De toutes les chanteuses importantes de la fin du XXe siècle Nina Simone (1933-2003) est l?une des plus inclassables. Naviguant dans les eaux de la soul du jazz et de la pop elle se glisse aussi facilement dans le blues le gospel ou les musiques de Broadway. Son interprétation extraordinaire du titre Feeling Good co-signé par Anthony Newley et Leslie Bricusse a inspiré de nombreuses reprises dont celles du groupe Muse Michael Bublé et plus récemment George Michael.

It Had Better Be Tonight is from the film The Pink Panther and has also been more recently recorded by heart throb Michael Bublé.This exciting version of It Had better Be Tonight expertly arranged by Michael Brown has a fantastic driving Latin pulse powerful brass riffs and rhythmic energy throughout. A show stopper for any concert band.

for Brass Ensemble and Percussion. Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Ensemble de Cuivres

One of the most familiar Latin standards is given a complete facelift by Michael Mossman in this creative and impressive sounding arrangement. You'll find harmonic wrinkles and rhythmic twists and turns amidst some really hot ensemble writing. A variety of solo opportunities are also provided.

Recorded by the Mel Lewis Jazz Orchestra (“Soft Lights And Hot Music”) Michael Abene's outstanding chart casts this Irving Berlin standard in a totally new light. (You will find the melody in the bass line of the 2ndphrase). Featuring a blazing tempo with furious lines and screaming ensemble passages this is an exciting piece for mature bands! (Woodwind doubles optional)

Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Ensemble de Cuivres

Recorded by Michael Jackson on Thriller this distinctive laid-back hit has been recorded by artists ranging from Boyz II Men to David Benoit to Miles Davis. Mike Tomaro's stylized version combines a smooth rock feel withtenor and trombone featured on the melody and for solos. The ensemble counterlines and background figures are beautifully constructed. More than just a “pop” tune this chart will command attention on any program.

Michael has skillfully converted this pop tune from the 50's into a driving swing chart that's fun to play. Combining a stop-time feel on the melody with swingin' ensemble figures and an alto sax solo this is a guaranteed winner.

Discovery Jazz – Grade 1.5Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. Atrumpet/alto duet starts things out then the full ensemble gets into the act. No solos are required however a stop-time section features written or ad lib. drum fills.

Grade 1.5 What better way to introduce the music of Duke Ellington to your young jazzers than with this wonderfully scored arrangement by Michael Sweeney? Even at this easy level this chart really swings and will sound great with limited rehearsaltime. Your pianist gets a rare chance to shine as he or she is featured on the melody while the ensemble answers. Later every section gets to play the melody and there is a solo section for any sax. The final section starts softly with saxes alone then builds as various layers are added. A great-sounding chart for beginning bands. Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes 2 trumpets 1 trombone piano and drums.

One of the all-time great tunes by jazz legend Thelonious Monk. This arrangement by Michael Sweeney is an authentic adaptation using the original key (Bb) and preserving Monk's unique rhythmic phrases. The chart opens with atrumpet/tenor duet however there is plenty of tutti ensemble playing and flexible solo sections over blues changes. This one is a must.

Written by Stevie Wonder and recorded by Michael Jackson on his 1979 album Off the Wall this familiar hit is treated here in a creative version for jazz ensemble. Incorporating the jazz-influenced harmonies of the originalalong with a lightsamba groove this is sure to become a favorite with your players and audience alike.

Featured in the hit movie Space Jam (starring Michael Jordan and Bugs Bunny) this hit by R. Kelly has become an enduring pop ballad. Including solos for piano and alto sax this is a great choice for change of pace programming for jazz ensemble.

Using a relaxed ?bolero? style Michael Mossmans inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. Youll find cascading ensemble figures interweaving sax fills and solos for alto andtrumpet in this skillfully written arrangement.