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Elsa's Procession to the Cathedral: Harp
Elsa's Procession to the Cathedral: Harp
$3.00
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Concert band
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Richard Wagner
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Lucien Cailliet
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Alfred Music - Digital Sheet Music
Nearer, My God, to Thee for Concert Band
Nearer, My God, to Thee for Concert Band
$19.95
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Concert band
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Sarah F
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Robert E
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Key is F major. 
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R. E. Proctor
Spring March: HARP PART
Spring March: HARP PART
$5.00
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Mary Rounsavall
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Mary Rounsavall
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Flûte Et Harpe (2)
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VLN/VLC/HARP::Violin, Cello, Harp (2)
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2 Voix et Piano ou Harpe (2)
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29 Instruments A Cordes Et 2 Harpes (2)
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ensemble de 11 musiciens (flûte,… (1)
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pour guitare et clavecin (1)
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3 Flûtes A Bec Soprano (1)
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10 Flûtes, Basson, 2 Percussions, … (1)
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Johnnie Vinson: Variants on a Shaped Note Tune: Concert Band: Score Parts &
Concert band
Hal Leonard
Variants on a Shaped Note Tune was commissioned by the Homewood Middle School Ba...
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Variants on a Shaped Note Tune was commissioned by the Homewood Middle School Band (Homewood AL) and was premiered at the Alabama Music Educators Association Conference in January 2006. The title refers to a traditionalearly American singing style based on reading a system of shapes rather than musical notes. Based on the Scottish tune “Pisgah” from the shape note songbook The Sacred Harp the Variants begin simply with astatement by unison clarinets. From there begins a series of distinctive variations featuring an ingenious mix of styles tempos and instrumentation. Destined to become a staple on required contest lists for years to come thiswork provides an exceptional complement for any program or festival. Dur: 5:00 (Includes Full Performance CD)
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Nigel Hess: The Winds of Power: Concert Band
Concert band
Faber Music Limited
Unlike Nigel Hess's other works for wind band The Winds of Power is not a progr...
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Unlike Nigel Hess's other works for wind band The Winds of Power is not a programmatic work. After a dark and menacing opening a solo trumpet introduces a theme which will eventually become the centre of a piece and is soon heard tutti in a lyrical form. This is interrupted by a return to the opening mood with only a brief respite in the form of a chorale for clarinet choir and harp. The theme tries to return once more in a rousing somewhat cinematic version but again the sense of foreboding overtakes it. An unsettling march-like section follows before the theme returns in its most lyrical and gentle guise introduced by solos in the woodwind section. Eventually a maestosostatement which erupts into a presto coda ends the journey in a triumphant more optimistic blaze of sound.
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Robert Buckley: Cathedral Grove: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
“Cathedral Grove” is a magnificent park on Vancouver Island in Briti...
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“Cathedral Grove” is a magnificent park on Vancouver Island in British Columbia Canada containing some of the oldest and largest trees in the world. It is the towering majestic pillars of these ancient giants andthe quiet serenity of this place that inspired this music. Evocative and impressionistic in nature Robert Buckley's writing depicts the richness of the colors and textures and the diffused light shining through the canopy ofleaves above. At times hauntingly lyrical and other times prayer-like and reverent but always filled with awe and beauty. (Includes optional part for acoustic guitar or harp). Dur: 3:05Recorded by the Troy UniversitySymphony Band - Mark Walker conductor
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Timothy Broege: Pilgrim Traveler: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
Skillfully combining four distinctive melodies from the early-American ?shape-no...
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Skillfully combining four distinctive melodies from the early-American ?shape-note? hymnal The Sacred Harp Timothy Broege has created a wonderful single-movement setting for band that includes many moods andstyles. ?Pilgrim? and ?Traveler? form the principal themes of the piece and undergo a series of variations. ?Aylesbury? and ?Jefferson? are used as transitional melodies and arecombined with the other two as the music becomes increasingly complex and contrapuntal. From tender and serene to bold and stark this inventive work makes an impressive statement. Dur: 5:45 (Includes Full Performance CD)
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Philip Sparke: Mexican Holiday: Concert Band: Score
Concert band
Anglo Music
Whilst making no claims to be stylistically authentic this little piece aims to...
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Whilst making no claims to be stylistically authentic this little piece aims to capture the infectious spirit of mariachi a word whose origins are lost in the mists of time but which describes not only the performers (on guitars vihuelas violins trumpets and harp) but also the music itself. Their music speaks of love passion politics life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts.
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Philip Sparke: Mexican Holiday: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
Whilst making no claims to be stylistically authentic this little piece aims to...
(+)
Whilst making no claims to be stylistically authentic this little piece aims to capture the infectious spirit of mariachi a word whose origins are lost in the mists of time but which describes not only the performers (on guitars vihuelas violins trumpets and harp) but also the music itself. Their music speaks of love passion politics life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts.
