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| Beautiful Music for Two String Instruments, Book II Piano and Orchestra [Sheet music] Alfred Publishing
By Samuel Applebaum. For Piano Acc. String Orchestra Method/Supplement. Book. 68...(+)
By Samuel Applebaum. For Piano Acc. String Orchestra Method/Supplement. Book. 68 pages. Published by Alfred Publishing.
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nameless Seas (Piano Concerto) Piano and Orchestra Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5). ISBN 9790550113725. Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss. Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water. The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound. It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work. $49.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Piano Concerto No. 2 in F minor Op. 21 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str) <...(+)
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str) SKU: BR.PB-4485 Composed by Frederic Chopin. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. EB 3942 is printed in score form; two copies are needed for performance.Have a look. Solo concerto; Romantic. Full score. 68 pages. Duration 30'. Breitkopf and Haertel #PB 4485. Published by Breitkopf and Haertel (BR.PB-4485). ISBN 9790004203910. 9 x 12 inches. Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. Since he needed effective, virtuoso works for his major concert appearances with orchestral accompaniment, he decided to simply write them himself. Although it is clear that the piano part always holds center stage in these pieces, Chopin never degrades the orchestra by turning it into a stereotypical cue-giver. This is confirmed by the imaginatively orchestrated tutti transition in the first movement, the lengthy string tremolo in the middle movement and the col legno passage in the finale.The first performance of the f-minor concerto took place in Warsaw on 17 March 1830. The first edition of the score was published in 1879 by Breitkopf & Hartel in Leipzig. The present edition for two pianos by Ignaz Friedmann was first issued in 1913 in the framework of the 12-volume Chopin edition for which the Polish pianist undertook a careful evaluation of the sources.
Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. $66.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lamentate Piano and Orchestra [Study Score / Miniature] Universal Edition
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE0326...(+)
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE032667. Published by Universal Edition
$77.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto Busoni-Verz. 247 Piano and Orchestra [Study Score / Miniature] Breitkopf & Härtel
(study score). By Ferruccio Busoni (1866-1924). Edited by Antony Beaumont. For P...(+)
(study score). By Ferruccio Busoni (1866-1924). Edited by Antony Beaumont. For Piano, Orchestra and Men's Choir. Breitkopf Full Scores. Study score. 336 pages
$53.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in E minor Op. 11 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 4.2.1.0 - timp - str) ...(+)
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 4.2.1.0 - timp - str) SKU: BR.PB-4484 Composed by Frederic Chopin. Orchestra; Softbound. Partitur-Bibliothek (Score Library). EB 3941 is printed in score form; two copies are needed for performance. Solo concerto; Romantic. Full score. 96 pages. Duration 37'. Breitkopf and Haertel #PB 4484. Published by Breitkopf and Haertel (BR.PB-4484). ISBN 9790004203903. 9 x 12 inches. Printed in score form; two copies are needed for performance. $77.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Paganini Variations - Piano Concerto No.3 Piano and Orchestra Wilhelm Hansen
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).
$60.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fantasia on Polish Airs Op. 13 for Piano and Orchestra Piano and Orchestra PWM (Polskie Wydawnictwo Muzyczne)
(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Ja...(+)
(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. For Orchestra, Piano (Full Score). PWM. Polskie Wydawnictwo Muzyczne #51600026. Published by Polskie Wydawnictwo Muzyczne
$20.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Concerto No. 2 in D minor Op. 40 MWV O 11 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5507 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Christoph Hellmundt. Orchestra; Softcover. Partitur-Bibliothek (Score Library). A repertoire work in an Urtext performing editionEB 8655 is printed in score form; two copies are needed for performance. Solo concerto; Romantic. Full score. 96 pages. Duration 25'. Breitkopf and Haertel #PB 5507. Published by Breitkopf and Haertel (BR.PB-5507). ISBN 9790004211663. 10 x 12.5 inches. The music text is based on the volume of the Leipzig Mendelssohn Complete Edition, in which Christoph Hellmundt rightly pointed to the existence of a secondary version for piano and string orchestra as well as an arrangement for piano solo made by the composer. Nevertheless, Mendelssohn's op. 40 remains foremost a Concerto for piano and orchestra - a fact that is unequivocally underscored by the practical new edition.
