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DJ GEAR
Soli, Mixted choir and accompaniment
DJ GEAR
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Choeur SATB, Piano Soli, Mixted choir and accompaniment
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Queen - Bohemian Rhapsody for vocal, SATB choir, piano and string orchestra
Queen - Bohemian Rhapsody for vocal, SATB choir, piano and string orchestra
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Soli, Mixted choir and accompaniment
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Queen
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Volodymyr Koliarov
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Volodymyr Kotliarov
Valse avec choeur
Valse avec choeur
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O taste and see
O taste and see
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#twitterlieder: 15 Tweets in 3 Acts for Soloists, Chorus and Instrumental Ensemble or Piano (SATB Piano/Choral Score)
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Galaxy Music Corporation
(15 tweetsin 3 acts). Composed by James Eakin III. For vocal soloists, SATB choi...
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(15 tweetsin 3 acts). Composed by James Eakin III. For vocal soloists, SATB choir, piano. Collegiate, Multi-Movement/Large Choral Work. Secular. Medium. Piano/choral score. Published by Galaxy Music Corporation
$9.00 - See more - Buy online
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Melodious Accord
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Schirmer
By Alice Parker. Choral. For SATB, solo SATB, Piano and/or Organ or Brass and Ha...
(+)
By Alice Parker. Choral. For SATB, solo SATB, Piano and/or Organ or Brass and Harp. Published by E.C. Schirmer Publishing.
(2)
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St. Cecilia Mass
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Novello & Co Ltd.
By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music...
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By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music. 120 pages. Published by Novello and Co Ltd.
$25.95 - See more - Buy online
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4 to 6 weeks
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Mass In B Minor BWV 232 (Vocal Score)- Novello Edition
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Novello & Co Ltd.
By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bas...
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By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bass Soli, SSATB Chorus, Piano. Baroque, Sacred, Choral. Sheet Music. 204 pages. Published by Novello and Co Ltd.
$19.95 - See more - Buy online
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24 hours - In Stock
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Petite Messe solennelle
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Study Score / Miniature]
Carus Verlag
By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choi...
(+)
By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choir, 2 Pianos, Armo. This edition: paperbound. Score available separately - see item CA.4065000. Latin Masses. Level 3. Study score. Language: Latin. Composed 1863. 184 pages. Duration 90 min. Published by Carus Verlag
$31.95 - See more - Buy online
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24 hours - In Stock
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Vespers
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Novello & Co Ltd.
By Claudio Monteverdi. For SATB soli, SATB Choir, Organ. Sacred, Renaissance, Ch...
(+)
By Claudio Monteverdi. For SATB soli, SATB Choir, Organ. Sacred, Renaissance, Choral. Sheet Music. 224 pages. Published by Novello and Co Ltd.
$21.95 - See more - Buy online
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George Frideric Handel: Dettinger Te Deum
Soli, Mixted choir and accompaniment
SATB, Piano
[Vocal Score]
Peters
(Te Deum For The Victory Of Dettingen) Composed by George Frideric Handel (1685-...
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(Te Deum For The Victory Of Dettingen) Composed by George Frideric Handel (1685-1759), edited by Carl Eberhardt. HWV 283. For ATB solos, SSATB choir and piano accompaniment. Format: vocal score. With choral notation, piano reduction and introductory text. Baroque. Text language German/English. 99 pages. 7.5x10.5 inches. Published by C.F. Peters.
$20.95 - See more - Buy online
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1 to 2 weeks
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Samson
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Novello & Co Ltd.
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Ch...
(+)
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 180 pages. Published by Novello and Co Ltd.
$21.95 - See more - Buy online
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24 hours - In Stock
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Wolfgang Amadeus Mozart: Requiem
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Kunzelmann
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Franz Beyer. K. 626. ...
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Franz Beyer. K. 626. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext. With choral notation, piano reduction and introductory text. D Minor. Text language Latin. 83 pages. Published by Edition Kunzelmann.
$19.95 - See more - Buy online
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1 to 2 weeks
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Pastoral
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Novello & Co Ltd.
(Vocal Score). By Sir Arthur Drummond Bliss (1891-1975). For Mezzo-Soprano, SATB...
