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| Sonatina
String Orchestra [Score] - Easy
Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Focus [Complete Set]
String Orchestra [Score and Parts]
Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications
$399.98 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Serenade In E Minor, Op. 20
String Orchestra [Set of Parts]
G. Henle
String Parts String Orchestra (Parts) SKU: HL.51483312 For String Orch...(+)
String Parts String Orchestra (Parts) SKU: HL.51483312 For String Orchestra String Set Parts. Composed by Edward Elgar. Edited by Rupert Marshall-Luck. Henle Music Folios. Classical. Softcover. 70 pages. G. Henle #HN3312. Published by G. Henle (HL.51483312). UPC: 196288207214. 9.25x12.0x0.523 inches. Elgar's Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces for strings from 1888 can no longer be ascertained, since only the titles of those pieces âSpring Songâ, âElegyâ and âFinaleâ, have come down to us. However, these titles would also characterise the movements of the Serenade surprisingly well. Posterity shares Elgar's positive assessment to the present day: the Serenade op. 20 is not only one of his most popular compositions, but is among the most frequently played works in the string-orchestra literature. Edited by British Elgar specialist Rupert Marshall-Luck, this classic now appears in Henle Urtext as conducting score, performance material and handy study edition. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$64.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Serenade In E Minor, Op. 20
String Orchestra [Score]
G. Henle
String Orchestra (Full Score) SKU: HL.51483310 For String Orchestra Fu...(+)
String Orchestra (Full Score) SKU: HL.51483310 For String Orchestra Full Score. Composed by Edward Elgar. Edited by Rupert Marshall-Luck. Henle Music Folios. Classical. Softcover. 5 pages. G. Henle #HN3310. Published by G. Henle (HL.51483310). UPC: 196288207221. 10.0x12.75x0.129 inches. Elgar's Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces for strings from 1888 can no longer be ascertained, since only the titles of those pieces âSpring Songâ, âElegyâ and âFinaleâ, have come down to us. However, these titles would also characterise the movements of the Serenade surprisingly well. Posterity shares Elgar's positive assessment to the present day: the Serenade op. 20 is not only one of his most popular compositions, but is among the most frequently played works in the string-orchestra literature. Edited by British Elgar specialist Rupert Marshall-Luck, this classic now appears in Henle Urtext as conducting score, performance material and handy study edition. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Serenade In E Minor Op. 20
String Orchestra [Study Score / Miniature]
G. Henle
String Orchestra (Study Score) SKU: HL.51487004 For String Orchestra S...(+)
String Orchestra (Study Score) SKU: HL.51487004 For String Orchestra Study Score. Composed by Edward Elgar. Edited by Rupert Marshall-Luck. Henle Study Scores. Classical. Softcover. 43 pages. G. Henle #HN7004. Published by G. Henle (HL.51487004). UPC: 196288206910. 6.5x9.25x0.183 inches. Elgar's Serenade for Strings was composed in 1892 and represents the first of his works with which the 35-year-old composer was truly satisfied. Whether, as often claimed, it derives from three pieces for strings from 1888 can no longer be ascertained, since only the titles of those pieces âSpring Songâ, âElegyâ and âFinaleâ, have come down to us. However, these titles would also characterise the movements of the Serenade surprisingly well. Posterity shares Elgar's positive assessment to the present day: the Serenade op. 20 is not only one of his most popular compositions, but is among the most frequently played works in the string-orchestra literature. Edited by British Elgar specialist Rupert Marshall-Luck, this classic now appears in Henle Urtext as conducting score, performance material and handy study edition. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| We Three Kings
String Orchestra [Score and Parts]
Carl Fischer
Arranged by Sean O'Loughlin. String orchestra. For violin I, violin II, violin I...(+)
Arranged by Sean O'Loughlin. String orchestra. For violin I, violin II, violin III (viola TC), viola, cello, bass, piano. Score and parts. 94 12 pages. Duration 3 minutes. Published by Carl Fischer
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sunny Strings
String Orchestra [Score and Parts] - Easy
De Haske Publications
String Orchestra - early intermediate SKU: BT.DHP-1094612-070 Four pop...(+)
String Orchestra - early intermediate SKU: BT.DHP-1094612-070 Four popular pieces for string orchestra orchestra. Composed by Nico Dezaire. De Haske String Orchestra Series. Set (Score & Parts). Composed 2009. 24 pages. De Haske Publications #DHP 1094612-070. Published by De Haske Publications (BT.DHP-1094612-070). ISBN 9789043131636. 12 X 9 inches. English-German-French-Dutch. The De Haske String Orchestra Series offers attractive pieces especially composed and arranged for string orchestras. Students and teachers are treated to a great variety of musical styles. Each part presents a challenge to the player. The Viola part can be replaced by a 3rd Violin part, and the Double bass part can be replaced by a 2nd Cello part. The Piano part is mainly meant for support, but it occasionally adds new motifs as well. The four pieces in Sunny Strings allow the string orchestra to sound predominantly sunny in mood. Have fun playing together!