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Jan Bosveld: Odyssee: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
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The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
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Johnnie Vinson: Overture on a Hymn Tune: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
Overture on a Hymn Tune is based on “The Old Ship Of Zion” which is ...
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Overture on a Hymn Tune is based on “The Old Ship Of Zion” which is found in the Early American Sacred Harp songbook. Johnnie Vinson uses a fast-slow-fast overture format to give this wonderful melody anappealing setting with plenty of variety and musicality. The slow middle section is a rhapsodic treatment of the main melody while the two fast segments offer appealing and upbeat settings sure to be enjoyed by all. Skillfullyscored to sound full with inexperienced players. Dur: 3:30
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Steven Bryant: Alchemy in Silent Spaces: Concert Band: Score
Concert band
Hal Leonard
This large-scale three-movement work commissioned by Ray Cramer and the Indiana...
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This large-scale three-movement work commissioned by Ray Cramer and the Indiana University Wind Ensemble embodies the transformation of silence into sound. The opening movement is sparse utilizing mallet percussion harp andpiano to create a floating sense of timelessness. Featuring extensive solo flute this floating texture gradually builds over several minutes ultimately launching itself into a grandiose warm harmonically consonant blanket ofsound. The second movement continues the focus on solo flute and again opens slowly gradually gaining momentum but at a faster pace than in the first movement. The music spirals upward and outward but instead of reaching aplateau winds itself out and comes to a grinding halt in the upper range of the ensemble. Five brief solemn chords conclude the movement which immediately erupts into Movement III music of unceasing unsettling motion propelled by a driving ostinato which is repeatedly interrupted by bittersweet moments of lyricism all the while pushing toward an unforgiving climax. The movements may also be performed separately. There is no explicit narrativeto the piece though many particular elements do have personal quasi-biographical significance. Ultimately this is music of both personal and musical transformation.NOTE: This work is available as a rental item directlyfrom the composer. For details e-mail rental@stevenbryant.com. The score is also available separately for purchase from Hal Leonard.
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Maxime Aulio: Marsyas: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmoni...
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Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmonie-Si les récits de métamorphoses furent très populaires dans l?Antiquité gréco-romaine le recueil du poète latin Ovide [43 av. J.-C./17 apr. J.-C.] est de loin le plus célèbre. Les quinze livres des Métamorphoses racontent la formation du monde et les transformations légendaires des dieux et des hommes en animaux en plantes ou en objets. Parmi les nombreuses histoires de métamorphoses relatées par Ovide on trouve celle de Marsyas un satyre originaire de Célènes en Phrygie. Fils d?Hyagnis considéré comme l?inventeur de l?harmonie phrygienne Marsyas excellait dans la musique. Un jour Athéna fit une flûte double et en joua à un banquet des dieux. Tournée en dérisionpar Héra et Aphrodite et ayant constaté elle-même en voyant le reflet de son visage dans l?eau que l?instrument quand elle en jouait lui déformait les traits elle jeta la flûte en maudissant quiconque la ramasserait. Cette malédiction frappa le satyre Marsyas qui la trouva et en joua magnifiquement au grand plaisir des paysans des contrées phrygiennes qui l?écoutaient et qui prétendirent que le dieu Apollon en personne n?aurait pu mieux faire avec sa lyre. Apollon entra dans une colère formidable et proposa à l?insolent satyre un concours musical dont le vainqueur pourrait faire subir au vaincu le châtiment de son choix. Les Muses et le roi Midas choisis comme juges ne réussirent pas à départager les concurrents. Alors Apollon joua de la lyre à l?envers et demanda à Marsyas d?en faire autant avec son instrument. Cela était impossible. Marsyas n?y parvint pas et Apollon fut déclaré vainqueur. Il se vengea du satyre de la plus cruelle façon : il l?attacha à un pin et l?écorcha vif.Certains racontent qu?Apollon se repentant de sa vengeance métamorphosa en fleuve le corps de Marsyas. D?autres prétendent que le sang de Marsyas ou les larmes versées par les nymphes et les satyres privés des enchantements de sa flûte formèrent le fleuve de Phrygie qui porte son nom. / Marsyas fut créé le 22 juillet 2005 à Bordes sur Arize en Ariège par le
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Jan Bosveld: Odyssee: Concert Band: Score
Concert band
Gobelin Music Publications
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago t...
(+)
The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!
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Maxime Aulio: Marsyas: Concert Band: Score
Concert band
De Haske Publications
Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmoni...