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(Vocal Score). By Sir Arthur Drummond Bliss (1891-1975). For Mezzo-Soprano, SATB Choir, Piano (SATB). Music Sales America. 20th Century, Choral. 64 pages. Novello and Co Ltd. #NOV070059. Published by Novello and Co Ltd.
$17.95 - See more - Buy online
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24 hours - In Stock
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Credo
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Octavo]
Carl Fischer
(from Missa brevis). By David Perry, Jean Perry. For SATB choir, SATB Solo Quart...
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(from Missa brevis). By David Perry, Jean Perry. For SATB choir, SATB Solo Quartet, Keyboard, Optional Strings and Harp. Octavo. 24 pages. Duration 5 minutes, 7 seconds. Published by Carl Fischer
$3.25 - See more - Buy online
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1 to 2 weeks
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Te Deum for the Victory at the Battle of Dettingen HWV 283
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Barenreiter
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...
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Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag
$26.95 - See more - Buy online
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24 hours - In Stock
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Johann Sebastian Bach: St. Matthew Passion
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Peters
(Matthaus-Passion) Composed by Johann Sebastian Bach (1685-1750), edited by Kurt...
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(Matthaus-Passion) Composed by Johann Sebastian Bach (1685-1750), edited by Kurt Soldan, Siegfried Ochs. BWV 244. For SATB solos, 2 SATB choirs and piano accompaniment. Urtext. Format: vocal score. With choral notation and piano reduction. Baroque. Text language German. 175 pages. 7.5x10.5 inches. Published by C.F. Peters.
$17.95 - See more - Buy online
Pre-shipment lead time:
1 to 2 weeks
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Stabat Mater, Op. 58 / B. 71
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Serenissima
By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay....
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By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Choral, Transcriptions, Original Works, Liturgical. Romantic Period; Sacred/Hymns, Czech. Vocal Score. 166 pages. Published by Serenissima
$11.95 - See more - Buy online
Pre-shipment lead time:
4 to 6 weeks
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My Song Shall Be Alway
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Novello & Co Ltd.
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Ch...
(+)
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 48 pages. Published by Novello and Co Ltd.
$15.95 - See more - Buy online
Pre-shipment lead time:
2 to 3 weeks
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Stabat Mater (Klopstock)
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Kalmus
SATB divisi with STB Soli (Orch.) (German, English Language Edition). Composed b...
(+)
SATB divisi with STB Soli (Orch.) (German, English Language Edition). Composed by Franz Schubert (1797-1828). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Classical; Masterwork; Romantic; Sacred. Book. 76 pages. Kalmus Classic Edition #00-K06424. Published by Kalmus Classic Edition
(2)
$10.99 - See more - Buy online
Pre-shipment lead time:
4 to 6 weeks
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Magnificat (Piano/vocal score)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Schirmer
By Giancarlo Aquilanti. For SATB soli, SATB choir, brass, timpani, percussion. A...
(+)
By Giancarlo Aquilanti. For SATB soli, SATB choir, brass, timpani, percussion. Accomplished church, college, community, professional choruses. Moderately difficult. Piano/Vocal Score. 77 pages. Duration c. 22:00. Published by E.C. Schirmer Publishing
$13.25 - See more - Buy online
Pre-shipment lead time:
1 to 2 weeks
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Jonah (Piano/Vocal Score)
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Ione Press
Composed by Marjorie Merryman. For TB vocal soli, SATB choir, orchestra. General...
(+)
Composed by Marjorie Merryman. For TB vocal soli, SATB choir, orchestra. General, Choral. Piano/vocal score. 56 pages. Published by Ione Press
$9.20 - See more - Buy online
Pre-shipment lead time:
1 to 2 weeks
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Stabat Mater (Srnka, Kachlik)
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Reduction]
Barenreiter
Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edite...
(+)
Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edited by Jan Kachlik / Miroslav Srnka. This edition: urtext edition. Paperback. Barenreiter Urtext. Version in 10 movements. Classical. Vocal score. With Language: Latin, Text Language: Czech/English/German. Opus 58. Duration 1 hour, 27 minutes. Editio Baerenreiter Praha #H07920. Published by Editio Baerenreiter Praha
$22.95 - See more - Buy online
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1 to 2 weeks
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Hallelujah, Mungu wa Israeli (Choral Score)
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
MorningStar Music Publishers
By Michael Burkhardt and Elaine Reitan. Arranged by Michael Burkhardt. For uniso...
