A superb and comprehensive collection of gospels and spirituals for Gospel choirs, containing a selection of classic favourites and rarer treasures in this bright and soulful idiom. The Ultimate Gospel Book Volume 1 contains 30 lively, invigorating songs which are all in delightful settings for Mixed Choir SATB, arranged by Jeff Guillen. CONTENT: Amen, Balm In Gilead, Burden Down, By An By, Certainly, Come And Go, Deep River, Didn t My Lord Deliver Daniel, Down By the Riverside, Free At Last, Goin to Set Down, Good News, The Gospeltrain, He s Got the Whole World, Hold On, I Know the Lord, Joshua Fight the Battle of Jericho, Let Us Break Bread, Lord, Lord, Lord, Rocks on the Mountains, Roll Jordan, Somebody s Knocking, Sometimes I Feel, Steal Away, There s a Meeting, Trampin , Wade In the Water, Walk Together Children, Were You There, When the Stars Begin to Fall.

The same singing technique the pros use is now available to you! In the world of show-business where time is money Seth Riggs is the man professionals turn to for results. He has worked with some of the biggest names including Stevie Wonder Luther Vandross and Michael Bolton. You will learn how to sing with a strong clear and flexible voice over a range that you never dreamed possible. No matter what style of music you sing - pop rock gospel or opera Seth Riggs's method of voice training is the proven to bring fantastc results. Includes two professionally recorded CD's of exercises instructions and practice. A great teacher is able to direct a singertoward a healthier more extensive use of his voice without losing that special quality that sets him apart Seth Riggs is such a teacher. His assistance on my albums Thriller Bad Dangerous and HIStory confirmed my confidence in his approach. Michael Jackson.

A complete course in Vocal techniques. The same singing techniques used by professionals are now available for you. Learn to sing with a strong clear and moving voice with a register never imagined as possible.Whatever style of music you sing - pop rock gospel opera or comedy musicals this Vocal training method by Seth Riggs will help you to improve.

Backpocket Old-Time Songbook is considered a classic. In addition to song lyrics musical notation and guitar chords it is packed with hints on singing in the right key singing with an instrument transposing your chords usinga capo plus a short history of old-time songs minstrel songs dance tunes knockdown tunes ballads parlor songs and gospel songs. Includes numerous vintage photos. Includes words music and history of: Angelina Baker Bald-Headed End of the Broom Bravest Cowboy Bully of the Town Cindy Cluck Old Hen Come Take a Trip in My Airship Cotton-Eyed Joe Cumberland Gap Darling Nelly Gray Diamond Joe Dixie Don’t You Hear Jerusalem Moan? GroundHog Hard Times Come Again No More I’m Gwine Back to Dixie I’m the Man Who Rose the Mule Around the World Jordan is a Hard Road to Travel Keep My Skillet Good and Greasy Kingdom Coming Little Rosewood Casket Little LogCabin in the Lane Little Stream of Whiskey Milwaukee Blues Mole in the Ground Oh Them Golden Slippers Oh My Little Darling Old Maid’s Last Hope Pap’s Billy Goat Pretty Saro Rambling Boy Shady Grove Shall We Gather atthe River? Sourwood Mountain Sugar Babe Watermelon on the Vine Wild Bill Jones Wildwood Flower Wind and Rain Yellow Rose of Texas.

KS1 & KS2. Durée: environ 30 minutes. Rocher de la Nativité! est la dernière comédie musicale de Sheila Wilson, le compositeur de Hosanna Rock! Ses sept originaux, chansons accrocheuses et jouer divertissant raconter l'histoire de Noël avec brio et enthousiasme, les enfants et le public va adorer. Le spectacle commence et se termine par une célébration à la main jiving, et entre-deux sont une chanson gospel agitation, une douce berceuse, et trois autres taper du pied, les numéros de bascule. Il ya environ 30 parties parlant, y compris un 'directeur' et ses deux assistants stade, mais ce nombre est flexible. Par exemple, les groupes de sympathisants, aubergistes et les épouses, les bergers, les soldats et les anges peuvent être de toute taille. Nous donnons l'autorisation complète pour le jeu et les pièces de langue pour être adapté à votre plâtre. Les sept chansons de CD et playbacks rock et les enfants vont adorer apprendre les chansons accrocheuses. Les deux parties facilement le chant ajoute à l'effet professionnel. / Chant/Vocal/Choeur / 20 pages / Livre

Brenda Rattray's The Joy of Singing is for children young people and adults in primary schools secondary schools youth groups and churches who would like to build a singing community. Whether a musician or not the twenty fun songs in this collection will bring variety and enjoyment - perfect for reinforcing confidence in any choir! A wealth of material in here... there are unison songs simple part-singing songs with four or more parts; arrangements of well-known spirituals including: Wade In The Water Rocka My Soul Kumbayah and Swing Low Sweet Chariot; and original songs including African and gospel styles and influences. Detailedteaching notes on each song are included with discussion points and extension activity suggestions. Citizenship and PSHE themes are also incorporated making the material ideal for Key Stage 2-3 (Scottish P3-S2 plus). The accompanying 2 CDs contain Audio backing and performance tracks as well as a PDF of lyrics on the Enhanced CD for easy printing/projection.

Building a Vocal Community-Includes Four CDsIndividuals friends choirs church camp and community groups of any background will enjoy participating in this uplifting singing tradition. Ysaye M. Barnwell a charter member of the great a cappella group Sweet Honey in the Rock teaches melodies harmonies rhythms and counter-melodies to 17 traditional songs from African American culture including spirituals hymns gospels and songs from the Civil Rights Movement.The CD's in this series contain songs which were originally taught in the context of a 5 day workshop. In a workshop often having between 40 and 60 people songs are taught without printed music or printedwords and without pitch pipes or musical instruments other than those which help create and maintain the rhythmic foundation and intensity of the songs. This method of passing on knowledge is very much in the oral/aural tradition. Here for the sake of clarity the words to all the songs have been provided but the music itself is presented in the form of an oral/aural score which must be listened to.