21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.

7 Songs-Oh Fair To See is one of several volumes of songs by Gerald Finzi. This edition is for High Voice and Piano and includes settings of poems by Thomas Hardy Christina Rossetti Edward Shanks Ivor Gurney Edmunds Blunden and Robert Bridges.

Seven Songs-A suite of seven beautiful songs for High Voice with Piano accompaniment by Gerald Finzi. He has set words by Thomas Hardy again demonstrating his subtle and sensitive setting of poetry. Together Finzi and Hardy formulate evocative pastoral imagery and nostalgia.

The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano

My Beloved is Mine-This canticle was written for te Dick Sheppard Memorial Concert at Central Hall Westminster on 1st November 1947 when it was performed by Peter Pears and the composer. For High Voice with Piano and based on a text by Francis Quarles.

Instrumentation : high voice and piano Number of Pages : 32 Language : German - English Contenu - A Welcome Vision, op. 48/1 - Bad Weather, op. 69/5 - A Winter Dedication, op. 48/4 - Alone in the Forest, op. 49/1 The Poet's Eventide Walk, op.47/2 - A Farewell, op.48/2

Moore's Irish Melodies-A wonderful collection of Moore's Irish melodies for High Voice and Piano Accompaniment.

Three songs by Roger Quilter setting texts of William Shakespeare for High Voice and Piano. Includes: Come Away Death; O Mistress Mine; Blow Blow Thou Winter Wind

A third collection of beautiful and vivid folk songs for High Voice and Piano Accompaniment arranged by Benjamin Britten. This volume contains the best of British pastoral and rustic folk songs and features a wide variety of moods and styles reflecting the varied cultures and diversity of the United Kingdom.

12 of Britten's distinctive folksong arrangements chosen specifically for student singers. Includes The Ash Grove; Early One Morning; Greensleeves; O Waly Waly; Sail on sail on; The Salley Gardens; Sweet Polly Oliver and There's none to soothe.Includes historical notes and CD with performances and Piano accompaniments for all the pieces.

A set of Britten's celebrated folksong arrangements selected for High Voice with Piano accompaniments.