A repertoire work in an Urtext performing edition. $73.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Luminary Piano and Orchestra [Study Score / Miniature] Theodore Presser Co.
Concerto for Piano and Orchestra. Composed by Narong Prangcharoen. First ...(+)
Concerto for Piano and Orchestra. Composed by Narong Prangcharoen. First performed by the Thailand Philharmonic Orchestra, Dariusz Mikulksi, conductor, with Christopher Janwong McKiggan as piano soloist. Contemporary. Full score (study). With Standard notation. Composed 2016. 80 pages. Duration 24 minutes. Theodore Presser Company #416-41609. Published by Theodore Presser Company (PR.416416090).
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Kinetic Poem / Kineettinen Runo Piano and Orchestra Fennica Gehrman
Piano, Orchestra SKU: FG.042-08428-1 Composed by Usko Merilainen. Score. ...(+)
Piano, Orchestra SKU: FG.042-08428-1 Composed by Usko Merilainen. Score. Published by Fennica Gehrman (FG.042-08428-1). ISBN 979-0-042-08428-1. Kinetic Poem is, after two piano concertos and Dialogues for piano and orchestra, Merilainen's fourth and latest work (1981) in which the piano plays a concertante role. The piano-orchestra relationship is synergetic: small motifs, which draw their material from the spectacular solo part, are rotated by the orchestra and change their form, only to he absorbed back into the relentless solo stream. $35.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Kammermusikschule für Streicher I Leichte Trios a Piano and Orchestra EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Jahrhunderten. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1993. 248 pages. Editio Musica Budapest #EMBZ13548. Published by Editio Musica Budapest (BT.EMBZ13548). At first sight, this publication appears to merely be a collection of pieces due to the lack of drier technical studies that are characteristic of tutors. Yet the selection of the works, their order according to the development of ensemble playing, and the advice towards technical realization included after the foreword - these all make this publication a tutor. The works form a cross-section of a longer period of the history of chamber music and offer an insight into the different methods of composition.Volume I contains easy chamber music from the Renaissance to Viennese Classicism for two violins and cello, in the first position. (In some works the 2nd violin part or others thecello part, respectively, can also be played on the viola.) The easier pieces can be played after two years of active instrumental study. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Concerto No. 1 (Op. 45) Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2.0.2.0. - 4.2.2.0. - timp.perc - s...(+)
Piano/harpsichord and orchestra (solo: pno - 2.0.2.0. - 4.2.2.0. - timp.perc - str) SKU: BR.PB-5568 Composed by Einojuhani Rautavaara. Orchestra; stapled. Partitur-Bibliothek (Score Library). World premiere: Helsinki, May 29, 1970EB 6659 is printed in score form; two copies are needed for performance. Solo concerto; Music post-1945. Full score. 72 pages. Duration 20'. Breitkopf and Haertel #PB 5568. Published by Breitkopf and Haertel (BR.PB-5568). ISBN 9790004213780. 10 x 12.5 inches. CDs: Laura Mikkola (piano), Royal Scottish National Orchestra, cond. Hannu Lintu CD Naxos 8.554147 Ralf Gothoni (piano), Leizig Radio Symphony Orchestra, cond. Max Pommer ODE 757-2
World premiere: Helsinki, May 29, 1970. $71.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Piano and Orchestra in G minor, op. 33 B 63 Piano and Orchestra - Intermediate/advanced Barenreiter
Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bas soon,2Hn,2Trp,Timp,2V,Va, Vc,Db) - Le...(+)
Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bassoon,2Hn,2Trp,Timp,2V,Va,Vc,Db) - Level 4 SKU: BA.BA10420 Composed by Antonin Dvorak. Edited by Robbert van Steijn. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 33. Duration 00:40:00. Baerenreiter Verlag #BA10420_00. Published by Baerenreiter Verlag (BA.BA10420). ISBN 9790260108387. 31 x 24.3 cm inches. Key: G minor. Preface: David R. Beveridge. Composed in 1876, Dvorákâ??s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.
