SKU: HL.124832
ISBN 9781480370562. UPC: 884088984700. 5.25x8.75x1.899 inches.
Play great chords instantly! The ChordBuddy learning system helps you make the C, D, G, & Em chords. All you have to do it press the buttons and strum! As soon as the ChordBuddy is properly attached to your acoustic or electric guitar, you will be able to play music and sound great. Follow the Lesson Plan and within a few weeks, you'll begin removing some of the tabs and making the chords on your own. Before you know it, you'll be able to play the guitar without ChordBuddy! The included Download Card gives you access to video lessons and a Lesson Book. Instructions for using the ChordBuddy and more can be accessed online. The package includes the ChordBuddy device, plus digital access to instructional videos, lesson plan, and songs.
SKU: AP.18457
ISBN 9788863880502. UPC: 038081171852. Spanish.
About Basix! Series
Basix is all you need to take off with your instrument. Alfred has worked hard to help you start learning today with this easy-to-use, comprehensive series. You won't get frustrated by moving too fast or bored by moving too slow! Included are photographs of many great performers to fire your imagination and help you stay focused on becoming a star yourself! To top it off, you can put what you learn to work when you play along with the companion CD. Set your sights high by beginning with Basix -- the series that will get you there!
SKU: UT.CH-387
ISBN 9790215328235. 9 x 12 inches.
Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.