(+)
By Michael Burkhardt and Elaine Reitan. Arranged by Michael Burkhardt. For unison treble voices, optional SATB choir, soloist, Caller, piano accompaniment, percussion. General. Moderately Easy. Published by MorningStar Music Publishers
$2.85 - See more - Buy online
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1 to 2 weeks
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Wenceslas
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Oxford University Press
Composed by Bob Chilcott. For mezzo-soprano voice solo, baritone voice solo, SAT...
(+)
Composed by Bob Chilcott. For mezzo-soprano voice solo, baritone voice solo, SATB choir and piano/orchestra (2 flutes, 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 percussion, harp and strings). This edition: paperback. Christmas. Level B-C (easy - moderately difficult). Vocal score. 60 pages. Duration 25 minutes. Published by Oxford University Press
$19.99 - See more - Buy online
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2 to 3 weeks
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Come thou of man the saviour
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Barenreiter
Cantata for the First Sunday of Advent. By Georg Philipp Telemann. Edited by Poe...
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Cantata for the First Sunday of Advent. By Georg Philipp Telemann. Edited by Poetzsch, Ute. Arranged by Kohs, Andreas. For Soprano solo, Alto solo, Bass solo, Mixed Choir-SATB, Piano. Piano Reduction/Vocal Score; Urtext Edition. TWV 1:1174. Published by Baerenreiter-Ausgaben (German import). (BA7677 90)
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Die Hirten bei der Krippe zu Bethlehem
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Barenreiter
Geistliche Kantate - Sacred Cantata. By Georg Philipp Telemann. Edited by Hobohm...
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Geistliche Kantate - Sacred Cantata. By Georg Philipp Telemann. Edited by Hobohm, Wolfgang. Arranged by Focke, Martin. For Soprano solo, Alto solo, Tenor solo, Bass solo (2), Mixed Choir-SATB, Piano. Piano Reduction/Vocal Score; Urtext Edition. TWV 1:797. Published by Baerenreiter-Ausgaben (German import). (BA5852 90)
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O sing unto the Lord a new song HWV 249a
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
By George Frideric Handel. Edited by Gerald Hendrie. Arranged by Kohs, Andreas. ...
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By George Frideric Handel. Edited by Gerald Hendrie. Arranged by Kohs, Andreas. For Alto solo, Bass solo, Mixed Choir (SATB), Piano. Piano Reduction/Vocal Score; Urtext Edition. HWV 249a. Published by Baerenreiter-Ausgaben (German import). (BA4263 90)
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Deidamia
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Barenreiter
Opera in tre atti. By Georg Friedrich Handel. Edited by Terence Best. Arranged b...
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Opera in tre atti. By Georg Friedrich Handel. Edited by Terence Best. Arranged by Pacholke, Michael. For Soprano solo (3), Mezzo-soprano solo, Bass solo (2), Mixed Choir-SATB, Piano. Piano Reduction/Vocal Score; Urtext Edition; Complete Edition (paperbound). HWV 42. Published by Baerenreiter-Ausgaben (German import). ISBN M006507436.
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Mass in E-Flat Major
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Alfred Publishing
By Franz Schubert. For Orch. (SATB divisi with SATB Soli). Choral Worship Canta...
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By Franz Schubert. For Orch. (SATB divisi with SATB Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 100 pages. Published by Alfred Publishing.
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Saul SATB And Orchestra
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Novello & Co Ltd.
cet oratorio pour SATB soli, choeur SATB et orchestre est l'un de la plus riche ...
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cet oratorio pour SATB soli, choeur SATB et orchestre est l'un de la plus riche et la plus complète des oeuvres de Haendel tous, bien que pas son plus célèbre. Cette partition vocale comprend un accompagnement au piano révisé de celle de la société allemande de Handel / Chant Et Piano / 160 pages / Partition
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Adams Stephen - The Holy City - Solo, Mixed Choir And Piano
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Boosey and Hawkes
Instrument : solo, mixed choir (SATB) and piano Type : choral score Nombre de Pa...