The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Å olc.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$83.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bent Sorensen: 'La Notte' Piano Concerto (Score) Piano and Orchestra Wilhelm Hansen
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sales America. Classical. Score. 96 pages. Edition Wilhelm Hansen #KP00980. Published by Edition Wilhelm Hansen (HL.14030961). ISBN 9788759857458. English. Score of the Danish Composer's Concerto for Piano and Orchestra written in 1996. Bent Sorensen writes: 'The title of this piano concerto came, as usual, very early to me, when my thoughts about the work had started to circulate, but before 'real' music was written down. I held on to the Italian title, even though its association with Vivaldi had no influence on my music, and even when German, French, English, and Danish titles covering almost the same content -'Nachtmusik', 'Nocturne', 'By Night', 'Om Natten', were just about to get the upper hand. The piano concerto has, then, in my opinion, something to do with night, but to describe this further is at least as difficult to me as it is to defend the final Italian title against those which were rejected. The Piano Concerto is in two movements. The first, swarming, is perhaps the mystery of the night, and the second perhaps the dreams of the night; with this, however, I have already given the concerto a more programmatic content than I can defend. Each movement ends with a cadenza and perhaps the last of those - the ending of the work that is - is inspired by a sequence from Bruce Chatwin's wonderful book 'The Viceroy of Ouidah': Or the Amazons howling. 'No, No, No. It was not the leopard that killed him. Not the buffalo that killed him. It was night. Night that killed him!'. $109.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Concerto No. 4 in G major Op. 58 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 1.2.2.2. - 2.2.0.0. - timp - str) <...(+)
Piano/harpsichord and orchestra (solo: pno - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB-14620 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Orchestra; Softbound. Partitur-Bibliothek (Score Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Classical. Full score. 96 pages. Duration 34'. Breitkopf and Haertel #PB 14620. Published by Breitkopf and Haertel (BR.PB-14620). ISBN 9790004211038. 10 x 12.5 inches. Ludwig van Beethoven wrote his Piano Concerto no. 4 in 1805, thus contemporaneously with the opera Fidelio and the Symphonies nos. 5 and 6. The first performance took place on 22 December 1808 at the now legendary academy (subscription concert) in which Beethoven presented the two new symphonies and the Choral Fantasy op. 80 to the Viennese public for the first time. The work was first published that year by Breitkopf & Hartel. The autograph of the score is no longer extant. The principal source of the musical text on which the present edition is based is a scribal copy examined and corrected by Beethoven. $59.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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| Poul Ruders: Piano
Concerto No.2: Piano:
Score Piano and Orchestra [Score] Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...(+)
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
114.99 GBP - Sold by Musicroom UK | |
| Lamentate (PART ARVO) Piano and Orchestra [Study Score / Miniature] Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...(+)
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
70.48 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Hans Abrahamsen: Left
Alone: Piano: Score Piano and Orchestra [Sheet music] - Intermediate/advanced Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...(+)
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
64.99 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 21 in
C Major KV 467: Piano: Piano and Orchestra Barenreiter
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
21.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 21 in
C Major KV 467: Piano:
Part Piano and Orchestra Barenreiter
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
24.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 21 in
C Major KV 467: Piano:
Score Piano and Orchestra [Sheet music] Barenreiter
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
39.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 21 in
C Major KV 467: Piano:
Part Piano and Orchestra Barenreiter
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
6.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 21 in
C Major KV 467: Piano:
Part Piano and Orchestra Barenreiter
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
60.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 21 in
C Major KV 467: Piano:
Part Piano and Orchestra Barenreiter
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
6.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wolfgang Amadeus Mozart:
Piano Concerto No. 20 in
D minor K. 466: Piano: Piano and Orchestra Barenreiter
for Piano and Orchestra-Mozart perfected the form of the modern piano concerto ...(+)
for Piano and Orchestra-Mozart perfected the form of the modern piano concerto which from about 1750 begins to show its affinity with sonata form in his 21 concertos for solo piano and orchestra. The D minor piano concerto K.466 is one of the few concertos which remained in concert repertoire in the years following Mozart’s death. After the resuscitation of the other concertos it remained the most popular of all Mozart’s works in this genre and there can scarcely be a pianist who has not studied it or played it in a concert.Urtext of the New Mozart EditionFull score performance material (BA4873) two-piano reduction (BA4873-90) and study score format 22.5 x 16.5cm (TP147)available for sale
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| Maurice Ravel: Concerto:
Piano: Score Piano and Orchestra Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...(+)
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
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| Ludwig van Beethoven:
Piano Concerto No.4 In G
Op.58: Piano: Score Piano and Orchestra Barenreiter
For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a se...(+)
For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.
