Mic...(+)
The first performance of Six Bagatelles was given by Margaret Phillips in St Michael’s Church Lyme Regis on 18 November 2011.Six Bagatelles are transcriptions for organ of six of the Bagatelles diverses originallywritten for solo piano. These are published by Chester Music (order no. CH74371) and have been recorded by Caroline Clemmow on ‘Burlesque’ - Piano Music by Brian Chapple (divineart dda25056).'I am very grateful toMargaret Phillips for her helpful comments and practical suggestions in the preparation of these pieces for performance.' - Brian Chapple'This engaging set was originally written for solo pianoand transcribed for organ for Margaret Phillips who first performed them in 2011. The transcriptions are most successful: idiomatic and allowing plenty of scope for colourful registrations. Harmonically the music is dissonant yet accessible; themes are engaging and well developed. The fifth is the most extended an inventive dancing scherzo coupling sliding chromaticism with a fierce inner rhythmic drive. This would make an excellent set for theadventurous recitalist but could equally be played individually in a liturgical setting.' - Sunday by Sunday
14.99 GBP - Sold by Musicroom UK | |
| Robert Gower: The Oxford
Book of Lent and Easter:
Organ: Instrumental Album Organ Oxford University Press
The Oxford Book of Lent and Easter Organ Music brings together a superb array of...(+)
The Oxford Book of Lent and Easter Organ Music brings together a superb array of repertoire for use from Ash Wednesday through to Pentecost providing a comprehensive volume for this extended liturgical period. The pieces—largely based on well-known hymn tunes—vary in style and length suiting a range of purposes from processionals and interludes to voluntaries and recital works. A range of technical difficulty makes the book useful for players of differing abilities and clean and uncluttered scores leave interpretative decisions to the performer. An invaluable resource for a major part of the church year.34 pieces for manuals and pedals suitablefor use from Lent through to PentecostSeven brand-new commissions by important names such as David Briggs Naji Hakim and Francis JacksonA variety of musical forms including preludes toccatas fanfares and variationsCovers 17th to 21st centuries from major historic organ composers including Scheidt Mendelssohn and Reger through 20th-century luminaries Harris and Leighton to contemporary figures such as Malcolm Riley David Bednall and Christopher TamblingOriginal organ compositions plus new arrangements of favourites from Handel's Messiah and J. S. Bach's St Matthew PassionAn index of hymn tunes and pieces arranged in liturgical order
26.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Thomas Hewitt Jones:
Carnival: Organ:
Instrumental Album Organ [Sheet music] Novello & Co Ltd.
Thomas Hewitt Jones' Carnival. Composed 2010. Written for Martin Neary Presiden...(+)
Thomas Hewitt Jones' Carnival. Composed 2010. Written for Martin Neary President of the Organists Charitable Trust. These five short works are all extracted from the excellent Little Organ Book from the Organists Charitable Trust edited by Martin Neary and first published by Novello in 2010. This is a wonderful resource of 11 mainly new works by British composers all of moderate difficulty and well-defined character. Iain Farrington’s Bluesday is full of delicious harmonies with a bold climax framed by a gentle beginning and ending. David Bednall’s Fanfare is a joyful work that would bea good recital opener or festival voluntary with a chance to unleash the big reeds. The simplicity of the title of Howells’s Cradle Song belies a richness and warmth that make this a moving miniature. John Rutter’s evening prelude from 1979 on the plainsong hymn Te lucis ante terminum is tender and clear with some surprisingly plangent harmonies. Thomas Hewitt Jones’s Carnival is an outburst of festivity and bravura. All these pieces are very much worth playing though organists interested in more than two of them would be better served purchasing a copy of the original anthology which is still very well priced (Little Organ Book Novello 9781849386814 £9.95). - Sunday by Sunday
8.99 GBP - Sold by Musicroom UK | |
| Franz Liszt: Fantasia And
Fugue On Bach: Organ:
Instrumental Work Organ [Sheet music] Novello & Co Ltd.
The B.A.C.H. motif has been known and used for centuries but enjoyed a great re...(+)
The B.A.C.H. motif has been known and used for centuries but enjoyed a great revival in the late 19th century as composers paid homage to the composer J.S. Bach. It derives from the German nomenclature and is expressed in standard notation as Bb-A-C-B. The Fantasia And Fugue On B.A.C.H. is one of the most famous Organ works of Franz Liszt (1811-1886). The piece was intended for the inauguration of the famous Ladegast Organ at Merseburg Cathedral but sadly it wasn’t finished in time. Liszt then revised the work in 1870 and produced the version that survives today. A well-loved piece no organist’s library iscomplete without it.
8.99 GBP - Sold by Musicroom UK | |
| Organ Improvisations for
Hymn Singing - Volume 2:
Organ: Instrumental Album Organ Hinshaw Music Inc.