(+)
Suite concertante pour flûte/piccolo solo harp obligée et Orchestre d'Harmonie-Si les récits de métamorphoses furent très populaires dans l?Antiquité gréco-romaine le recueil du poète latin Ovide [43 av. J.-C./17 apr. J.-C.] est de loin le plus célèbre. Les quinze livres des Métamorphoses racontent la formation du monde et les transformations légendaires des dieux et des hommes en animaux en plantes ou en objets. Parmi les nombreuses histoires de métamorphoses relatées par Ovide on trouve celle de Marsyas un satyre originaire de Célènes en Phrygie. Fils d?Hyagnis considéré comme l?inventeur de l?harmonie phrygienne Marsyas excellait dans la musique. Un jour Athéna fit une flûte double et en joua à un banquet des dieux. Tournée en dérisionpar Héra et Aphrodite et ayant constaté elle-même en voyant le reflet de son visage dans l?eau que l?instrument quand elle en jouait lui déformait les traits elle jeta la flûte en maudissant quiconque la ramasserait. Cette malédiction frappa le satyre Marsyas qui la trouva et en joua magnifiquement au grand plaisir des paysans des contrées phrygiennes qui l?écoutaient et qui prétendirent que le dieu Apollon en personne n?aurait pu mieux faire avec sa lyre. Apollon entra dans une colère formidable et proposa à l?insolent satyre un concours musical dont le vainqueur pourrait faire subir au vaincu le châtiment de son choix. Les Muses et le roi Midas choisis comme juges ne réussirent pas à départager les concurrents. Alors Apollon joua de la lyre à l?envers et demanda à Marsyas d?en faire autant avec son instrument. Cela était impossible. Marsyas n?y parvint pas et Apollon fut déclaré vainqueur. Il se vengea du satyre de la plus cruelle façon : il l?attacha à un pin et l?écorcha vif.Certains racontent qu?Apollon se repentant de sa vengeance métamorphosa en fleuve le corps de Marsyas. D?autres prétendent que le sang de Marsyas ou les larmes versées par les nymphes et les satyres privés des enchantements de sa flûte formèrent le fleuve de Phrygie qui porte son nom. / Marsyas fut créé le 22 juillet 2005 à Bordes sur Arize en Ariège par le
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Seaside Calypso (COURT DOUGLAS)
Concert band
[Score and Parts]
-
Beginner
Curnow Music
Par COURT DOUGLAS. Conductors of beginning bands are always looking for fresh ma...
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Par COURT DOUGLAS. Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed “island” style, it’s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert. Easy-goin’! / Niveau : 1 / Musique légère originale / Répertoire / Concert Band
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Satoshi Yagisawa: A Golden Jubilation: Concert Band: Score
Concert band
De Haske Publications
Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Sympho...
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Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Symphonic Band à l?occasion de son 50e concert annuel ce qui a inspiré le titre. L?amitié profonde entre Hiroki Ito ? le chef d?orchestre ? et Satoshi Yagisawa est à l?origine decette fanfare jubilatoire d?une durée approximative de deux minutes pièce d?ouverture idéale pour votre concert. La composition originale était pour un orchestre extrêmement grand de 200 musiciens comprenant aussi une banda séparée uneharpe et d?autres instruments spéciaux. Cette nouvelle version a été réarrangée pour formation standard par le compositeur lui-même.
12.99 GBP - Sold by Musicroom UK
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Satoshi Yagisawa: A Golden Jubilation: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Sympho...
(+)
Cette ?uvre a été composée en commande de l?Aikodai Meiden High School Symphonic Band à l?occasion de son 50e concert annuel ce qui a inspiré le titre. L?amitié profonde entre Hiroki Ito ? le chef d?orchestre ? et Satoshi Yagisawa est à l?origine decette fanfare jubilatoire d?une durée approximative de deux minutes pièce d?ouverture idéale pour votre concert. La composition originale était pour un orchestre extrêmement grand de 200 musiciens comprenant aussi une banda séparée uneharpe et d?autres instruments spéciaux. Cette nouvelle version a été réarrangée pour formation standard par le compositeur lui-même.
73.99 GBP - Sold by Musicroom UK
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Douglas Court: Seaside Calypso: Concert Band: Score & Parts
Concert band
Curnow Music
Conductors of beginning bands are always looking for fresh material that will be...
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Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed ?island? style it?s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert.Easy-goin?!
49.99 GBP - Sold by Musicroom UK
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Douglas Court: Seaside Calypso: Concert Band: Score
Concert band
Curnow Music
Conductors of beginning bands are always looking for fresh material that will be...
(+)
Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed ?island? style it?s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert.Easy-goin?!
9.99 GBP - Sold by Musicroom UK
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Douglas Court: Seaside Calypso: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
Conductors of beginning bands are always looking for fresh material that will be...
