Par VERET / BOULANGER / SABLIER. Le Petit Clarinettorama est un répertoire de morceaux pour clarinettistes débutants, permettant de jouer aussi bien du classique que des musiques de films ou de la variété et du traditionnel. Chaque morceau est le fruit d'un travail d'arrangement, précis, adapté à l'instrument et au niveau de l'élève. Ce volume, progressif, présente un niveau de difficulté très faible et aisément accessible pour l'élève. La mise en page, en couleur et très aérée, assure une grande lisibilité. Le CD accompagnant l'ouvrage, de qualité supérieure, a été enregistré par Emilien Véret et Adrien Boulanger, clarinettistes de talent. Cet enregistrement donnera un exemple et un plaisir musical de choix à tous les apprentis clarinettistes, ainsi qu'à tous les mélomanes. 96 pages, illustrations couleur, papier sans reflet, relié spirale. Avec CD, et parties piano sur cahier séparé (inclus). Bonus gratuit sur notre site./ Recueil / Clarinette et Piano

This collection of pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes 23 well-known and popular themes by the great composers of this era, along with several short solo studies.The pieces selected have been arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course, they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano

piano reduction with solo part-Carl Maria von Weber (1786-1826) the great German romantic composer was after Mozart the first master to write distinguished works for the solo clarinet. They include two compositions with piano accompaniment: the Grand Duo Concertant and Theme and Variations; two compositions for clarinet and string quartet: the Clarinet Quintet and a set of Variations; three works for clarinet and orchestra: the Concertino and two Concertos.The Clarinet Concerto No.2 In E Flat Op.74 is a lively and majestic piece which truly explores the sonorities and technical capabilities of the instrument? the opening two notes of the solo Clarinet part span an interval of three octaves showing off the range and compass of the instrument! This is a tremendous work for solo Clarinet and Orchestra arranged here for B flat Clarinet with Piano accompaniment and edited by Eric Simon.The solo Clarinet in B flat part is also included on a separate insert.

Composed for the Paris Conservatoire contest by Pierre Revel (1901-1984)  Fantaisie is a melodious piece for Bb Clarinet and Piano. Rated as difficult (8°) this piece is perfect for demonstrating your skills and technique. Dedicated to Ulysse Delécluse  Fantaisie is divided in three main sections: - Prélude – Modderato (senza rigore) - Andante featuring a Cadenza by the Clarinet solo - Final which include a “Meno mosso” part and a “1 tempo” before closing on a really harmonious note. The mastering of breathingtechniques and a great flexibility are required for this piece which demonstrates the whole range of the instrument.

Chant Slave by Joseph Edouard Barat is a piece for Bb Clarinet and Piano inspired by a Slavic tune. Dedicated to E. Capelle a French musician who won the Paris Conservatory First Prize this piece has can be played by intermediate players (difficulty 4°). It features six parts including some variations of the main theme:  1. Moderé (Main theme) 2. Piú Vivo 3. 1° Tempo (Variation 1) 4. Piú Vivo 5. 1° Tempo (Variation 2) 6. 1° Tempo (Variation 3) This piece is really enjoyable and could be perfect for recital orcontests. Joseph Edouard Barat (1882-1963) composed numerous pieces for Wind instruments and Piano accompaniment such as 'Andante and Allegro' or 'Introduction and Dance' among many others.

Written for Bb Clarinet and Piano accompaniment Promenade is a work by Robert Clérisse. Quite short this really nice piece can be played by intermediate players. Starting “Andante Moderato” the transition from the first part to the second is made by a trill. The second part is slightly faster and more rhythmic “Allegretto commodo gai”. The piece slows down with a lyrical part to then lead to the finale on a “Presto” section with staccatos. Robert Clérisse (1899-1973) was a Saxophonist and composer. He was the founder of the Marcel Mule SaxophoneQuartet.

Sonatas op.120 for Clarinet and Piano-In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl adding “It would be really wonderful if you brought your B flat Clarinet with you andif you were in no great hurry” – for the two Sonatas Op. 120 were waiting to be rehearsed. The first performances were given privately directly afterwards and the press enthusiastically reported: “Thesonatas [...] are wonderful and will cause a great sensation”. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the Clarinet repertoire.

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinettists above all for presumably being the first to present them with a true solo concerto. Even though Stamitz left it at just this one concerto, it has enjoyed great popularity since its rediscovery in the 20th century and has become a standard work in the concert repertoire. Due to its moderate technical demands, it is ideally suited for music students as a ?first? solo concerto, and as preparation for the more demanding solo parts of Mozart, Weber and Spohr. The newly prepared piano reduction was undertaken with a view to make it easy to play so that also less experienced piano players can undertake the accompaniment of the soloist; a renowned clarinettist, editor Nicolai Pfeffer also contributes suggestions for the cadenzas ? the result is an ideal Urtext edition for student recitals and music schools.

Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano

arrangiert für Klarinette und Klavier-The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in A with Piano reduction by Ernest Roth and Clarinet arrangement by Frederick J. Thurston.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences  Bucolique for Clarinet and Piano being no exception. This Bozza piece for Clarinet is expressive and virtuosic displaying the entire range of the instrument accompanied by rhythmic and spread chords in the Piano. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Bucolique for Clarinet and Piano is suitable to the advanced clarinetist's repertoire.

14 Popular Works-14 popular works for Clarinet with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by EmmaJohnson.   'Every clarinettist needs the music in this book: an essential library for any player who is beginning to explore the repertoire... A faboulous book - highly recommended'.Music Teacher - February 2018

Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for virtuoso clarinetist Heinrich Baermann Concertino would become the first work of an impressive oeuvre for clarinet one which along with that of Mozart Spohr and Brahms constitutes the backbone of the repertoire.Internationally-recognized clarinetist Charles Neidich unites for the first time Weber's original text with the edition published by Baermann's son which had formed the basis of most subsequent editions. Also presented areexamples from Cyrille Rose's 1879 edition which was the foundation of the French tradition and which held much more closely to Weber's original. This new critical edition inspires those learning the piece to develop their ownpersonal yet informed interpretation of Weber's premiere clarinet masterpiece.

Edited for the first time based on the autograph.The only wind instrument for which Felix Mendelssohn wrote any solo works is the Clarinet. This Sonata written by a young Mendelssohn is genuine chamber music: the Clarinet and Piano are both used equally as a melody and an accompaniment instrument. The various playing characteristics of the Clarinet are not fully exploited; instead Mendelssohn focuses more on the cantabile character of the instrument.

The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in B-Flat as arranged by Ernest Roth and revised by Frederick J. Thurston.