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| Romance (2003) Violin and Piano Chester
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Composed by Helen Grime. Music Sales America. Classical. Softcover. Composed 2011. 12 pages. Chester Music #CH79508. Published by Chester Music (HL.14041762). 9.0x12.0x0.071 inches. 'Romance for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.' - Helen Grime
Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pax Vobis 2 Violin and Piano Musikk-Husets Forlag A/S
By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag...(+)
By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag
$29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Amazing Grace Violin and Piano - Intermediate MorningStar Music Publishers
By Duane Funderburk. Arranged by Duane Funderburk. For violin, piano, optional o...(+)
By Duane Funderburk. Arranged by Duane Funderburk. For violin, piano, optional oboe and strings quintet. Organ with Instruments. General. Moderately Difficult. Score and solo part. 8 pages. Published by MorningStar Music Publishers
$12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Amazing Grace Violin and Piano [Set of Parts] MorningStar Music Publishers
By Duane Funderburk. Arranged by Duane Funderburk. For solo violin and piano wit...(+)
By Duane Funderburk. Arranged by Duane Funderburk. For solo violin and piano with optional oboe and string quintet. Organ with Instruments. Oboe and string accompaniment parts. Published by MorningStar Music Publishers
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Helen Grime: Romance for
Violin and Piano: Violin:
Instrumental Work Violin and Piano [Sheet music] Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...(+)
'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
10.99 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin and Piano Barenreiter
for Violin Viola and Orchestra-There is no reference to the origin occasion or...(+)
for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
12.50 GBP - Sold by Musicroom UK | |
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