Par VOSS RICHARD. Turlough O'Carolan est né dans le comté de Meath en Irlande en 1670. Il a été formé comme un jeune à jouer de la harpe et tout au long de sa vie composé un grand nombre de chansons. O'Carolan a développé un style personnel, contenant les éléments mélodiques de musique irlandaise de folk, la musique de harpe courtois et la musique baroque italienne. Musique de O'Carolan n'a été publiée au cours de sa vie - donc, diverses versions de ses mélodies ont été prononcées par le biais de la tradition aural. On ne sait pas aussi comment il accompagne ses mélodies. Cette collection présente 35 mélodies préférées de O'Carolan facilement jouables, animés d'accords de piano. Ce nombre comprend trois mélodies originales par Richard Voss inspiré par et dans le style du maître au début. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Piano

Danny Boy is considered to be an unofficial signature song or anthem by many Irish communities especially Irish Americans and Irish Canadians. The traditional Irish tune ‘The Derry Air’ (also known as ‘Londonderry air’) was first collected in the mid 19th century by Jane Ross and is recognised all around the world by the Irish Diaspora. In combination with the words of the ballad written by English lyricist Frederic Weatherly in 1910 Danny Boy is widely regarded as one of the most emotional and beautiful pieces of Irish heritage. Ossian Publications presents this timeless classic arranged for Voice and Piano accompaniment withoptional easy Guitar chords. Which at first seems like a tragic love story can also be interpreted as a parent's message to a son going off to war or leaving as a part of the Irish diaspora. This ambivalent meaning allows Danny Boy to be played at various occasions.

Piano Solos Of Traditional Irish Folk Music. Par VOSS RICHARD. Irish folk song ' est le terme générique qui désigne ballades, chansons rebel, chants de travail, berceuses, lamentations et chansons à boire. Beaucoup de chansons folk irlandais développé à partir des événements historiques et de la mythologie celtique et comprennent des airs, polkas, jeu de danse, longtemps dances, turluttes, diapositives, slip jigs, hornpipes et bobines. Environ 200 tunes de la grande harpiste irlandaise Turlough O'Carolan ont survécu aussi par le biais de la tradition phonétique. Cette collection contient 38 tunes représentant un vaste échantillon représentatif du folk irlandais qui ont été pris pour piano solo intermédiaire. En outre, les chansons sont utilisables comme matériel d'enseignement, comme des pièces de récital ou comme de la musique pour la danse. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Piano

A collection of easy to play Irish Jigs and Reels set for Piano solo. Arranger Colin Mowby has lived in Ireland for more than 20 years and this selection of tunes reflects his attraction to Traditional Irish Music culture andlife. An enjoyable and rhythmic collection full of vitality and beauty.

Featuring carefully crafted pianistic arrangements this essential collection includes dozens of well-known melodies and favorite folk songs. Contents include: All Through the Night; America (My Country 'Tis of Thee); Auld Lang Syne; The Erie Canal; Greensleeves; Hava Nagila; Irish Washerwoman; Kum Ba Yah; La Cinquantaine; The Londonderry Air; The Lorelei; The Merry Widow Waltz; Morning Has Broken; Raisins and Almonds; Scarborough Fair; Simple Gifts; The Skaters Waltz; The Sloop John B.; The Stars and Stripes Forever; Swanee; Take Me Out to the Ball Game; Tum-Balalaika; Two Guitars; The Washington Post March; You're A Grand Old Flag.

110 Carolan Tunes Book/2-Cd Set / Niveau : Débutant à Intermédiaire / Celtic/Irish - Songbooks / Recueil / Tout Instrument

Hal Leonard Student Piano Library Early Elementary Showcase Solo-Put your dancing shoes on and join Hal Leonard Student Piano Library mascot Party Cat for this lively jig! This piece is sure to please any beginner. A simple single–line melody is the star of the show moving by steps and skips between the hands. The lively tempo makes this a showstopper recital piece. An imaginative teacher accompaniment provides a “Touch o'the Irish” to the solo tune. Hal Leonard Student PianoLibrary (Early Elementary); 3/4; Allegro tempo; keyboard guide for hand position; Middle–C orientation; uses B–flat as accidental in places; no lyrics.

Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content : I. Walsingham. John Bull (see No. LXVIII) II. Fantasia [IX]. John Munday III. Fantasia, Faire Wether, etc. John Munday IV. Pavana [I]. Ferdinando Richardson V. Variatio [I]. Ferdinando Richardson VI. Galiarda [I]. Ferdinando Richardson VII. Variation [I]. Ferdinando Richardson VIII. Fantasia [VII]. William Byrd IX. Goe from my Window. Thomas Morley (see No. XLII) X. Jhon come kisse me now. William Byrd XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull XII. Nancie. Thomas Morley XIII. Pavana [VII]. John Bull XIV. Alman [IX]. Anon XV. Robin [see No. CXXVIII). John Munday XVI. Pavana [II]. M. S. XVII. Galiarda [X]. John Bull XVIII. Barafostus' Dreame. Anon (see No. CXXXI) XIX. Muscadin (see No. CCXCIII). Anon XX. Alman [VII]. Anon XXI. Galiarda [I]. Anon XXII. Praeludium [VII]. Anon XXIII. Praeludium, El. Kiderminster. Anon XXIV. Praeludium [XIII]. William Byrd XXV. Praeludium [XIII]. Anon XXVI. The Irish Ho-Hoane. Anon XXVII. Pavane [VII]. Ferdinando Richardson XXVIII. Variatio [VII]. Ferdinando Richardson XXIX. Galiarda [I*]. Ferdinando Richardson XXX. Variatio [I*]. Ferdinando Richardson XXXI. The Quadran Pavan. John Bull (see No. CXXXIII) XXXII. Variation of the Quadran Pavan. John Bull XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV) XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII) XXXV. Galiard to the Pavan [IX]. John Bull XXXVI. Saint Thomas Wake. John Bull XXXVII. In Nomine [X*]. John Bull XXXVIII. [Fantasia. IX*]. John Bull XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby XL. The Woods so wilde. Orlando Gibbons (see No. LXVII) XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull XLII. Goe from my Window (see No. IX). John Munday XLIII. Praeludium [I]. John Bull XLIV. Gloria tibi Trinitas. John Bull XLV. Salvator Mundi. John Bull XLVI. Galliarda [VII]. John Bull XLVII. Variatio [VII]. John Bull XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull XLIX. Praeludium. Thomas Oldfield L. In Nomine. William Blitheman LI. Ut, Re, Mi, Fa, Sol, La. John Bull LII. Fantasia [IX]. William Byrd (see No. C) LIII. The K[ing's] Hunt. Giles Farnaby LIV. Spagnioletta. Giles Farnaby LV. For two Virginals. Giles Farnaby LVI. Passamezzo Pavana. William Byrd LVII. Galiardas Passamezzo. William Byrd LVIII. The Carman's Whistle. William Byrd LIX. The Hunt's up. William Byrd (see No. CCLXXVI) LXI. Treg[ian's] Ground. William LXI. Monsieur's Alman. William Byrd LXII. Variatio. William Byrd LXIII. Alman [XIII]. William Byrd LXIV. Sellenger's Round. William Byrd LXV. Fortune. William Byrd LXVI. O Mistris myne. William Byrd LXVII. The Woods so wilde. William Byrd (see No. XL) LXVIII. Walsingham. (See No. I.) William Byrd LXIX. The Bells. William Byrd LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips LXXI. Freno. 2a. Parte. Peter Philips LXXII. Così morirò. 3a. Parte. Peter Philips LXXIII. Fece da voi. à 6. Peter Philips LXXIV. Pavana Pagget. Peter Philips LXXV. Galiarda [I**]. Peter Philips LXXVI. Passamezzo Pavana. Peter Philips LXXVII. Galiarda Passamezzo. Peter Philips LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips LXXXI. Galiarda Dolorosa. Peter Philips LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips LXXXIII. Margott laborez. [Lasso, set by] Peter Philips LXXXIV. Fantasia [VII]. Peter Philips LXXXV. Pavana [VII]. Peter Philips LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips LXXXVII. Galliardo [VII]. Peter Philips LXXXVIII. Fantasia [XIII*]. Peter Philips LXXXIX. Fantasia. Nicholas Strogers XC. Alman [IX]. Martin Peerson XCI. Pavana, Bray. William Byrd XCII. Galiarda. William Byrd XCIII. Pavana. Ph. Tr. William Byrd XCIV. Galiarda [XIII*]. William Byrd XCV. Toccata. Giovanni Pichi XCVI*. Praeludium Toccata. J. P. Sweelinck XCVII. Pavana. Thomas Warrock XCVIII. Galiarda. Thomas Warrock XCIX. Praeludium. Galeazzo C. Praeludium to the Fancie, No. LII. William Byrd CI. Ut, re, mi, fa, sol, la. William Byrd CII. Ut, mi, re. William Byrd CIII. Fantasia [XIII]. William Byrd CIV. All in a Garden green. William Byrd CV. Heaven and Earth. Fre CVI. Praeludium [VII]. John Bull CVII. Veni. Anon CVIII. Fantasia [IX*]. John Bull CIX. Felix namque. Thomas Tallis

One of the most important compilations of traiditonal Irish Music. Out of print for many years the original volumes has become a rare collector's item. This new edition enables all musicians to share the pleasures of the these long-cherished airs and dances. 201 Classic Tunes arranged for Piano.

25 of the very best Irish song and dance tunes that characterise the rich Celtic sound. All pieces have been arranged with simple Piano parts alongside Keyboards Harp Guitar Accordion and all melody instruments. The perfect sourcebook for those heart-warming singalongs!

Un excellent album contenant plus de 155 pages de mélodies classiques et traditionnelles, arrangées pour piano facile par Carol Barratt. Inclus la Lettre à Elise, La Sonate au Clair de Lune et le le Can-Can / Classique / Arrangements : Carol Barrat / Partition /