Transcribed by popular brass arranger Robert King this edition of Giovanni Gabrieli's Canzon Duodecimi Toni provides an exciting performance piece for a large Brass Ensemble with Organ. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era it is no secret that the composer leant himself primarily to vocal and sacred works. However his Canzon Duodecimi as part of the composer's Sacred Symphony represents an important turn not only in the composer's career but in musical history. Composed in 1597 this piece paved the way towhat would soon become the new Baroque concerto style which remains popular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles and Organ.

Preparez-vous a vous regaler en jouant le tube d?Encanto « We don?t talk about Bruno » (« Ne parlons pas de Bruno » en français) sur le mysterieux oncle de la famille Madrigal, parfaitement arrangee par Seb Skelly pour quintette de cuivres, et a ne pas manquer lors de votre prochain concert ! / Partitions variété - pop - rock / Musique films - comédies musicales / / FENTONE MUSIC

Arrangeur: Stephen Roberts. Par PACHELBEL JOHANN. Pachelbel Canon/ Répertoire / Brass Quintette

Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) Trombone and Tuba (bass clef) Horn in F Flute Clarinet and Bassoon. While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan

Eleven famous tunes arranged for trombone (or tuba) and piano. The accompanying CD can take the place of a pianist and contains backing tracks for each tune with and without the solo line and also includes two tuning notes at the outset.Grade: 4 - 6