Contents: 1. Azmon ('O For A Thousand Tongues To Sing')2. Beecher ('Theres A W...(+)
Contents: 1. Azmon ('O For A Thousand Tongues To Sing')2. Beecher ('Theres A Wideness In Gods Mercy')3. Birmingham ('Tell Out My Soul The Greatness Of The Lord')4. Grosse Gott (Te Deum) ('Holy God We Praise Thy Name')5. Hanover ('O Worship The King')6. Land Of Rest ('Jerusalem My Happy Home')7. Laudes Domini ('When Morning Gilds The Skies')8. Merrial ('The Day Thou Gavest Lord Is Ended')9. Moscow ('Come Thou Almighty King')10. Munich ('O Word Of God Incarnate')11. Old Hundredth ('All People That On Earth Do Dwell')12. Russia ('God The Omnipotent')13. St. Anne ('O God Our Help In Ages Past')14. St. Clement ('The Day Thou Gavest Lord Is Ended')15. St. Columba ('The King Of Love My Shepherd Is')16. Sicilian Mariners ('Lord Dismiss Us With Thy Blessing')17. Slane ('Be Thou My Vision')18. Toulon ('God Of The Prophets Bless The Prophets Heirs!')19. Westminster Abbey ('Chirst Is Made The Sure Foundation')
15.99 GBP - Sold by Musicroom UK | |
| Ena Baga: Bagatelle:
Organ: Instrumental Work Organ Stainer and Bell
Arranged by John Norris.A legend from the days of silent cinema pianist Ena Bag...(+)
Arranged by John Norris.A legend from the days of silent cinema pianist Ena Baga was also the gifted composer of many short pieces that fall into the category of 'light music'. Bagatelle was used as her signature tune whilst organist at the famous Tower Ballroom Blackpool.
4.50 GBP - Sold by Musicroom UK | |
| Home Organist Library
Volume 2: Love Songs Organ [Sheet music] - Easy Amsco Wise Publications
Some of the finest songs ever inspired by the theme of love. Favourites such as ...(+)
Some of the finest songs ever inspired by the theme of love. Favourites such as 'Red Roses For A Blue Lady' and 'You Belong To My Heart'.
20.50 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| More Last Verses
(RAWSTHORNE NOEL) Organ [Sheet music] Kevin Mayhew
Par RAWSTHORNE NOEL. / Recueil / Orgue
25.73 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 50 More Classic Melodies Organ Kevin Mayhew 30.32 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Today In Paradise Organ Kevin Mayhew 38.04 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Louis Vierne: Complete
Organ Works I-X: Organ:
Instrumental Work Organ Barenreiter
Louis Vierne (1870 1937) brought symphonic French organ music to its stylistic c...(+)
Louis Vierne (1870 1937) brought symphonic French organ music to its stylistic climax. Besides being a productive composer he also gained a reputation as a brilliant improviser at his place of employment the Notre Dame Cathedral in Paris and throughout the world.In 1928 Vierne one of the best-known organists of his day made one of the earliest organ recordings playing Bach works and his own improvisations in Notre Dame.This scholarly practical edition is based on the critical examination and evaluation of all the autographs engravers’ copies and first prints available as well as on his writings and previously unpublished letters. It endeavours tobe philologically consistent in solving the editorial problems which have surfaced.The edition includes all Vierne's works those published during his lifetime those previously unpublished and those attributed to him.- New source material incorporated- Extensive trilingual Foreword (Fr/Eng/Ger) with detailed notes on performance practice- Comprehensive Critical Commentary (Fr/Eng/Ger)- Illustrations and facsimiles
342.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| 50 Classic Melodies For
Manuals Organ Kevin Mayhew 25.73 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Family Worship: Organ:
Mixed Songbook Organ Kevin Mayhew
Does the task of selecting songs for all-age worship loom large and seem dauntin...(+)
Does the task of selecting songs for all-age worship loom large and seem daunting? This superb collection of 100 songs provides the solution. The songs in this book successfully cross the real boundaries between worship for adultsand children with lyrics that are both accessible and acceptable in a variety of musical styles. A selection of these songs will go a long way to ensuring that a Sunday service really does have something for everyone.Family Worship has been compiled by Mike Burn from the London Family Worship resources includes a comprehensive index and a foreword written by Graham Kendrick and this versatile format laid out for a Piano or keyboardinstrument with melody line lyrics and chord symbols is a wonderful collection with which to involve your entire congregation.
20.99 GBP - Sold by Musicroom UK | |
| Organ Showpieces Made
Playable Band 2 Organ Kevin Mayhew 25.73 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 50 Classic Melodies For
Organ Organ Kevin Mayhew 43.49 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
1 |
|