for Piano-Early evidence of Schubert’s interest in music of the past can be found in his Fantasy in C minor of 1811 (D 2 E) with its echoes of Mozart’s fantasy in the same key. A recurring motivic snippet in the virtuosic Graz Fantasy in C major (D 605 A) probably composed between 1818 and 1821 already foreshadows the monumental Wanderer Fantasy of 1822 (op. 15 - D 760).Printed with spacious new engraving Franz Schubert's Fantasies For Piano unites the composer's great fantasies for solo Piano in a single volume and presents the early work Fantasy in C minor for the first time in ascholarly-critical Urtext edition.It offers advanced pupils students and professional pianists a richly varied musically and technically thrilling addition to their repertoire. The edition features notes on performance practice an informative preface practical page turns and an elegant engraving.The most famous of the fantasies the Wanderer Fantasy now appears in a separate edition (BA 10870).Based on the Urtext of the New Schubert Edition.First scholarly-critical performing edition of the Fantasy in C minor (D 2 E).Notes on performance practice (Ger/Eng).Includes an informative foreword (Ger/Eng) and a Critical Commentary (Eng).

In this easy to intermediate arrangement a student pianist will become familiar with Schubert’s themes and changing tonalities to a certain extent and begin to open a window onto this delightful work.Schubert’s Piano Quintet inA Major written in 1819 and published after his death has unique sonorities due to its instrumentation: Piano Violin Viola Cello and Double Bass rather than the usual String quartet with Piano. It received its nickname fromits theme borrowed from a song that Schubert had written entitled The Trout.

The Complete Schwanengesang-The foremost pianist-composer of his day Franz Liszt unselfishly promoted the works of his fellow composers through his brilliant piano transcriptions of their music. Among his most inspired contributions to the literature were his legendary transcriptions of Franz Schubert's songs. This volume the third in the series contains Schubert's complete Schwanengesang and nine other great lieder. Reproduced from extremely rare early editions edited by Liszt himself they retain all the lyric beauty and emotional depth of Schubert's original music yet reflect Liszt's incomparable mastery of the difficult art of transcription from the original medium of voice and pianoto that of solo piano.

for Violin and Piano-F. Schubert: Rondo For Violin And Piano B Minor Op. 70 D 895.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.

for Violin and Piano-F. Schubert's Three Sonatas 'Sonatinas' For Violin And Piano Op. 137.Sonata in D major Op.post. 137 1: D 384.Sonata in A minor Op.post. 137 2: D 385.Sonata in G minor Op.post. 137 3: D 408.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.

For Medium Voice-Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. ?A Taste of Schubert? presents one to three pieces from each volume to create a cross-section of Schubert?s complete lieder ?uvre. Lieder from his famous cycles are included as well as ?Sehnsucht? of which he wrote several settings.

Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres. Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Franz Schubert compose « l'Ave Maria » pour voix et piano en 1825. Celui-ci est publié en 1826 sous l'opus 52 n°6, en Sib Majeur. A cette époque, il voue une grande admiration à la Sainte Marie, la mère de Jésus. Il met en musique un extrait de la poésie de « Madame du lac » écrit par l'écrivain anglais Walter Scott qui a été traduit en Allemand par Adam Storck. « L'ave Maria » est appelé par Schubert son dritter Gesang « la troisième chanson d'Ellen ». L'héroïne de la poésie, Ellen Douglas, prie la vierge en se cachant. Dans une de ses correspondances avec ses parents, il avoue exprimer dans cette chanson un hymne à la Sainte Marie. Les mots d'origines de Walter Scott incluent beaucoup de référence à la prière latine de « l'Ave Maria ». Finalement, les mots latins adaptés de la prière est maintenant la version la plus généralement exécutée. L'ave Maria s'inscrit dans le répertoire marial du 19ème siècle. Encore aujourd'hui, cette pièce musicale reste une des oeuvres les plus prisées des amoureux pour l'accompagnement de la cérémonie du mariage. / Date parution : 2023-03-21/ Répertoire / Chant et Piano

Mittlere Stimme / Medium Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this periodan assistant teacher at his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:High Voice & Piano BA 9106Low Voice & Piano BA 9146

All 15 Sonatas including the celebrated 'C Minor' 'A Major' and 'B Flat Major' Sonatas. Breitkopf

14 famous classical pieces, original version + jazzy arrangement Instrument : piano Type : edition with CD Nombre de Pages : 80 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side. The accompanying CD provides examples and suggestions as to how all of these pieces can be interpreted. Content : Schubert, The Trout - Korn, Fish Rag - Grieg, Kobold - Korn, Coolbold - Grieg, Piano Concerto a Minor (Beginning of 1st Movement) - Korn, Tango Concertante - Brahms, Hungarian Dance No. 1, Korn, Hungarian Salsa No. 1 - Schubert, Symphony in B Minor Unfinished (Beginning of 1st Movement) - Korn, Endless - Händel, Halleluja (from Messiah) - Korn, Halleluja Rock - Paganini, La Campanella (Rondo-Thema from 2nd Violin Concerto) - Korn, Campanella Swing - R. Schumann, Knecht Ruprecht - Korn, Santa Claus in Bobby's House - J. S. Bach, Air (from Orchestral Suite No. 3) - Korn, Air in Blue - Mozart, A little Night Music (Excerpt from 4th Movement) - Korn, A Clack Night Music - Offenbach, Cancan - Korn, Nacnac - J. Strauss jr., The Blue Danube - Korn, On the Beautiful Blue Mississippi - Beethoven, Grande Sonate Pathétique (Introction to the 1st movement) - Korn, Echoes of the Pathétique - Chopin, Valse op. 69 Nr. 2 - Korn, Senor Siminor

Interpretations of Schubert. Par SCHUBERT FRANZ / CHING MICHAEL (Arr.). Commissioned by the ARK Trio, these settings interact with famous Schubert songs in respectful or mischievous ways. / Date parution : 2023-06-01/ Répertoire / Soprano, Violoncelle et Piano

Schubert's Lieder provide a wealth of German songs which are regularly performed by many vocalists across the world. Volume one of Schubert's Lieder contains Die Schone Mullerin D.795 Die Winterreise D.911 and Schwanengesang D.957.This highly authoritative Urtext edition of Schubert's Lieder has been edited by Dietrich Fischer-Dieskau and revised by Elmar Budde. For High Voice with Piano accompaniment.

Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104