De De Haske String Orchestra Series biedt u aantrekkelijke, speciaal voor strijkorkest gecomponeerde en gearrangeerde werken. De stukken zijn geschreven in verschillende stijlen: van klassiek en folk tot moderne, populaire muziek. Iedere partij is zo geschreven dat elke speler in het orkest een uitdaging heeft. De partij voor altviool kan door een derde viool worden vervangen. De partij voor contrabas kan ook door een tweede cello worden gespeeld. De pianopartij dient als ondersteuning, maar voegt soms ook nieuwe motieven toe aan de muziek. Sunny Strings is een moderne suite vol verbluffende effecten in vier delen.
Die De Haske String Orchestra Series bietet attraktive, speziell fu r StreichÂorchester komponierte und arrangierte Stu cke in einer stilistischen Vielfalt von Klassik u ber Folk bis zu modernen U-Musikstilen. Jede Stimme stellt dabei besondere Herausforderungen an die Spieler. Die Violastimme kann durch eine dritte Violine und der Kontrabass durch ein zweites Cello ersetzt werden. Die Klavierstimme dient zur Unterstu tzung, fu gt aber zuweilen auch neue Motive hinzu. Sunny Strings ist eine moderne, vorwiegend heitere Suite aus der Feder von Nico Dezaire voll verblu ffender Effekte in vier Sätzen.
De Haske String Orchestra Series : Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des œuvres publiées dans cette collection. L’instrumentation est toujours la même : Violons 1 & 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano. Sunny Strings contient quatre petits imprimés fleuris aux mille et une couleurs du soleil. Le bonheur est dans l’interprétation !
De Haske String Orchestra Series è una nuova raccolta pensata per i suonatori di archi principianti. Le composizioni e gli arrangiamenti raccolti sotto questa etichetta sono perfetti per chi inizia a suonare e prongono stili variegati. Ogni pubblicazione è accompagnata da un CD che contiene una versione demo dei brani. La strumentazione è sempre la stessa: violino 1 & 2, viola (o violino 3), violoncello, contrabbasso (o violoncello 2) e piano.Tracce Demo:1. A Sunny Day2. Sunday Party3. Sunny Blues4. The Ghost of TomPer effettuare il download delle tracce demo, clicca sul titolo selezionato e scegli “Salva come†nel menu. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Classical Highlights
String Orchestra [Score and Parts] - Beginner
De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score & Parts). Composed 2009. 24 pages. De Haske Publications #DHP 1094713-070. Published by De Haske Publications (BT.DHP-1094713-070). ISBN 9789043131919. 9x12 inches. English-German-French-Dutch. The De Haske String Orchestra Series offers attractive pieces especially composed and arranged for string orchestras. Students and teachers are treated to a great variety of musical styles. Each part presents a challenge to the player. The Viola part can be replaced by a 3rd Violin part, and the Double bass part can be replaced by a 2nd Cello part. The Piano part is mainly meant for support, but it occasionally adds new motifs as well. Classical Highlights is a collection of six arrangements of classical themes dating from 17th to 19th century. The parts have been kept easy and attractive; at the same time they stay close to the original.
