Impressions of a Village-Bliss: Impressions of a Village contains three impressions of a village in the beautiful Brabant province in the Netherlands. The fi rst movement is in a very ‘classical style’ and appropriately captures the village’s history. Saxophones and a glockenspiel follow the path of a small playful river. The entire band join in as the small river approaches an ancient castle. The third movement contains lots of interesting rhythms portraying the hustle and bustle of everyday life in the village.

The largo theme from Dvor^ák's New World Symphony is arguably one of the most famous melodies in classical literature. This delightful setting by Chris Sharp is appropriate for bands at any level and is ideal for teaching literature and musicality with the same piece. An outstanding work at the beginning band level that you will want to hear.

Here is an opportunity to expose your band to the delightful graceful music of Edvard Grieg. This elegant arrangement of his famous piano tune offers a wide array of learning possibilities with regard to phrasing dynamics and the development of lyrical style. A wonderful piece for introducing your students to the joys of classical music.

Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!

Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!

Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy andenjoyable too. So much scope for virtually any combination of instruments!The series is successful with recorders guitars percussion and keyboard as well as with orchestral groupings. Whether there are five or fiftyplayers every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts eachone carefully written to suit the needs of each instrument. For example easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too for experiencedplayers. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must forevery school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In F. Edited by Nicholas Hare.

One of the all-time favorite production numbers for the Canadian Brass is this clever arrangement that combines The Hallelujah Chorus with When the Saints Go Marching In. Johnnie has created an easier version of this classicallowing it to beperformed by younger groups. What a great idea! (Grade 21/2)

from Gianni Schicchi (Oh My Dear Papa)-From the Puccini opera Gianni Schicchi this is one of the most beautiful and recognizable melodies in all of classical music. Providing a marvelous opportunity for lyric style playing Johnnie Vinson's authentic-soundingadaptation for young players will be enjoyed at concerts and festivals alike. Dur: 2:00

Using two distinctive themes from Dvorák's Symphony No. 9 (From The New World) Paul Murtha has crafted an effective piece for beginning bands. The opening slow section from the 2nd movement is followed by thefamiliar powerful strains of the 4th movement. An excellent introduction for beginners to one of the great classical composers. Dur: 2:30 (Grade 1)

Deck the halls with this Broadway-style yuletide treat! Your audience will be filled with the Christmas spirit after this uplifting medley. Chris Sharp brings his wealth of commercial arranging experience to bear in this holiday spectacular that includes everything from classical to swing and funk! Ideal as a closer or encore work this grand finale is sure to bring the house down!

Tchaikovsky’s Finale from Symphony No. 4 is one of the most stirring pieces in the symphonic repertoire. This outstanding arrangement makes it quite accessible for younger players and highlights the major themes throughout the movement. An ideal choice for directors searching for well-known classical transcriptions that will not be overly taxing on students. (3:24)

Valdemossa a town situated in the mountains of the Mediterranean island of Mallorca inspired composer Matthias Rudolf to write this work. The picturesque Mediterranean village has a distinct Spanish flair and the magnificent landscape surrounding the town leaves a lasting impression. Valdemossa is also a place of cultural tradition - composer Frédéric Chopin spent several months in this town. The work consists of several parts merging with various characters. Calm pensive passages alternate with expressive lyrical and rhythmic parts connected by a theme that returns in different variations. Spanish folklore elements—which are embedded in the formal structure of a?classical? rhapsody and represent the southern European atmosphere of Valdemossa—leave their mark on the complete work.

This energetic new work fuses the percussion of street musicians the wind and brass colors of modern jazz and the form and structure of classical music. Percussionists play everything from plastic buckets to clay flowerpotswhile laying down a heavily syncopated groove. There is an open section that allows any instrument you desire the unique opportunity to show off their improvisational skills in a wind ensemble setting. This piece is asrhythmically and melodically infectious as it is soulfully uplifting - a guaranteed crowd-pleaser. (Grade 4)

The simplicity and beauty of Pachelbel's haunting theme has made it one of the most famous classical compositions ever written as evidenced by recording sales. Calvin Custer's adaptation keeps the integrity of the original Canadian Brass arrangement.

George Gershwin???s music combines musical styles heard in the United States at the beginning of this century such as jazz and blues with aspects of European classical music. Gershwin???s breakthrough came in 1924 with Rhapsody in Blue. Following several versions of this piece Gershwin made what is probably the best known arrangement - for piano and symphony orchestra. Takahashi has created a further new and exciting version for wind orchestra.