Otis Redding's classic ballad was a huge hit in 1968 and still remains popular to this day. A soulful and lazy song that manages to be both uplifting and moving and exemplifies Redding's prestigious talent.This wonderful arrangement by Mac Huff is for an unaccompanied SSAA upper voice choir. A pleasing and effective setting faithful to the original with easy-going vocal harmonies.

Complementary vocal and piano writing combines in this distinctive treatment for treble choirs. Artistic and impressive, well-suited for concert or contest/festival use. / Choeur SSAA

Rollo Dilworth Choral Series-Kevin A. Memley's The Time Of Roses for SSAA choir a cappella. This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light andarticulate singing. There is wonderful contrast between the lively passages and lyrical legato sections.

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our new composer Pascal Martiné - personally recommended by the editors of your choral department! / Choeur SSAA A Cappella

Tipitin. Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.

Uses: Memorial PatrioticThis inscription found on the Statue of Liberty and set to glorious song has been standard repertoire for patriotic gatherings for decades. This classic arrangement will be a wonderfuleducational piece and a heartfelt moment of unity and national pride for your patriotic commemorations. The vintage harmonic vocabulary of this classic choral will make your choir sound rich and powerful.

Here is a touching standard from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. Available for SATB and SSAA a cappella. Performance Time: Approx. 2:25.

This thrilling work for women's chorus from Michael Engelhardt will offer something totally unique for your program. A mix of sustained vocal lines and articulated passages along with both counterpuntal and homophonic writing make this a truly remarkable composition. This will be a favorite of your singers. Recording Choir: Pacific Lutheran University Singers; Brian Galante conductor

Cristian Grases launches his new Latin American and Caribbean Choral Series with this enchanting song of musical mischief that describes a scene in the life of Tottoyo a boy that likes playing outside until the late hours. Energetic entertaining and playful the piece is voiced for treble voices and works for both young and mature choirs. Simple gestures assigned in the music add marvelously to the presentation.

For Children's and Female Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.

Newly arranged for SSAA choirs! Using jazz articulation in an exuberant spiritual style this original provides an exciting dimension to choral programming! Performance Time: Approx. 2:30.

This great song is on just about everyone's top ten list of all-time classic ballads! Lush harmonies varied textures and a timeless melody and lyric...this is it! Available: SSAA a cappella. Performance Time: Approx. 2:35.

Hamba Lulu is a fantastic addition to the choral repertoire in the Choral Programme series. It is a breath of fresh air in the classroom and for any choir wanting a new challenge. These stirring songs are additive so you can tailor performances to local resources increasing technical demand according to the experience of the choir. Easy to learn and sure to make an instant impact on audiences the songs tap into the rich seam of African culture and rhythmn. Set for SSAA upper voices with the option of adding percussion depending on your resources.

Exquisite lyrics and flowing vocal lines combine in this Stephen Schwartz ballad taken from one of his most performed musicals Children of Eden. “There are times I've been afraid ... Then I feel your hand in mine Andthere's courage in my heart.”Available separately: SATB SSAA TTBB and ShowTrax CD. Performance Time: Approx. 3:15.

A silent winter landscape is portrayed in sound in this evocative setting for women's voices. Snowflakes gently fall covering the ground clothing field and meadow with a blanket of down. A marvelous choice for winter festival orcontest programming! Duration: ca. 3:50.