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Instrument : solo, mixed choir (SATB) and piano Type : choral score Nombre de Pages : 16
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John Frandsen Simon Grotrian: Requiem: SATB
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Wilhelm Hansen
Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloi...
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Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010). Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utøya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR The texts by Simon Grotrian are sung by a Rock Singer accompanied by Organ. Parts are available on hire: hire@ewh.dk Score: WH31253
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : SATB: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
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Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Mozart W.a. - Litaniae Lauretanae B.m.v. Kv 195 (186d) - Reduction Chant, Piano
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
BARENREITER
Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Federhofer, Hellm...
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Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Federhofer, Hellmut;Federhofer-Königs, Renate Binding : stapled Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Orchestra, Basso continuo Kyrie Sancta Maria Salus infirmorum Regina angelorum Agnus Dei
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Wolfgang Amadeus Mozart: Missa Brevis In D K.194: SATB: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Full score vocal score and performance material all available for sale (BA5342)...
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Full score vocal score and performance material all available for sale (BA5342)Composed in August 1774 the Missa Brevis K.194 is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Violone Bassoon) and Organ.The choral score contains the chorus parts only - it does not include the solo parts and does not contain a Piano reduction.
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Georg Philipp Telemann: Christus Der Ist Mein Leben: SATB: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Chorale Setting-First Urtext edition based on Georg Philipp Telemann Musical Wor...
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Chorale Setting-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann?s ?uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius? melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called ?Ausfüllungsbass? (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg?s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.
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Charles Gounod: Requiem in C: Piano: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Carus Verlag
Charles Gounod's Requiem Op. Posth in C for SATB and Piano.Charles Gounod compos...
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Charles Gounod's Requiem Op. Posth in C for SATB and Piano.Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson Maurice. According to information handed down while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil Henri Busser but the only complete version from the pen of Gounod is the version for large orchestra which is published here for the first time in a critical edition.Gounod?s Requiem unlike many contemporary settings of the Mass of the Dead is not characterized by darkness and terror. Rather with all of itstrepidation expressed through a marked chromaticism an atmosphere of hopeful expectation of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod?s death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.
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Charles Gounod: Les sept paroles du Christ sur la croix: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Carus Verlag
Die Sieben Worte-The edition is a photomechanical reprint of the first edition a...
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Die Sieben Worte-The edition is a photomechanical reprint of the first edition and it also contains a piano reduction which is only intended to facilitate the preparation of the work.
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Historia Di Jephte
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Moseler Verlag
/ Solistes (SATB), Choeur Mixte (SSSATB) Et Basse Continue
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
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Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Georg Friedrich Händel: I Will Magnify Thee: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Handel?s four anthems were all composed during his London period in the Chapel R...
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Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Robert Schumann: Das Paradies Und Die Peri Op. 50: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SAT...
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Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SATB and Piano accompaniment.
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Georg Friedrich Händel: Judas Maccabeus: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
George Frideric Handel's Judas Maccabeus composed for SATB choir and Piano acc...
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George Frideric Handel's Judas Maccabeus composed for SATB choir and Piano accompaniment.
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Missa In A-Dur
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Missa in A-Dur qui a été écrite pourSoli (SAB), Choeur Mixte (SATB), Orchestre Et Orgue. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5183 . / Soli (SAB), Choeur Mixte (SATB), Orchestre Et Orgue / Partition
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Georg Friedrich Händel: As Pants The Hart HWV 251e Chapel Royal Anthem: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Georg Friedrich Händel: O Sing Unto The Lord HWV 249a Chapel Royal Anthem: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written inMarch 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Antonín Dvo?ák: Requiem: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
For two years Dvorák focused on his Requiem before it was premiered in 1891 un...
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For two years Dvorák focused on his Requiem before it was premiered in 1891 under his own direction in Birmingham. This work reflects Dvorák's deeply religious attitude. Despite all the drama and orchestral abundance the characteristics of this work lies between the close relationship between text content and musical expression. Arranged for SATB and Piano accompaniment.
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Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
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Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
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Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
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Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
31.50 GBP - Sold by Musicroom UK
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