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| Sergei Rachmaninov: Piano
Concertos Nos. 1 And 2:
Piano: Score Piano and Orchestra [Score] Boosey and Hawkes
The Boosey Masterworks Library is a truly fantastic collection of popular works ...(+)
The Boosey Masterworks Library is a truly fantastic collection of popular works from the orchestral repertoire presented in clearly notated and meticulously documented scores.This volume presents the full orchestral score of Rachmainov’s first two piano concertos which remain ever popular in the concert pianist’s repertoire the second piano concerto even more so. The first two piano concertos frame a prolonged period of self-examination and doubt in Rachmaninov’s life his earlier works were not received with great acclaim. However his resurgence as a composer on the international concert platform was brought about by his composition of thePiano Concerto No.2 in C Minor Op.18 which since its first performance remains one of the most important and popular works in the repertoire. This full orchestral score is a wonderful resource for study and perusal purposes and is clearly presented making it easy to read and follow.Note that the revised version (written in 1917) of the first piano concerto is that which is presented in this score.
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| Antonín Dvo?ák: Piano
Concerto In G Minor Op.33
(Full Score): Piano:
Score Piano and Orchestra [Sheet music] Barenreiter
g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has be...(+)
g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has been overshadowed by his other two concertos for violin and violoncello respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883 which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert vanSteijn decided instead to present the version by Karel Šolc. - New Urtext edition of Dvorák’s only piano concerto - Foreword by Dvorák scholar David R. Beveridge (Eng/Cz/Ger) - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel Šolc adapted to fit this new edition - Full score (BA10420) and two-piano reduction (BA10420-90) available for sale - Performance material (BA10420-72) available for hire
56.50 GBP - Sold by Musicroom UK | |
| Sergei Prokofiev: Piano
Concerto No.2 In G Minor
Op.16: Piano: Study Score Piano and Orchestra Boosey and Hawkes
Interestingly there are two different versions of Prokofiev’s second pian...(+)
Interestingly there are two different versions of Prokofiev’s second piano concerto the first written between 1912 and 1913 the second written in 1923. However during the Russian Civil War the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory effectively composing the second edition of the work which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime).At the time of composition the concerto's wild temperamentleft some exalted whereas others were horrified by the jarring and at the time futuristic sound. Today however it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire.Available here is the Hawkes Pocket Score edition (No.877) of Prokoviev’s virtuosic Piano Concerto No.2 in G minor Op.16 and is ideal for study and perusal usage.
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| Philip Glass: Piano
Concerto No.2: Piano:
Score Piano and Orchestra [Sheet music] - Intermediate/advanced Dunvagen Music Publishers
Internationally renowned minimalist Philip Glass composed this Piano concerto in...(+)
Internationally renowned minimalist Philip Glass composed this Piano concerto in the traditional three-movement form. The first movement titled ‘The Vision’ is classic Glass with a steamroller quality that suggests the immensedrive and ambition the two explorers needed to draw on for their journey into the wilderness. At the beginning of the second movement the theme in the solo Indian Flute musically represents the name ‘Sacajawea’ the ShoshoneIndian mother and guide who assisted the explorers on their way for whom the movement is named.The final movement entitled ‘The Land’ is an exploration of expansiveness both of the land that was being explored but also of thegeologically expanded time over which the landscape has evolved and the great changes that followed Lewis and Clark’s journey.This concerto is designated as part of The Concerto Project recording series started by Glass in theyear 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
34.99 GBP - Sold by Musicroom UK | |
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