De De Haske String Orchestra Series biedt u aantrekkelijke, speciaal voor strijkorkest gecomponeerde en gearrangeerde werken. De stukken zijn geschreven in verschillende stijlen: van klassiek en folk tot moderne, populaire muziek. Iedere partij is zo geschreven dat elke speler in het orkest een uitdaging heeft. De partij voor altviool kan door een derde viool worden vervangen. De partij voor contrabas kan ook door een tweede cello worden gespeeld. De pianopartij dient als ondersteuning, maar voegt soms ook nieuwe motieven toe aan de muziek. Classical Highlights is een verzameling arrangementen van klassieke thema’s die dateren uit de 17e tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven: tegelijkertijd blijven de arrangementen dicht bij het origineel.
Die De Haske String Orchestra Series bietet attraktive, speziell fu r StreichÂorchester komponierte und arrangierte Stu cke in einer stilistischen Vielfalt von Klassik u ber Folk bis zu modernen U-Musikstilen. Jede Stimme stellt dabei besondere Herausforderungen an die Spieler. Die Violastimme kann durch eine dritte Violine und der Kontrabass durch ein zweites Cello ersetzt werden. Die Klavierstimme dient zur Unterstu tzung, fu gt aber zuweilen auch neue Motive hinzu. Classical Highlights enthält Bearbeitungen von sechs klassischen Themen aus der Zeitspanne vom 17. bis zum 19. Jahrhundert. Die Stimmen wurden einfach und ansprechend gestaltet und sinddoch zugleich getreu dem Original. Die Ausgabe enthält ein Rigaudon von Henry Purcell, das berühmte Menuett aus der Feuerwerksmusik von Händel, ein Andante von Haydn (das Thema mit dem berühmten Paukenschlag), das Thema aus Beethovens Violinkonzert, Das große Tor von Kiew aus Bilder einer Ausstellung von Modest Mussorgsky und schließlich noch España von Waldteufel und Chabrier.
De Haske String Orchestra Series : Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des œuvres publiées dans cette collection. L’instrumentation est toujours la même : Violons 1 & 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano. Classical Highlights est un recueil qui réunit six arrangements de grands thèmes classiques du XVIIe au XIXe siècle. Les parties sont motivantes et facilement accessibles, explorant avec justesse l’oeuvreoriginale.
De Haske String Orchestra Series è una nuova raccolta pensata per i suonatori di archi principianti. Le composizioni e gli arrangiamenti raccolti sotto questa etichetta sono perfetti per chi inizia a suonare e prongono stili variegati. La strumentazione è sempre la stessa: violino 1 & 2, viola (o violino 3), violoncello, contrabbasso (o violoncello 2) e piano.Classical Highlights è una pubblicazione che raccoglie sei arrangiamenti di grandi temi classici del XVII e XIX secolo. Brani motivanti e facilmente accessibili, che rendono onore all‘originale.Tracce Demo:1. Rigaudon2. Minuet3. Andante4. Allegro5. Great Gate of Kiev6. EspanaPer effettuare il download delle tracce demo, clicca sul titolo selezionato e scegli “Salva come†nel menu. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Cliffhanger
String Orchestra [Score and Parts] - Easy
Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34 Full Sco...(+)
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34 Full Score and Parts. Composed by Sean O'Loughlin. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12+16+16+4+10+10+10+4 pages. Carl Fischer Music #CAS34. Published by Carl Fischer Music (CF.CAS34). ISBN 9780825861055. UPC: 798408061050. 8.5 X 11 inches. Key: E minor. Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!.
Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday-afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walk Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Cliffhanger
String Orchestra [Score] - Easy
Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34F Composed b...(+)
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS34F Composed by Sean O'Loughlin. SWS. Carl Fischer Concert String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #CAS34F. Published by Carl Fischer Music (CF.CAS34F). ISBN 9780825861062. UPC: 798408061067. 8.5 X 11 inches. Key: E minor. Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching. Nicely done!.