(+)
Conductors of beginning bands are always looking for fresh material that will be fun for the band while the students continue sharpening their playing skills. You and your students will certainly have a great time with this new Grade 1 piece by Douglas Court. Cast in a relaxed ?island? style it?s a great way to help young musicians understand the need for smooth tonguing and playing phrases that connect numerous notes with a continuous air stream. With Seaside Calypso in the folders you can continue teaching while you prepare for the concert.Easy-goin?!
49.99 GBP - Sold by Musicroom UK
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3 Onegin Dances (TCHAIKOVSKI PIOTR ILITCH)
Concert band
[Score and Parts]
-
Intermediate
De Haske Publications
Arr. Wil Van Der Beek. Par TCHAIKOVSKI PIOTR ILITCH. Tchaikovsky is best known f...
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Arr. Wil Van Der Beek. Par TCHAIKOVSKI PIOTR ILITCH. Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but “lyric scenes”. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise. After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg. / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Philip Harper: Olympus: Concert Band: Score and Parts
Concert band
[Score and Parts]
Harper Music Publications
Olympus
130.00 GBP - Sold by Musicroom UK
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Philip Harper: Olympus: Concert Band: Score
Concert band
Harper Music Publications
Olympus
30.00 GBP - Sold by Musicroom UK
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Highlights from High School Musical: Concert Band: Score & Parts
Concert band
[Score and Parts]
Hal Leonard
Breaking free = F major (1 flat)Start of something new = Eb major (3 flats)Weâ...
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Breaking free = F major (1 flat)Start of something new = Eb major (3 flats)We’re all in this together = C major (no sharps or flats)
56.99 GBP - Sold by Musicroom UK
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Eduard Strauss: Bahn frei: Concert Band: Score & Parts
Concert band
De Haske Publications
Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss t...
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Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss the Elder was born on March 15 1835 in Vienna. Originally Eduard looked for employment in the diplomatic service but he also studied music theory. He became a harpist in the Strauss orchestra in 1855. In 1862 he joined his two famous brothers Johann Jr. and Josef as a conductor of the family orchestra. Like that of his two brothers his musical output was prolific: he wrote over 320 separate dances and marches. Apart from the exuberant Bahn Frei (Track Clear) which he wrote in 1869 and a handful of other fast polkas (he excelled in this particular dance form) his music is not as well known as that of his brothers.
73.99 GBP - Sold by Musicroom UK
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Eduard Strauss: Bahn frei: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss t...
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Track Clear ~ Laisser passez !-Eduard Strauss the third son of Johann Strauss the Elder was born on March 15 1835 in Vienna. Originally Eduard looked for employment in the diplomatic service but he also studied music theory. He became a harpist in the Strauss orchestra in 1855. In 1862 he joined his two famous brothers Johann Jr. and Josef as a conductor of the family orchestra. Like that of his two brothers his musical output was prolific: he wrote over 320 separate dances and marches. Apart from the exuberant Bahn Frei (Track Clear) which he wrote in 1869 and a handful of other fast polkas (he excelled in this particular dance form) his music is not as well known as that of his brothers.
73.99 GBP - Sold by Musicroom UK
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Pyotr Ilyich Tchaikovsky: Three Onegin Dances: Concert Band: Score & Parts
Concert band
De Haske Publications
Tchaikovsky is best known for his purely instrumental compositions. However we ...
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Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but ?lyric scenes?. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
124.99 GBP - Sold by Musicroom UK
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Rocky Point Holiday: Concert Band: Score and Parts
Concert band
[Score and Parts]
Boosey and Hawkes
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 ...
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Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta
107.50 GBP - Sold by Musicroom UK
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Pyotr Ilyich Tchaikovsky: Nocturne: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Tchaikovsky is best known for his purely instrumental compositions. However we ...
(+)
Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but ?lyric scenes?. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
96.99 GBP - Sold by Musicroom UK
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In The Pirate's Wake
Concert band
Alfred Publishing
Hissez le drapeau noir et sortir les coutelas! Avec la percussion ajoutée, cett...
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Hissez le drapeau noir et sortir les coutelas! Avec la percussion ajoutée, cette pièce est une introduction amusante et excitante à la tonalité de ré mineur, qui rappelle les jours de gloire de la piraterie, certain d'entendre tous les membres de votre auditoire. Les élèves utiliseront une variété de techniques de droite, y compris Double Up-arcs, arc ascenseurs et pizzicato. Ils élargiront leurs connaissances rythmiques en utilisant une croche / XVIe combinaison pointée. Technique de gauche est contestée par tiers travaux de position straight-forward pour les premiers violons et alternant entre C-naturel et C-sharp dans la plupart des régions. Les étudiants seront également développer de bonnes compétences oreille-formation dans les passages parallèles qui utilisent tiers. / Concert Band
62.16 EUR - Sold by LMI-partitions
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