Cliffhanger is a programmatic work for string orchestra that harkens back to the days of silent film. One of the lasting images of that time period is the Saturday- afternoon matinee, where each episode ended on a cliffhanger until it could be continued next week. This piece tells the familiar story of the damsel in distress who is tied up to the train tracks as a train is approaching.The opening of the piece sets the scene with danger and desperation. By m. 6, our hero is making his way on horseback to rescue the fair maiden. This main melody is developed and passed around the ensemble until m. 36, at which point despair sets in. The music is rich with romantic harmonies and inner lines. Be sure to bring out these inner lines to add to the passion and drama of the moment. It continues to build until a thunderous arrival at m. 49. From there we return to our hero, who is now getting close to the train tracks to save the fair maiden. The tension becomes the highest at m. 61, when we are still not sure if our hero will make it in time. But alas, at m. 68 he swoops in to save the day and rescue the fair maiden. Of course, they live happily ever after.My hope is that your ensemble will have some fun with this style of music. It was adapted from an arrangement I wrote for the new pipe organ at the Walt Disney Concert Hall in Los Angeles. They wanted some scary train music to show children how the organ was used back before movies had sound. Strings provide a heightened sense of drama with this genre of music. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Harvest Moon
String Orchestra [Score and Parts] - Beginner
Carl Fischer
By Larry Clark. For string orchestra. Carl Fischer First Plus String Orchestra S...(+)
By Larry Clark. For string orchestra. Carl Fischer First Plus String Orchestra Series. Grade 1.5-2. Score and parts. Published by Carl Fischer
$53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Transfigured Night Op. 4
String Orchestra
G. Henle
Parts String Sextet (Strings) SKU: HL.51481565 String sextet, set of p...(+)
Parts String Sextet (Strings) SKU: HL.51481565 String sextet, set of parts. Composed by Arnold Schönberg. Edited by Annette Oppermann. Henle Music Folios. Chamber, Classical. Softcover. 93 pages. G. Henle #HN1565. Published by G. Henle (HL.51481565). UPC: 196288206941. 9.25x12.0x0.363 inches. In setting Richard Dehmel's poem âVerklärte Nachtâ (Transfigured Night) in his op. 4, the young Arnold Schönberg pursued the intention, as he himself said, of âattempting those new forms in chamber music which have been created in orchestral music based on a poetic ideaâ. Composed in September 1899 in a few weeks whilst he was on holiday, the Sextet incorporates the ideas of the symphonic poem in its programmatic character and its one-movement form, and also displays late Romantic traits in its opulent tone. Already at its premiere in 1902 in Vienna, the special quality of the work was recognised, characterised by âpeculiar sound combinations and groundbreaking figuresâ, a work which was to become a true modern classic in the 20th century. For this Urtext edition, both the autograph score and the 1905 first edition have been consulted, as well as Schönberg's personal copies which are preserved in Vienna and contain numerous markings by the composer. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$45.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Transfigured Night Op. 4
String Orchestra [Study Score / Miniature]
G. Henle
String Sextet (Study Score) SKU: HL.51487565 For String Sextet Study S...(+)
String Sextet (Study Score) SKU: HL.51487565 For String Sextet Study Score. Composed by Arnold Schoenberg. Edited by Annette Oppermann. Henle Study Scores. Classical. Softcover. 87 pages. G. Henle #HN7565. Published by G. Henle (HL.51487565). UPC: 196288206903. 6.5x9.25x0.235 inches. In setting Richard Dehmel's poem âVerklärte Nachtâ (Transfigured Night) in his op. 4, the young Arnold Schönberg pursued the intention, as he himself said, of âattempting those new forms in chamber music which have been created in orchestral music based on a poetic ideaâ. Composed in September 1899 in a few weeks whilst he was on holiday, the Sextet incorporates the ideas of the symphonic poem in its programmatic character and its one-movement form, and also displays late Romantic traits in its opulent tone. Already at its premiere in 1902 in Vienna, the special quality of the work was recognised, characterised by âpeculiar sound combinations and groundbreaking figuresâ, a work which was to become a true modern classic in the 20th century. For this Urtext edition, both the autograph score and the 1905 first edition have been consulted, as well as SchönbergÂs personal copies which are preserved in Vienna and contain numerous markings by the composer. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
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String Orchestra
Associated
Violin 2 Part. By Various. Arranged by Marshall Ocker. (Violin). Orchestra. Siz...(+)
Violin 2 Part. By Various. Arranged by Marshall Ocker. (Violin). Orchestra. Size 9x12 inches. 32 pages. Published by Associated.
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